The Perfect Sleep

Imagine Diane from Cheers, the self centered over intellectualizing character, now imagine she was trying to make a film moire movie. This would be it. If you just looked at some of the shots without any sound you would think Hmmm.. this could be a good film.

Now if you turn on the sound and listen for anytime at all you quickly realize that the person that made the film knows nothing about films beyond what they read in a book. I was continually thinking is this thing a foreign film, it was that bad.

If you don't remember Cheers, then think of Mr. Beans Holiday... remember the DeFoe character that made the horrible movie... well imagine that horrible movie without Mr. Bean saving it. That is what this movie is. I'm not saying anything about what the movie is other than it is an attempt to make a dark moody film about a hit-man going back home.... at least that's about all I could get out of it.

This is the first time I feel the need to comment on IMDb, to write some sort of a review and, as it so often happens, it's not because of a really excellent film, but a truly appalling one.

Take the narrating style the youngest might relate to the Max Payne video game series, a cast of virtually unkonwns (which is not a bad thing in itself), poor dialogs, some dark scenes but not many enough, and make a film out of it. Don't worry about the bad acting, the length (way too long), the lack of immersion (the lead character has to be one of the lest interesting I've seen in a long time - couldn't care less if he died) or the often ridiculous solutions they find to certain problems the lead character finds himself in.

I wouldn't have written anything if it hadn't been for another review here, giving it 10 stars. I gave it four, but maybe three is closer to what I feel about it. Not only do I not wish to see it again, but the mere thought of it takes me dangerously close to wanting to kill myself. Oh, and a so called noir film is nothing without a good soundtrack - not the case here. The ending song sounds like it was more suitable to a western movie.

It's not romance, it's not action, it's not noir, it's not good. That would be my review if it weren't for the minimum of 10 lines.

The Perfect Sleep, while not a brilliant film does represent the ever-shrinking genre of watchable neo-noir. While it's certainly flawed, it lacks much of the intentional overly complex that robs many similar movies of their enjoyability (why watch a movie that's needlessly hard to follow?). Then again, it's not exactly a movie you can switch your brain off for.

Normally someone would put some sort of plot synopsis here, but if you've ever seen any type of noir film you know such an endeavor is pointless. They're usually a bit hard to follow and that can be part of their intrigue. Most noir-ish films rely heavily on the dialog (usually in ways that most people would never use in regular conversation), characters of moral ambiguity, and comparably lavish sets. The Perfect Sleep is no different, with the possible exception of most action sequences involving martial arts. Not sure I'd seen that before.

All in all the film comes out looking a lot like a seriously less flashy and more intelligent version of Sin City or The Spirit (the latter being complete garbage). That's actually a big plus for me as a fan of (some) noir films. While I enjoyed Sin City I always felt like it was just trying to do too much visually that took away from an arguably cool story, so that actually works well for me. Aside from the somewhat vague plot I'd say this would be at least enjoyable for fans of the genre. You don't see too many of these films these days and you see ever fewer done well.

The Perfect Sleep is a prime example of a B-movie film noir. It recalls the methods of Tarantino in that its direction shows a love for movie making. Unfortunately the downs of this outweighs the ups.

What we have here is a deliciously gorgeous picture, well shot, but also equipped with a screenplay which tries too hard to be something that is out of reach. The story is convoluted, messy, with pretentious dialogue, and too many characters whose functions are minimal. It is a delightful film to look at, but an impossible one to invest in. It is as if the makers of The Perfect Sleep would rather have the viewers acknowledge that they are watching a movie rather than be involved.

I enjoyed watching one illustruious image after another, but I could not follow this movie at all. The Perfect Sleep is basically a film that likes to show off, but not everything gets through to us.

"The PERFECT SLEEP".... could be The Perfect Title, if it refers to the reaction it elicits from viewers! One can only apply powers of divination as to director Jeremy Alter's intent. Location Manager on a number of high-profile films, long before and since, "Sleep" seems to be 1 of only 2 obviously ill-fated forays into film direction. (How about: "Location Managers Gone Wild"?)

Seems ro me that, in its conceptualization at least, "Sleep" was destined to become a larger-than-life, neo-classic, film noir, somnambulant visionary dreamlike masterpiece!!!!! Sorry, Jeremy, only in your "Perfect Sleep" dreams! From beginning to end, the central character delivers an incessantly droning voice-over monotone narration. Was this intended to lull the viewer to sleep or some semi-hypnotic state? Desired or not, that is the effect it had on me!

Looking at the finished product, the execution didn't achieve 10% of what was envisioned. There were a few moments when it seemed "Sleep" was, at last, awakening, but they were fleeting moments, indeed. The movie locations were the only 10* element IMO. Mr. Alter does have a good eye, I'd rate all other visual aspects 6 to 8*. Every other non-visual aspect, and I've run though a dozens in my mind, rates 1 to 2 Stars. Overall: 4**** "The Perfect Sleep"

ENJOY!!! / DISFRUTELA!!! .... If You CAN!!!!!!