Das Netz - Unabomber/LSD/Internet

Where does technology lead us? Ted Kaczynski, the ex-Mathematician who lived a secluded life in the woods until he was arrested and convicted as the "Unabomber", believes that it will be our doom.

Lutz Dammbeck confronts us with a puzzle, looking for connections between technological positivism, mind control experiments and the hippie movement, all traced back to state power interests developing as results of World War II. However, the links are weak, and instead of presenting us with a final conclusion resulting from his research (as other documentarists would eagerly do), Dammbeck simply leaves us to solve the puzzle by ourselves, strengthen or break the links as we find appropriate, raising interesting questions on science, technology and human's role in society along the way.

Thus the movie's subject reaches far deeper than the "Unabomber's" biography, which is, in Kaczynski's own words, irrelevant. The movie provides a platform for Kaczynski's critique on technological positivism, which Dammbeck seems to at least partially sympathize with. However, the final decision is left to the viewer, who is aided by additional background and research material on the movie's website.

Dammbeck is coming from an artistic point of view, consciously and deliberately breaking the limits between what is art and what is "real life", creating a disturbing, thought-provoking documentary. It is admirable and a sign of true plurality that publicly financed institutions such as SWR and arte stand behind an unconventional project that handles such a provocative subject seriously.

The Whole is greater than the sum of its parts; the System will survive a couple of loose parts and weak links. Arpanet, as the precursor to the Internet, was designed to withstand localized damage. The Global Economy, too, has survived the terrorism by Al-Qaeda as well as by the Unabomber. Likewise, this film, as a film ABOUT the Internet and the Global Economy, withstands the critiquing of its weaker attributes.

The subject matter of this film is the Brave New World of technological utopia, a Mega-System of sorts. This story entails systematics, globalization, technological rationalization and the paranoid fantasies of this world's discontents. Human behaviour becomes a fabrication of control mechanisms, and in such a world nothing is feared more than a total lack of control, i.e. arbitrary terrorism, such as that of The Unabomber. The ingenuity of this film, on a purely intellectual level, is the way it connects the dots between The Internet, Esalen Institute, New York Times, M.I.T., Henry David Thoreau, Montana and Ted Kaczynski. In a word, this film weaves an intriguing Web about the Web.

One shouldn't be put off by the problematic morals of this film. This film, as a document, is too important to be dismissed as sensationalism or misguided hero-worship. For one, Dammbeck puts Unabomber in a context where one is not made to agree with his radical (and borderline insane) ideas, but instead is given a good sample of the institutional background of the professor-turned-killer, forcing a transition from the merely personal and anecdotal into the realm of History and Causation. What, we are asked, is the relationship between fundamental mathematics and the paranoid fantasies of Gödel and Kaczynski? And what if there is a linkage between the CIA-Army behavioural experiments of the 1950's and 60's and the very real madness of Unabomber? What, after all is said and done, is the role of individual responsibility in a world governed by trends, fluctuations, computer technology and economic mergers? Lutz Dammbeck's documentary is a fascinating voyage into the dark underbelly of the American Dream (to paraphrase Hunter S. Thompson). The film maker slices through a number of interweaving threads in search of something intangible yet real, something to cut through the virtual. In fact, the film may be accused of being somewhat incoherent in its production, because the internal logic of the film follows too closely the subjective voyage of the director (with mind maps and internal dialogues given precedence to the voice of the interviewees). That said, subjectivity in documentary film-making can be a strength, and the director takes full advantage of the opening up of new doorways into strange, dark alleys of underreported American history. He is bounced around from door to door, from person to person, from topic to topic. The viewer is in for a roller coaster ride, both dazzling and dizzying.

The film maker exhibits clear signs of ignorance, arrogance, confusion, banality and moral ambivalence - all in varying proportions. Still, the end result manages to be inclusive yet not over-effuse, and, for the viewer, the combinatory effect of topics and interviewees boils down to an altogether charming and fascinating experience. It is hard to say what lessons to learn from this film, but one is at least given a glimpse of the full compass of Genius on the moral scale from the Humanitarian to the Criminally Insane. It is less than comfortable to find out that the difference between a Benefactory Visionary and an Evil Genius is a thin red line...

