Der letzte Kuss

Although I could never pin-point the one "off thing" about Garden State, I still am in believe that it is one of the best films I have seen in the past few years. Zach Braff really showed his worth with that film, and being an off-fan of Scrubs as well, I looked forward to his next film. It has been two years, but finally we now have The Last Kiss, which was scripted by recent two-time Oscar winner Paul Haggis. I managed to win a double pass to see a sneak preview of the film, and after seeing it, I am very glad that I did.

The Last Kiss centres around Michael (Braff). He is twenty-nine, and like anyone growing up, is conflicted about life. He has a wonderful girlfriend, Jenna (Jacinda Barrett), who just happens to be expecting their child, and life-long friends (the likes of which include Casey Affleck and Eric Christian Olsen). But as he is beginning to go through this crisis, he ends up meeting a young College student named Kim (Rachel Bilson), who becomes totally drawn to Michael after she lays eyes on him during a wedding.

What follows is a somewhat poignant coming-of age story. It is a bit of a departure from the usual work Haggis does, but his work here is just as good as the rest. On one hand, it is nowhere near as good as Garden State, but on the other, it feels more realistic and more mature than it. These are real characters facing real problems, and the fact is that, almost anyone can identify with them. The film stays grounded in reality for its entirety, and rarely deviates off course (unlike some of the strange subplots in State).

While it does focus on Braff's character mainly, there is special attention brought down in many cases to Affleck's character (as Olsen's soul purpose seems to be most of the comedy and/or sex scenes). It is honest and for the most part, absolutely heart-breaking to watch the characters go through life's challenges. But at it's core, like State, it is a film that speaks to the current generation, and tries to make an attempt at letting them know that everyone feels these anxieties, and that they truly are not easy to deal with. I would be lying if I did not say that I saw a little bit of myself and my thoughts in these characters.

The excellent performance here from Braff only continues to prove why he will soon become one of Hollywood's most sought-after actors. While some of the things his character ends up doing over the course of the film may become slightly agitating, his performance does not. Although his facial expression barely changes throughout the film, you can see the genuine emotion he is conveying in his performance. His body language and demeanor is both touching and pitiful (in a good way) at the same time. You really do not know if you want to love or hate this guy through his anxiety-ridden phase, and as a result, Braff really strikes an emotion-chord that probably would never have been even nearly as well developed with any other actor.

Barrett and Bilson really stand out as the women in Braff's characters life. They play their characters so they distinctly different to the point of it being deliciously delightful all at once. The two contrast each other magnificently, from Barrett's wholesomeness to Bilson's devilish sexiness. The happiness and sadness they have to go through is excellent, and again, really gives a sense of realism to the film. They really grow throughout the film, and their chemistry with Braff is an absolute wonder to witness. Supporting turns from Affleck, as well as Blythe Danner and Tom Wilkinson as Jenna's parents are all very well done (although slightly underplayed), and only complement the other three even more so.

The only thing I can really find wrong with the film lies squarely with Haggis' script (which was reportedly edited slightly by Braff). While the film is great, it really does not stay solid on what it is trying to be. Is it a comedy? Is it a drama? It is hard to tell, as scenes that should be purely whimsical are not all that funny, and devastatingly dramatic scenes have the audience laughing hysterically. This only happened in a few instances (the rest of the scenes are either funny or dramatic), but it was downright awkward in many cases. Braff managed to blend the two together quite well for Garden State, and we have seen how masterful Haggis' work is, so why does it all not totally come together here? It really makes for quite the serious question, as the film could have easily slipped in as the best of the year so far, but must contend with being just one of the best.

While the film has a chillingly bizarre problem with its tone, the performances and story more than make up for it. This is an excellent and poignant coming-of age film, and yet another vehicle to show off the work of Braff and Haggis. And with a superb supporting cast to boot, I am unsure of what more to ask for.

8/10.

I found myself actually enjoying this movie very much. Without giving anything away, it deals with the story of four male friends and how their relationships with women have evolved. They are all in their late 20's about to hit 30 and the reality of behaving and acting like an adult suddenly sets in.

