IMDb-BEWERTUNG
5,7/10
35.310
IHRE BEWERTUNG
Eine Gruppe von New Orleans-Touristen hat sich in die Sumpflandschaft außerhalb der Stadt aufgemacht, um einmal richtig das Fürchten zu lernen. Doch als sie mitten in der Wildnis stranden, w... Alles lesenEine Gruppe von New Orleans-Touristen hat sich in die Sumpflandschaft außerhalb der Stadt aufgemacht, um einmal richtig das Fürchten zu lernen. Doch als sie mitten in der Wildnis stranden, wird aus Spuk und Spaß plötzlich ein schrecklicher Alptraum.Eine Gruppe von New Orleans-Touristen hat sich in die Sumpflandschaft außerhalb der Stadt aufgemacht, um einmal richtig das Fürchten zu lernen. Doch als sie mitten in der Wildnis stranden, wird aus Spuk und Spaß plötzlich ein schrecklicher Alptraum.
- Auszeichnungen
- 6 Gewinne & 1 Nominierung insgesamt
Amara Zaragoza
- Marybeth Dunstan
- (as Tamara Feldman)
John Carl Buechler
- Jack Cracker
- (as John Buechler)
Lance Kelly
- Buddy #2
- (as Lance Kelley)
Empfohlene Bewertungen
Hatchet (2006) is another of those modern horror movies that tries to copy the magic of 80's horror's, although it did have some sort of 80's feel, it just didn't have much else.
The storyline was boring and predictable, and i didn't really care for any of the characters either, and some people have "TRIED" to claim that Victor Crowley, is the next horror icon......... Don't MAKE ME LAUGH!!!!! Anyway, the story is about a group of people who decide to go on a haunted swamp tour and they get hunted down and killed off one by one by a disfigured killer. It's all rather boring and predictable and just average to be honest, it's only saving grace is the gory death scenes, of which some were very good. So all in all, i give Hatchet 5/10.
The storyline was boring and predictable, and i didn't really care for any of the characters either, and some people have "TRIED" to claim that Victor Crowley, is the next horror icon......... Don't MAKE ME LAUGH!!!!! Anyway, the story is about a group of people who decide to go on a haunted swamp tour and they get hunted down and killed off one by one by a disfigured killer. It's all rather boring and predictable and just average to be honest, it's only saving grace is the gory death scenes, of which some were very good. So all in all, i give Hatchet 5/10.
Over-the-Top Gory and Violent Louisiana Swamp Slasher Comedy.
Good: The cast and acting works. Well above average for the genre. The violence and gore is mostly kept on-screen and in focus. No CGI, just good old special effects. Extra points for real vomiting. While this is a pretty gory movie, it is actually a comedy, with varying degrees of success. The violence serves as a comedic aspect parallel to the jokes. And it works, for the most part.
The killings, that is.
Bad: The verbal humor is admittedly also better than average for the genre, but it gets too much for my taste. This movie doesn't even try to be scary, and the cast are yapping on, sit-com style, throughout the movie. Luckily they haven't screwed it up as much as they could have, and the verbal humor does serve as a build-up to hysterical bursts of laughter during the killing scenes. It works and is funny at times, but it's just too much overall.
The villain's back story is thin, goofy and uninteresting. Crowley himself works sometimes, but sometimes not. He's certainly no new Jason or Michael in my opinion.
However, despite all its flaws, I felt entertained. While there are much fewer and "shorter" killings in this film, I can't remember seeing something this in-your-face gory since Braindead. The over-the-top gore and the sickly hilarious ways in which it's presented are this movie's strong points, while the plot and (partially) the humor are its weak points.
Good: The cast and acting works. Well above average for the genre. The violence and gore is mostly kept on-screen and in focus. No CGI, just good old special effects. Extra points for real vomiting. While this is a pretty gory movie, it is actually a comedy, with varying degrees of success. The violence serves as a comedic aspect parallel to the jokes. And it works, for the most part.
The killings, that is.
Bad: The verbal humor is admittedly also better than average for the genre, but it gets too much for my taste. This movie doesn't even try to be scary, and the cast are yapping on, sit-com style, throughout the movie. Luckily they haven't screwed it up as much as they could have, and the verbal humor does serve as a build-up to hysterical bursts of laughter during the killing scenes. It works and is funny at times, but it's just too much overall.