There is no denying the facts uncovered by Mr. Dammbeck. If you are a student of the history of technology, of computing especially, and its relationship with society then this film is a must see.

It raises questions which have never been addressed elsewhere. Indeed Mr. Dammbeck discloses that the biases are "systemic".

For example, Why did "Silicon Valley" develop in California? Why is the University of California a beacon of BOTH computer science education, and the vanguard cultural movements in the 60s? How exactly were computers marketed to the public at first? In what context? How was the decision to disseminate the mass consumption of computation taken? (This is WAY beyond the "chicken and egg" problems of scope Guy Kawasaki faced with marketing Apple PCs to the public.) What are the Taboos underpinning our technological society? Who benefits from these taboos? What has Thom Friedman left out in his discussion of our presently Global, multi-ethnic society?

This is a spare, lean philosophical exploration of things never or rarely discussed in the media, but it is extremely relevant to our present!

A Must See, especially for engineering students.

The film was shown this weekend (30 April) in Paris in the presence of its director, Lutz Dammbeck, who stayed to take questions from the audience afterword's.

The film's premise is frightening enough -- the internet was originally developed through a sort of unholy alliance between (i) scientists bent on "remodelling" post-WW II man in order to avoid a repeat of war by isolating (through various mind-control experiments) and then removing the genesis of authoritarian personalities, (ii) the American intelligence community bent on winning the Cold War, and (iii) (somewhat improbably) a group of "hippie" non-conformists and artists who shared the vision of the aforementioned scientists. Dammbeck develops the premise by a series of interviews with various members of each group whom he considers as having been the "architechts" of the internet.

Against this alliance stands Dammbeck's unpalatable anti-hero, the Unabomber (whom Dammbeck certainly does not admire, yet has some sympathy with -- Dammbeck reminds us that Kaczynski was one of the students who actually underwent the mind-control experiments in question, which may have triggered the unhinging of his mind).

The problem with the film is that in each of the interviews, after having drawn out his subject into explaining his role in the development of the internet, Dammbeck then asks the interviewee whether such development was not subject to legitimate criticism and then provides as an example...the criticisms made by Kaczynski in his Unabomber manifesto! Of course, this simply triggers an emotional response from each of the interviewees that Kaczynski was either a madman, a dangerous criminal or both, so that the question of whether there is not some truth to the argument that such development was dangerous is never answered. Dammbeck never first alludes in his interviews to other critics of technological positivism who did not feel it necessary to make their criticisms by means of letter bombs.

This "technique" reaches its paroxysm when Dammbeck interviews one of the Unabomber's victims, who lost an eye and a hand to one of the letter bombs, and asks him whether he does not feel that Kaczynski had some worthwhile criticisms to make. Needless to say, the interviewee responds with an entirely understandable emotional response which the audience is somehow supposed to feel constitutes a refusal to consider the merits of the question.

Dammbeck might have been better off asking his of his interviewees a series of less "loaded" questions first before springing on them "So, do you think that this fellow who killed three people and wounded a dozen others (including in one case the actual interviewee!) had something worthwhile to say?" It is too bad that this technique takes the edge off what is a very troubling theory developed in the film. Still, it is a film worth seeing, particularly as it becomes clear by the end of the film that Dammbeck has in fact been keeping up a running correspondence with Kaczynski and has a good idea of what makes him tick.

"Das Netz" seemed like an interesting subject matter in the first glance, but the movie is fundamentally flawed by the fact that the author has no profound knowledge about the topic. He's giving obscure statements about the internet being "an agglomeration of machines with indefinite size and power" and his not even partial knowledge about mathematics (and especially Gödel's theories) are hilarious. The scenes in which the director is drawing the "big picture" are completely pointless and it's extremely rude to confront a victim of Kaczynsnki (who lost an arm in a bombing) with the statement that he'd been a victim of a legitimate fight against the "system".