Füge eine Handlung in deiner Sprache hinzuThe lifelong romance between Lolita (Balan) and Shekar (Khan) is upset by the arrival of another man.The lifelong romance between Lolita (Balan) and Shekar (Khan) is upset by the arrival of another man.The lifelong romance between Lolita (Balan) and Shekar (Khan) is upset by the arrival of another man.
- Auszeichnungen
- 19 Gewinne & 37 Nominierungen insgesamt
- Gayetri Tatya
- (as Diya Mirza)
- Gurcharan
- (as Achyut Poddar)
- Moulin Rouge Singer
- (Gesang)
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Characters: Vidya Balan was exceptionally good. In fact the ease with which she played the character, makes one wonder if she is a débutante. I must say that she has done justice to the character. Well done Vidhu Vinod Chopra, you have again found a VERY talented young lady. Saif showed that he has matured as an actor and is very versatile in the kind of roles that he has been offered. Saif's acting in this film was awesome. I think Saif can challenge any film critic who questions his abilities to act. He has emerged into a fabulous actor. And with this film he has put himself in line for an award. That goes for Vidya too.
RATING: I did not give a 10/10 just because of the climax of the film. It did not have to be so melodramatic.
Superbly paced, the film has fine, balanced performances from all its actors. Its vision is very difficult to put in words - it is an escapism rooted in realism, simple ideas seen earlier in Hindi cinema are fully realized here, comparable to some of the best personal European/ International films. Its song style is sophisticated, very effortlessly translated into simple, clear imagery. The last ten minutes are mishandled, taking away from what could have been an almost-flawless experience in mainstream Indian cinema - I choose my words very carefully, this is an Indian film in Hindi. Very precious.
As time went by, the movie became more and more popular amongst masses. I grew compelled to see what really made it so. But props to the Parineeta team to choose a wonderful star cast that drove me to see the film. Saif Khan's recent performances and of course Sanjay Dutt motivated me to go see the film.
Still not expecting much, I have no words to explain it, but I was truly shocked by the direction, editing of the movie backed by some of the best acting and screenplay I have seen in the Indian Film Industry. The movie, 130 minutes long, is also unlike other Indian movies which run easily 150+ minutes. The movie is crisp, and edited to perfection. Saif Khan and Sanjay Dutt were great like always, but Vidya Balan surprised me in her debut film.
This movie has set a new standard for Indian films. I like the direction in which Indian films are headed. 2004-05 has been a break through year for actors, directors for the Indian Film Industry, and movies like Parineeta is the fruit for the efforts.
I think Pradeep Sarkar and Vinod Chopra have to be given due credit for producing this little gem. It's nice to see that their artistic integrity has been (relatively) not compromised here. That's not to say that the film would not appeal to the masses, it has all the elements of a love story in the "Bollywood" genre - song, dance, family melodrama, happy ending etc. - but all these are delicately interwoven into the narrative without losing focus on the story or rather the strong characters. The only complain I had was from the "product placements" that seemed forced and totally out of place in the film :)
I am amazed that a film this good was overlooked, by the selection committee, for an entry to the Oscars this year. I am not saying this is a "Pather Panchali" but amongst what was available, it could be argued that this film stood a better chance to find appeal amongst an international audience.
My vote 7 out of 10... definitely worth your time!
PS: Like another reviewer pointed out here, watch this film on the big screen or its original DVD release that does complete justice to the beautiful cinematography and art direction!
The cinematography is extremely good, tight and i must say not a frame of film wasted. Each scene is art directed very well and the lighting is perfect.
One can clearly see that the research done on this film is very good. The wardrobes of all actors have been well designed including the kind of jewelry the women wore. Great detailing. Just one flaw I have to mention is the choice of sunglasses Saif wears. A little too modern.
The male ego and attitude will not come as a surprise to most Indian men but the character and pride of an Indian woman is showcased very well and aptly. I only wish more writers and directors adapt this image of the Indian women instead of taking her into extremes all the time.
The music, absolutely outstanding. Shantanu Moitra has done an excellent job with the score and you will definitely want the soundtrack in your collection.
It's not easy to make a period film. Kudos to the cast, crew, production and anyone involved in the making of this film. They should all be extremely pleased.
A must watch.
Wusstest du schon
- WissenswertesAt a special preview of the film Amitabh Bachchan asked to provide narration for the film, saying it reminded him of his time as a struggling actor in Calcutta.
- PatzerThe guitar that Shekhar plays in this movie was not made in 1962 (when the movie is set). The first synthetic roundbacks, introduced by Ovation, weren't in production until 1966, and the particular model seen in the film was brought in much later than that.
- Zitate
Shekhar Rai: Quite a weak business man you are, Dad. Entered into such a loss inducing bargain.
Nabin Roy: [shocked] What?! How much did the bargain settle for?
Shekhar Rai: For free! And still you paid such a heavy price. Becasue you gained the land, yes. But you lost your son in the process.
Nabin Roy: Have you lost your mind! In a few minutes Mr. Lala will be here and-
Shekhar Rai: First will you aks Mr. Lala whether he is willing to give his daughter to a married man?!
Nabin Roy: [Mother and father are both shocked] What!
Shekhar Rai: That's right! I'm already married!
Nabin Roy: To whom?!
Shekhar Rai: Lolita
Rajeshwari: [overjoyed] Really son? When did this happen??
Nabin Roy: Stop it! i don't believe this garbage! Just hand a few bucks to that girl and send her packing from --
Shekhar Rai: [turns around, enraged] Enough, Dad!!! You're talking about my wife and she is not for sale! Everything you say starts and ends with money, doesn't it, Dad?! And the sad thing is that you've turned me into a clone of you! Money, position, fame, I couldn't see past it! And worst of all, because of you I slapped Lolita! I raised a hand on my own wife!
[slams his hand down hard on the desk]
- VerbindungenFeatured in Ohm Shanthi Oshaana (2014)
- SoundtracksPiya Bole
Written by Swanand Kirkire
Composed by Shantanu Moitra
Performed by Shreya Ghoshal, Sonu Nigam and Saif Ali Khan
Courtesy of Tips Cassettes & Records Co.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 802.758 $
- Eröffnungswochenende in den USA und in Kanada
- 201.956 $
- 12. Juni 2005
- Weltweiter Bruttoertrag
- 1.558.018 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1