Der einsame Tausendmeilenritt

A young Japanese film maker is in hospital in Tokyo. His estranged father tries to visit, but the son refuses to see him. So, as a gesture of reconciliation, the father decides to go to China to complete the filming of a Chinese opera, called "Riding Alone for Thousands of Miles," which the son was working on but unable to finish. But the master singer whom the son was most interested in filming is now in jail, so official permission must be granted. And then the singer has a breakdown because he wants to see his own young son who is way off in the country somewhere. So the Japanese father now has to travel distances to find the son of the singer. A strong and beautiful film as one would expect from master director Yinou Zhang, it is a tale of one man's journey both into the world and into himself. In a way, it's a road movie, but there's more than one kind of road involved. Unlike his more dramatic fantasies, this is a quiet and haunting story, filled with stunning images from the hidden heart of China. Highly recommended.

It has been a long time since Zhang last pull an intimate angle on his film. It feels good to watch a simple story that filled our emotions right to the brim.

If i'm not wrong. this is the first time Zhang focus on MAN's emotion. His protagonist have always been females. (The 2 most famous actress from china - gongli and zhang ziyi is a result of his great foresight.) Zhang Yimou possess a good eye for casting. Both old man and little boy exudes certain stunning charisma that i find them look alike to each other. Both possess a ruggard face that reads hardship and strength. Ironically these man and boy of rock are hit by the softness of kinship. whatever it is, they stand tall in the face of sad history. watching the heart map of a solid MAN like takakura is one of the most touching thing for me. i was moved by the story.

it was so rare to watch the male characters to be dissect by Zhang. When that happens, they are much pale (quiet & reserved) in comparison to the other female characters in zhang's previous film. for me, that is novelty. kudos to zhang for reinventing himself!

Getting into the human equation and away from acrobatic flying daggers, director Yimou Zhang spins solid gold in his latest film, RIDING ALONE FOR THOUSANDS OF MILES.

Set against the stunningly picturesque Yunnan Province in southwestern China, Gou-ichi Takata (Ken Takakura) leaves his beloved Japanese fishing village to travel thousands of miles and finish video recording a famous Chinese folk opera for his dying son.

Mr. Takata and his son have become distant since the death of Mr. Takata's wife, not speaking to one another for years. When word comes to him that his son, Ken-ichi, is in the hospital, Mr. Takata races to the city only to be rebuffed by his son's bitterness. Mr. Takata never sees his Ken-ichi, but his son's wife, Rie (Shinobu Terajima), tells Mr. Takata an interesting story about his love of Chinese folk dancing. She hands him an unfinished tape of Ken-ichi's work and, after watching it, Mr. Takata decides to finish the recording. "Not being good with people," Mr. Takata immediately encounters problems when he enters China. But he learns quickly, and finds humility within himself in order to finish the tape.

Mr. Takata knew that his son wanted to film one particular opera (also called Riding Alone For Thousands of Miles) sung by one particular Chinese man named Li. But Li is in prison after stabbing a man. Getting permission to film Li performing the folk dance from the government higher-ups becomes one of Mr. Takata's earliest obstacles. Then, after gaining access, Mr. Li has a meltdown, thinking about his own distant son. Emotional beyond repair, Mr. Li is unable to dance for Mr. Takata. So Mr. Takata leaves to come back another day ...but an idea is sparked in his head.

Mr. Takata goes to "The Stone Village" to see if he can convince Mr. Li's five-year-old son to come back with him to the prison so that he can visit. What follows is one of the most emotionally impacting moments in Chinese film history. Unable to be close to his own son, Mr. Takata transfers much of his emotional heft onto young Yang Yang (Mr. Li's son), and audiences will no doubt spill plenty of tears as this happens.

The beauty of the surrounding countryside in the Yunnan Province is an awesome spectacle to behold; a backdrop that towers in all its majesty.

Ken Takakura deserves Oscar mention for his quiet yet powerful (and heartbreaking) role as the conflicted and determined Mr. Takata.

