Die Axt

Bruno DAVERT (Jose Garcia) is locked-out for economic reasons. To find a new job, his method is simple : kill the other candidates. His behaviour changes, and his wife Marlène(Karin Viard) feels Bruno moving away from the family, from herself and from the true life.

Costa-Gavras shows as the unemployment can make a man crazy.

A perfect look on the stupidity of our society when a man is only the money he can earn. Costa-Gavras show us the vacuum we are running to, destroying everything to obtain what ?

Probably the best political movie of the ten last years. Garcia is excellent, probably because he does not know he his good. K. Viard change her usual energy in distress, her performance is excellent. Everybody is good.

Run to this movie. It shows you your future

Maybe the best 'noir' movie I've seen in the last years, and definitively the best Donald Westlake adaptation so far, "Arcadia" is the story of a man obsessed with a job, who thinks that the only way to get it is killing every candidate who can be better than him, and must cope with his many mistakes and family problems. It sounds like a tragedy, or a drama, but it is the best piece of black (or not so black) humor combined with noir I remember, which is surprising: I didn't know that Costa-Gavras had so much sense of humor. There are many symbols, allegories, but above it all, it mentions every controversial and denounce topic in existence for just one, two or three minutes, just to mention it. The result is, incredibly and amazingly, funny, intellectually engaging, extremely suspenseful (the results of every situation and, at last, the end of the movie are unpredictable) and a master class of narrative progression, at least until the last 20 minutes, where the movie drags. But until then it is a flawless masterpiece, and it deserves to be watched over and over again. José García is another surprise, a very good comedian.

Costa -Gavras 's body of work does not lack in unity.

Except for his two fist movies,which were thrillers , a romantic tale ("Clair de Femme" ) and a comedy that does not count ("Conseil de Famille' ) all that he has made display social and political concerns.

From his early French classics ("Z "(He is alive) "L'Aveu" ,"Etat de Siège") to his American period ("Missing" "Betrayed" "Music Box" ) to his French comeback ("Amen" ) there is a cohesion which even André Cayatte ,his closest contender in the field,did not reach.

And then "Le Couperet" .Don't be mistaken.It's not that much different from CG's previous efforts.Based on a Donald Westlake novel-a writer whose black humour was fierce- ,it contains lines Henri Jeanson or Michel Audiard would not have disowned.Comedy walks a fine line ,but it walks hand in hand with tragedy .You must watch it seriously to realize what heavy things CG is saying.While making his film verge on parody,he is also putting the French society in a less exalted light than we have been used to seeing it in.Suddenly our world seems frightening (the gas station man who hides a gun in his cash register,the icily impersonal female headhunter -I wish I had had my gun!-)It is really the society of the leave-you-behind and perhaps -I hope not - an omen of things to come in the future.I do not speak of the murders obviously.There are other ways of destroying a human being."When I saw them enter the restaurant ,the German ex-engineer says,I knew that I didn't stand the slightest chance ".

The last picture has (and will be) widely talked about.Actually it reminds me of the ending of Mankiewicz's "All about Eve " when Phoebe tries Eve's crown .When you get to the top,there is nowhere to go but down.

A film noir,a farce,a psychological drama ,a social satire and a movie where CG talks politics.One of his most accessible and one of his strongest works.At seventy plus,CG is as young as the reporter who bothered the fascists in "Z".He is abetted by Jose Garcia on top of his game.

Like this?Try these.....

"Extension du domaine de la lutte" Philippe Harel 1998

"L'adversaire" Nicole Garcia 2002

"Working girl" Mike Nichols 1988

I've seen "Le Couperet" and it impressed me.

There is a lot of suspense.

And influence from Alfred Hitchcock movies.

Costa-Gavras himself came to my country (Brazil) to give a lecture and answered questions about cinema and his movies in March 29, 2005.

He talked about how he started making movies and the French movies.

In his opinion, France is a good place to make movies because the government helps filmmakers and there is at least 150 movies made every year.

In March 31, an avant-premiere of "Le Couperet" took place in Salvador, Bahia, Brazil.

It was great to see this movie having Costa-Gavras present.

Amazing.

The thirty-nine years old executive Bruno Davert (José Garcia) has been working for fifteen years in a paper company. After a merging operation with a Romania's company, he is fired in a downsizing. While unemployed for two years, Bruno loses his self-esteem and sanity and his family loses the middle-class lifestyle without cable television, Internet and regular consumption. He concludes that there is too much competition in his sector for a few job positions and decides to literally eliminate his competitors, killing those more qualified than him.

"Le Couperet" is a sarcastic view of the greed of the companies and the effects of downsizing in the self-esteem and sanity of a man. The awareness of the economical situation in France (but could be in most of the nations) and black-humor of Costas-Gravas gives a fantastic satire to the greed of the corporations, aiming exclusively profits without any care for the human beings. The sub-employment, as means of survival; the exacerbated use of merchandising to force the consumption; the situation of the family, being emotionally shattered with the stressful situation of the husband and father; all of these elements are ironically presented in this tough and realistic social satire through a French middle-class family. José Garcia is stunning in the role of a bitter man fighting to find job position and serial killer. My vote is eight.

Title (Brazil): "O Corte" ("The Cut")