The villain's back story is thin, goofy and uninteresting. Crowley himself works sometimes, but sometimes not. He's certainly no new Jason or Michael in my opinion.
However, despite all its flaws, I felt entertained. While there are much fewer and "shorter" killings in this film, I can't remember seeing something this in-your-face gory since Braindead. The over-the-top gore and the sickly hilarious ways in which it's presented are this movie's strong points, while the plot and (partially) the humor are its weak points.
The tag-line "Old School American Horror" is a little misleading. While it's true that "Hatchet" recalls the mad gore of the 1980s, the "horror" factor is actually absent. Watching the film feels more like viewing a condensed reel of slasher kills with a few drunk and fun-loving friends - certainly not a bad thing, but not exactly a horror movie either. That being said, it's obvious that the people involved in the production have a real love for the genre. Kane Hodder's monster antics are always a delight, and Adam Green will definitely be a name to watch in the future.
In summary, I'd certainly recommend the film for anyone who gets a kick out of the slasher craze of the 80s, but be sure you're in the mood for goofy fun and not an actual horror flick.
In summary, I'd certainly recommend the film for anyone who gets a kick out of the slasher craze of the 80s, but be sure you're in the mood for goofy fun and not an actual horror flick.
Trying to get over his girlfriend leaving him, Ben (Joel David Moore) joins his friends in New Orleans for Mardi Gras, where there are plenty of women to go around. But Ben doesn't want women, he wants adventure, so he goes off on a haunted swamp tour... but as luck would have it, one of the haunted tales has a grain of truth to it: Victor Crowley is prowling the swamps!
Is Moore the new go-to guy for horror? While he's more memorable in "Dodgeball", he seems to be making more appearances in horror ("The Dead One"), and I welcome it. Writer-Director Adam Green picked a good leading man. I also love that Tony Todd and Robert Englund appear as minor characters and Kane Hodder appears out of makeup or without a mask (at least part of the time). Between this film and "Leslie Vernon", it seems like there's an effort to move the main horror veterans of this era (the 1980s-1990s) to the background and bring in new faces. And if these two films are any example, it's working.
This film is working in the 1980s style: it's just plain fun. Some level of plot development is here, but not really any more than is needed -- the focus is strictly on the slashing of the heroes and on showing excessive blood spray. We have a hero (actually a heroine) who sort of knows what is going on and henchmen who just die (think "Evil Dead II"). And for the beginning of the film, we have humor and nudity. Hooray! (Actually, there's nudity here and there throughout the film.)
The best part of this film -- the blood -- is also the worst part. If you want something more than brainless slasher, you have the wrong film. There's no deep thinking here, and the background of the monster doesn't make a lot of sense. How does he survive attacks and fire? Who knows? And even as the film progresses, there's no shift to moving the plot forward... don't expect some big revelation or anything, because you won't find it in this film. Just kids running in the woods.
Listening to the commentary is a great way to learn how to make a film with no budget and how to set it in New Orleans when there is no New Orleans -- reuse extras as much as possible, shoot scenes with doors in other cities so the actors don't have to travel... and many other little tricks. Adam Green may be a genius in this regard, pushing low budget to its most beautiful extreme.
This film was given to horror fans as the answer to the drought in horror goodness, and I think they may have over-hyped it. I know it won a variety of awards at film festivals, and I'm not going to say it didn't deserve them. But this also isn't going to be the best film you'll see all year, so if you've been holding out for a hero, this won't be the film, probably. Sorry, Bonnie Tyler. But it is good... very good, for what it is.
Is Moore the new go-to guy for horror? While he's more memorable in "Dodgeball", he seems to be making more appearances in horror ("The Dead One"), and I welcome it. Writer-Director Adam Green picked a good leading man. I also love that Tony Todd and Robert Englund appear as minor characters and Kane Hodder appears out of makeup or without a mask (at least part of the time). Between this film and "Leslie Vernon", it seems like there's an effort to move the main horror veterans of this era (the 1980s-1990s) to the background and bring in new faces. And if these two films are any example, it's working.