All of the other actors are not actors, though. They are ordinary people picked by the director for their appearances and mannerisms; excellently done by the way. There's little doubt most will know that none of them have acting experience unless DVD watchers click on the extra features.

A brilliantly done foreign film that proves director Yimou Zhang isn't just an action freak.

'Qian li zou dan qi' ('Riding Alone for Thousands of Miles') is a little miracle of a film by the gifted Chinese director Yimou Zhang, an artist highly respected for his films of passion and martial arts captured in richly symbolic fashion and spectacular color. But in this film the director joins in writing a story with Jingzhi Zou that is as intimate as his other films are operatic. It is a simple, touching story told in manner that maintains Zhang's visual artistry yet goes so far beyond the glorious color to probe universal questions.

Gou-ichi Takata (Ken Takakura) lives by himself in a fishing village since the death of his wife. Apparently he was so devastated by her passing that he left his son Ken-ichi to grow up by himself, an act that Ken-ichi has never forgiven: the two men have had no contact in many years. Takata receives a telephone call from his daughter-in-law Rie (Shinobu Terajima) informing him that Ken-ichi is hospitalized with a grave illness and pleads with Takata to come visit his estranged son. Takata complies, but on arrival at the hospital his son refuses to see him. Rie shares a videotape Ken-ichi made about his obsession with Chinese folk opera, and when Takata plays the tape he sees that his son's burning desire to tape a performance by Chinese singer Li Jiamin (who plays himself) singing the greatest of his roles - an opera names 'Riding Alone for a Thousand Miles' - was thwarted by the singer's illness at the time, Takata decides to reconcile his paternal distance and travel to Yunnan Province of China to complete his son's tape and vision.

Upon arrival in China Takata discovers that the singer is in jail and he obtains the translator services of Lingo (Lin Qiu) and Jasmine (Jiang Wen) who ultimately help him to overcome the endless red tape to gain an audience with the singer in his jail. Though Li wants to sing his famous role of Takata to film for his son, Li requests that first he be able to see his illegitimate son Yang Yang (Zhenbo Yang) who has been adopted by a little village called Stone Flower. Takata, with the aid of his translators, visits Stone Flower and the people there greet Takata with warmth and give their consent to allow Yang Yang to accompany Takata to see the father he has never met. But on the road out of China Yang Yang strays and Takata and Yang Yang spend a night in the frightening depths of a canyon: they bond with complex shared needs until they are rescued the next morning. Though Yang Yang has developed a love for Takata he doesn't want to leave his village and Takata departs back to the prison alone to tell Li. At the prison Takata shares with Li and his fellow inmates photographs of Yang Yang: everyone is so moved that Li performs the opera for Takata's son on videotape as a gesture of love.

Takata has accomplished his mission of reconciliation with his own son, but Rie calls him to inform him that Ken-ichi has died but left a letter addressed to Takata that explains how deeply moved the son is that his father would make the journey to China, riding alone for thousands of miles out of love. The gesture is enough for Ken-ichi.

Zhang tells his story in both Mandarin and Japanese and the translations reflect the differences on the two countries but also represent bridges between the ancient and the modern, between cold interior calloused heart and the warmth of love. The filming and accompanying musical score are as always in Zhang's films beautiful beyond description. This is a film to cherish, one that is so understated in its approach to father-son relationships that it will touch chords of recognition in every viewer. Highly recommended. Grady Harp

Zhang Yimou's last two martial arts films had much to commend them, but, honestly, I'd trade ten such films for this. It was almost too much to hope for that the director would return to his earlier, humanist style of film-making that saw "The Road Home," "Not One Less" and "Happy Times" - but he has, and wonderfully so.

Ken Takakura, who has appeared in fine films such as "Poppoya" and "The Yellow Handkerchief," really shines here. It's his film all the way, and a wonderful tribute that Zhang chose to craft this film for him.

While the core of the film lies with the emotions of the characters, I should also point out that the cinematography here is splendid - there are shots that are as breathtaking as anything in "Hero" and "House of Flying Daggers."