Rok Sako To Rok Lo

Before, I say anything, let's all take a moment to laugh at Sunny Deol. Ha ha ha! He's so random in this movie. For the first half he comes in at any random scene, drives his "ooo aaa" (not really) motorcycle in his punk/don't-mess-with-me (not really) look with his scraggly long hair and ill-fitting leather jacket. No wonder all the "high school" students in the movie look up to him as their idol. (Actually, we all wonder.) It's so funny, in one his scenes, it's shows him driving in slow motion for a couple of seconds. It's not actually slow motion! He's just driving really slow, and he looks really dumb! Enough of Sunny Deol's "inspirational" role and back to the main story or lack thereof. I don't know what's going on with this movie but it seems like they're just trying to recreate the lame fresh/innocent atmosphere in the recent Barjatya films. The only thing worse than being lame is trying to be lame, making you even more lame. Songs were terrible except for the title track, which was good. The main actor and actress gave good debuts. If you have nothing better to do (which I'm sure is not true), watch this movie just to laugh at Sunny Deol.

When I first heard about this movie being made and Sunny Deol being in it, I was really excited, as it was said to be a rivalry of 2 army schools, and I thought (Sunny's role would be perfect). However, over a year later (some months) after the film released, I was really disappointed. The rivalry was over 2 high schools, and Sunny's role was very small, and he was mum most of the time. I really felt bad that Sunny was wasted in this movie, although his get-up as the motorcycle dude was cool. The movie overall was NOT that great, just average. He can actually dance (see the song by Abhijeet). Sunny is a true icon of 'believing in oneself,' but he should have gotten substantial footage. Along with this, if the story was different, this could have been much better and more exciting.

The film Rok Sako To Rok Lo is out rightly a winner with its target audience. Rok Sako.., though less likely to tickle the mature sanity of the seniors, is capable of effectively titillating the juvenile wits of the young. But if you've decided and hit your target audience, it's a prudent contraption.

The packaging and look & feel of the film is rich & colorful. The faces look fresh. The biggest trump card of the film is its music. All songs are urbanely melodious and better than each other. They also fit into the situations quite well. Cinematography and lighting is top of the line.

The story of the film is also encapsulating. Where few casual viewers relate the story to Jo Jita… I think it shall be unfair to draw this parallel. A film cannot be baptized a copy only because a similar event happened in another film… it's very convenient to say so… In that case all love stories are copies of each other, all films that use motorbikes or cars as heroic props are.. all war films are.. all period films are… and so on.

Rok Sako To Rok Lo stands out by sheer quality of its production. The scenes depicting immature love are directed with dense maturity. Debutante director Arindam Chaudhuri does not make the audience feel he's a first timer. He has made the film with refined finesse. For someone directing his first film, that too with first timers in the lead role and a heavyweight (Sunny Deol) to manage in a special role, it's a directorial triumph.

Rok Sako.. leaves behind a positive taste and cuts like a warm knife in butter.. throughout its duration. It's a good family entertainer especially if you have school going kids in your family. I hope more such films are made in India that not only entertain but also leave behind a strong message and cuts away from the usual and boring. All brawny points to Rok Sako..

This is the first comment i am writing on IMDb, despite being a regular here. The movie was so bad that it forced me to write this comment. You really need to see the movie to believe that it could be have made at all. Apparently, if you have a lot of money, and enough ego, a drivel like this can be put across.

This is THE movie to watch at a film school. All film makers in the making should watch this film to avoid pitfalls and obvious errors. Each scene is a class in itself. HOW NOT TO WRITE A MOVIE. Everything that could go wrong is incorporated in it. Almost as if it was designed to be bad. From the script to the incomplete characters, to the use of bad casting, to the hyperbole marketing. This movie shows what happens when one lacks aesthetic sensibilities in a domain.

The only reason i wrote this is to warn other wannabe film makers with lots of money in the pocket, but not enough time spent watching and studying the craft.... A clear case of "a little knowledge is a dangerous thing." the hack who made this travesty of a film (runing out of negative qualifiers), gives dilettantes a bad name. An even more casual dabbler of film making could have made a better thing (notice how i refrain from calling it a movie/ film)

A management "guru" can at best be good at transferring knowledge of academic nature. Trying to translate that academic knowledge into a living, breathing film is a totally different ball game. Look what happened when they put the worlds economy in the hands of MBAs. Come to think of it, the reason i am so upset, is the gall with which the movie was promoted, and proclaimed a hit even before it was released. Did someone forget the cardinal marketing sin? The fastest way to kill a product is to advertise a bad product heavily.

N.B. do watch the film, it will surprise you no end. Dekh sako to Dekh lo. Also, there are some comments in this section claiming it to be good enough to get a 10. I am quite sure they passed out of IIPM with good grades!

For a débutant director, Prof. Arindam Chaudhuri does a good job with 'Rok Sako To Rok Lo'. The story of a group of teenagers from two rival schools - Bharti School and Valley High - is narrated by Namrata Shirodkar, who owns a café -- a common haunt for students from both institutions. While the group from Bharti School is led by Dev (Yash Pandit), the rival gang is headed by Ranveer (Carran Kapoor).

Valley High students turn up their noses at the Bharti School youngsters, always taunting them because of their lower social status as well as their inability to beat the Valley-ites at any sports event.

Enter teen siren Sanjana, who studies with Ranveer. Dev and gang tease the temptress and Sanjana, swearing revenge, ensnares Dev and pretends to be in love with him. Dev finds out only too late that he has been duped.

Kabir, watching this byplay, befriends the group led by Dev, and instills a sense of confidence in them, urging them on to finally take a stand and beat their adversaries. Unfortunately, their enthusiasm leads to both gangs engaging in a dangerous car race on public roads. During the race, Kabir is killed in a ghastly accident, once again plunging the Bharti School students into depression. To make matters worse, they are challenged to a marathon race by Valley School...

The lead pair, Yash Pandit and Manjari Fadnis, both selected through a talent hunt done by the producers, impress in their very first film with their high levels of confidence. Sunny Deol, who plays the role of Kabir – the mysterious man with a 'history' – pops up time and again to save the youngsters from sticky situations, and receives all the applause. While audiences in the North might clap for their favourite hero literally flinging the goons left, right and centre, the action could have been toned down a bit for the Mumbai viewers. Jatin-Lalit's music remains above reproach, especially the peppy and inspiring title track.

All in all, a fun-filled package of school pranks and youthful masti (with liberal doses of good advice) that will appeal to the younger generation.