This film is working in the 1980s style: it's just plain fun. Some level of plot development is here, but not really any more than is needed -- the focus is strictly on the slashing of the heroes and on showing excessive blood spray. We have a hero (actually a heroine) who sort of knows what is going on and henchmen who just die (think "Evil Dead II"). And for the beginning of the film, we have humor and nudity. Hooray! (Actually, there's nudity here and there throughout the film.)
The best part of this film -- the blood -- is also the worst part. If you want something more than brainless slasher, you have the wrong film. There's no deep thinking here, and the background of the monster doesn't make a lot of sense. How does he survive attacks and fire? Who knows? And even as the film progresses, there's no shift to moving the plot forward... don't expect some big revelation or anything, because you won't find it in this film. Just kids running in the woods.
Listening to the commentary is a great way to learn how to make a film with no budget and how to set it in New Orleans when there is no New Orleans -- reuse extras as much as possible, shoot scenes with doors in other cities so the actors don't have to travel... and many other little tricks. Adam Green may be a genius in this regard, pushing low budget to its most beautiful extreme.
This film was given to horror fans as the answer to the drought in horror goodness, and I think they may have over-hyped it. I know it won a variety of awards at film festivals, and I'm not going to say it didn't deserve them. But this also isn't going to be the best film you'll see all year, so if you've been holding out for a hero, this won't be the film, probably. Sorry, Bonnie Tyler. But it is good... very good, for what it is.
Ben (Joel David Moore) is recovering from a separation after eight years. To take his mind off of it, he decides to go on a night ghost-tour of New Orleans swamp with his friend Marcus (Deon Richmond). Tagging along for the ride are: the mysterious Marybeth (Tamara Feldman), lesbians Misty (Mercedes McNab) and Jenna (Joleigh Fioreavanti), sleaze-bag Shapiro (Joel Murray) and an old couple (Richard Riehle and Patrika Darbo). Not to forget their shifty tour guide, Shawn (Parry Chen). Once they set off in the boat (after a crazy old man warns them of the danger awaiting them), they soon enough crash and are stranded in the middle of the swamp. Moreover, they are being stalked and brutally dispatched by Victor Crowley (Kane Hodder, of Jason Voorhees fame), a huge and disfigured man out for revenge.
By now, I am sure you have realised the amount of clichéd stereotypes are present in Adam Green's Hatchet. This is a throwback to the late 70's and 80's slashers that are now very famous (films like Friday the 13th, Halloween, The Burning, Sleepaway Camp and The Prowler). Hype surrounded this film for quite some time before it was released, Hatchet was being heralded as the one of the best horror movies of this decade and a genre defining work. Unfortunately, these claims are quite inaccurate. Although Hatchet is an entertaining movie, it adds nothing to the slasher sub-genre and it is not all original.
Nonetheless, amongst all the dire remakes, shoddy Saw movies and bland sequels, Green has created a damn good horror/comedy with bucket loads of extreme gore. Every single actor does an amazing job, yes, I am being dead serious. Joe Moore, Mercedes McNab and Deon Richmond are excellent at delivering comedic lines totally with total believability. That is not to say the rest were bad, they all played their parts naturally. Horror aficionados will appreciate a few cameos from genre favourites, Robert Englund (A Nightmare on Elm Street) and Tony Todd (Candyman) all make brief, but entertaining, appearances. Also, John Carl Buechler (director of the underrated Friday the 13th Part VII) and Joshua Leonard (The Blair Witch Project) assist in aiding the campy atmosphere.
On Buechler, his special effects are insane! Seriously, this is one of the bloodiest, goriest and most visceral horror film I have seen released in a LONG time! The sheer amount of brutality shown on-screen is enough to make hardened gorehounds drool in delight. Every death is long, drawn out and features a whole of lot of blood spray! Decapitations, detached limbs, electric sanders, impalements and hatchets are a few of the many ways in which the unlucky group meet their demise. Kudos must also go to the makeup on Victor Crowley, he is definitely a horror villain to look out for. Kane Hodder plays Crowley with his usual ferocity and relish.