I liked the movie very much because I saw myself in the main character and how I used to be when I was his age. Entertaining! The ending was actually surprising--the movie dealt with how both men and women react when they are hurt by the ones we love.

Go see it! Two thumbs up!

The Last Kiss; Michael is a frustrated architect on the brink of turning 30, who's spirits are dampened when he begins feeling as if his life is formulatic and planned. At a good friend's wedding, he meets Kim, a beautiful and charming college student. Michael's uncertanties with his fiancée Jenna lead to an unexpected affair with his new collegiate. However Michael is forced to deal with the consequences of his actions when his secret spills.

The Last Kiss is a very good movie, although you're likely to be depressed leaving the theater if you are under the age of 30. Smart, engaging and honest, along with incredible acting and dead-on dialogue add up to a penetrating, insightful melodrama that isn't afraid to pull the punches.

The movie is undeniably sad, but it's a certain type of sad in which you will probably find it hard to look away. The characters are interesting, flawed people just like you and me, and everyone stumbles onto something interesting from scene to scene.

4 from 5

I browsed through twenty-something user comments just to be sure, but not one of them seems to mention, that this film is actually a remake of the 2001 Italian film L'ultimo bacio. And although I can't say, that the American version is bad, but it is somewhat disappointing after seeing the original, which is far superior in every aspects.

First of all, I don't deny, that Paul Haggis is an excellent script-writer, but he shouldn't be given credit for this one, for the plot line is pretty much the same (there are some differences, but they're, I think, for the worse - for example the college girl character is actually an 18-years-old high school student in the Italian version, and has somewhat different characteristics).

Also, the acting of the Hollywood version ranges from OK to quite good, but the Italian cast simply blew me away - incredible performances all over.

All in all, I don't want to diminish this film, I won't give it a bad rating, but I just can't think of an argument why this version should be preferred over the original, so if you have a choice, do yourself a favor and see L'ultimo bacio instead.

I know I saw the 2001 Italian original, but didn't remember much about it until I saw Tony Goldwyn's remake and the scenes and story came back. And it then surprised me how much of the original I managed to remember. That's also possibly because Oscar-winner Paul Haggis' screenplay sticks awfully close to its Italian origins.

I am a fan of Zach Braff's work. "Scrubs," for my dough, is the best half-hour comedy on TV and his directorial debut, "Garden State," was one of the best films of 2004.

"The Last Kiss" is not a romantic comedy by any stretch of the imagination, no matter what advertising campaign the studio launched. This is a well-acted, well-told story about the dumb things we men do to the women we love. And, of course, the consequences.

The film delves deeply into the insecurities of its characters, never offering pat answers or easy resolutions. There are no Richard-Gere-climbing-the-fire-escape-to-get-Julia Roberts moments in the film.

Braff plays Michael, a 30s man facing the harsh reality that the rest of his life has been plotted out and he longs for something different. Despite having a gorgeous fiancée Jenna (the lovely Jacinda Barrett), he finds temptation around the corner.

The film balances its three subplots well. They never interfere with the Michael-Jenna saga, yet add to the complexities of the story.

However, I found it interesting that while in the Italian film, the object of the protagonist's desire was a high-school Lolita, Haggis and Co. opted to make her - in this case, Kim (Rachel Bilson) - a college student. The Italian film tends to be a bit more potent on that level, though Michael's attraction to Kim is believable.

The performances all find the right pitch. Braff is completely believable as the confused young man in search of meaning to his life. Barrett is heartbreakingly good. There also are some terrific supporting performances from Casey Affleck, Blythe Danner and Tom Wilkinson. Then again, when was the last time you saw Wilkinson perform badly?

Couples should see this film. It's a mature, thoughtful, unpretentious, and sometimes even difficult, movie to see. But it is gratifyingly good. Don't go expecting a typical fluffy date movie. This film raises interesting and important questions about couplehood and then lets you figure out the answers. When was the last time a Hollywood film did that?