Alongside the gore, Green knows how to keep a movie going at a steady pace. Hatchet never gets boring, it is constantly moving and because of this, is made much more exciting. The story plays out nicely, nothing new; however, Crowley's past is summed up quickly (and smart enough) and no part is ever dragged out. The only time when the script slips up is in the very final scene, which is a total letdown and really ruins what the movie had going for it.
Hatchet is really a love it or hate it movie. Personally, I think it is very good and a nostalgic reminder of the good old days of the slasher. With gratuitous violence, nudity and plenty of camp, Green has asserted himself as someone to look out for with Hatchet.
7/10
By now, I am sure you have realised the amount of clichéd stereotypes are present in Adam Green's Hatchet. This is a throwback to the late 70's and 80's slashers that are now very famous (films like Friday the 13th, Halloween, The Burning, Sleepaway Camp and The Prowler). Hype surrounded this film for quite some time before it was released, Hatchet was being heralded as the one of the best horror movies of this decade and a genre defining work. Unfortunately, these claims are quite inaccurate. Although Hatchet is an entertaining movie, it adds nothing to the slasher sub-genre and it is not all original.
Nonetheless, amongst all the dire remakes, shoddy Saw movies and bland sequels, Green has created a damn good horror/comedy with bucket loads of extreme gore. Every single actor does an amazing job, yes, I am being dead serious. Joe Moore, Mercedes McNab and Deon Richmond are excellent at delivering comedic lines totally with total believability. That is not to say the rest were bad, they all played their parts naturally. Horror aficionados will appreciate a few cameos from genre favourites, Robert Englund (A Nightmare on Elm Street) and Tony Todd (Candyman) all make brief, but entertaining, appearances. Also, John Carl Buechler (director of the underrated Friday the 13th Part VII) and Joshua Leonard (The Blair Witch Project) assist in aiding the campy atmosphere.
On Buechler, his special effects are insane! Seriously, this is one of the bloodiest, goriest and most visceral horror film I have seen released in a LONG time! The sheer amount of brutality shown on-screen is enough to make hardened gorehounds drool in delight. Every death is long, drawn out and features a whole of lot of blood spray! Decapitations, detached limbs, electric sanders, impalements and hatchets are a few of the many ways in which the unlucky group meet their demise. Kudos must also go to the makeup on Victor Crowley, he is definitely a horror villain to look out for. Kane Hodder plays Crowley with his usual ferocity and relish.
Alongside the gore, Green knows how to keep a movie going at a steady pace. Hatchet never gets boring, it is constantly moving and because of this, is made much more exciting. The story plays out nicely, nothing new; however, Crowley's past is summed up quickly (and smart enough) and no part is ever dragged out. The only time when the script slips up is in the very final scene, which is a total letdown and really ruins what the movie had going for it.
Hatchet is really a love it or hate it movie. Personally, I think it is very good and a nostalgic reminder of the good old days of the slasher. With gratuitous violence, nudity and plenty of camp, Green has asserted himself as someone to look out for with Hatchet.
7/10
Wusstest du schon
- WissenswertesWriter and Director Adam Green created a "No CGI" rule for post-production. Only CGI was used to remove on-screen wires and camera set-ups.
- PatzerShawn takes the group to the tour on a bus which leaves the French Quarter in daylight. Enough time passes that the sun goes down, signifying they've been driving a while. Shawn then directs their attention to a passing cemetery which he claims is Saint Louis Cemetery #1 and which he says houses the tomb of Marie Laveau - except that cemetery is back in the French Quarter, just a couple of blocks' walk away from where the tour bus departed.
- Alternative VersionenThe unrated Director's cut has one full minute of extra gore that the MPAA forced the filmmakers to cut out for the theatrical release.
- VerbindungenFeatured in His Name Was Jason: 30 Years of Friday the 13th (2009)
- SoundtracksThis Is The New Shit
Written by John 5 (as John Lowery), Tim Skold (as Tim L.K. Skold) and Marilyn Manson (as Brian Warner)
Performed by Marilyn Manson
Courtesy of EMI and Chrysalis Music o/b/o GTR HACK Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Hatchet: Old School American Horror
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 175.281 $
- Eröffnungswochenende in den USA und in Kanada
- 100.358 $
- 9. Sept. 2007
- Weltweiter Bruttoertrag
- 208.550 $
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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