Die Axt

Costa -Gavras 's body of work does not lack in unity.

Except for his two fist movies,which were thrillers , a romantic tale ("Clair de Femme" ) and a comedy that does not count ("Conseil de Famille' ) all that he has made display social and political concerns.

From his early French classics ("Z "(He is alive) "L'Aveu" ,"Etat de Siège") to his American period ("Missing" "Betrayed" "Music Box" ) to his French comeback ("Amen" ) there is a cohesion which even André Cayatte ,his closest contender in the field,did not reach.

And then "Le Couperet" .Don't be mistaken.It's not that much different from CG's previous efforts.Based on a Donald Westlake novel-a writer whose black humour was fierce- ,it contains lines Henri Jeanson or Michel Audiard would not have disowned.Comedy walks a fine line ,but it walks hand in hand with tragedy .You must watch it seriously to realize what heavy things CG is saying.While making his film verge on parody,he is also putting the French society in a less exalted light than we have been used to seeing it in.Suddenly our world seems frightening (the gas station man who hides a gun in his cash register,the icily impersonal female headhunter -I wish I had had my gun!-)It is really the society of the leave-you-behind and perhaps -I hope not - an omen of things to come in the future.I do not speak of the murders obviously.There are other ways of destroying a human being."When I saw them enter the restaurant ,the German ex-engineer says,I knew that I didn't stand the slightest chance ".

The last picture has (and will be) widely talked about.Actually it reminds me of the ending of Mankiewicz's "All about Eve " when Phoebe tries Eve's crown .When you get to the top,there is nowhere to go but down.

A film noir,a farce,a psychological drama ,a social satire and a movie where CG talks politics.One of his most accessible and one of his strongest works.At seventy plus,CG is as young as the reporter who bothered the fascists in "Z".He is abetted by Jose Garcia on top of his game.

Like this?Try these.....

"Extension du domaine de la lutte" Philippe Harel 1998

"L'adversaire" Nicole Garcia 2002

"Working girl" Mike Nichols 1988

Maybe the best 'noir' movie I've seen in the last years, and definitively the best Donald Westlake adaptation so far, "Arcadia" is the story of a man obsessed with a job, who thinks that the only way to get it is killing every candidate who can be better than him, and must cope with his many mistakes and family problems. It sounds like a tragedy, or a drama, but it is the best piece of black (or not so black) humor combined with noir I remember, which is surprising: I didn't know that Costa-Gavras had so much sense of humor. There are many symbols, allegories, but above it all, it mentions every controversial and denounce topic in existence for just one, two or three minutes, just to mention it. The result is, incredibly and amazingly, funny, intellectually engaging, extremely suspenseful (the results of every situation and, at last, the end of the movie are unpredictable) and a master class of narrative progression, at least until the last 20 minutes, where the movie drags. But until then it is a flawless masterpiece, and it deserves to be watched over and over again. José García is another surprise, a very good comedian.

I completely disagree with the reviewer who called this a'TV movie'. it's anything but... (did he see it on a TV screen?). It's a thriller that actually deserves to be called by that over-used adjective 'Hitchcockian' as we gradually identify more and more what the lead character who starts off as what, a hit-man, a serial-killer? As we get into his motives and hit and miss way of carrying them out together with unrelated encounters with the cops we are willing, despite ourselves, that he will succeed. Why does this not have a US distributor yet? I saw it with an appreciative crowd in Paris earlier this year. Jose Garcia who I last saw overdoing it in a so-so comedy called APRES VOUS is very good as the ordinary guy pushed to the limit and Karen Viard also always watchable as his blandly oblivious wife, who also becomes involved via a different set of crimes involving their family.

People who characterize this film as a comedy obviously haven't got it. The comic element is just a thin surface. This is a tragic story and a very strong political statement. Obviously Bruno's decisions and actions are absurd, but his circumstances are not. The movie offers an incisive look at the dark reality of chronic unemployment. Corporate greed leads to story after story after story of desperation. Westlake and Gavras know that in order to pass the message you have to lighten up the atmosphere (a la Truman Show), or else the viewer won't sit the whole movie. In order to appreciate the film you have to marginalize the main plot element (the murder story) and concentrate on all the subplots.

Loved it! Loved it! A terrific satire of the modern corporate downsizing which destroys a man's pride and then everything else. Better yet, this social satire is packaged as an absurd black comedy - serial killer story. A picture of the world we're living in. Don't take the killings too seriously. Obviously, they are a metaphor for the desperation of the man. It's a little bit like "Shock to the System" but I liked this one better. Whether you laugh at this movie today or not, tomorrow this will be the reality for most all of us when only endless service jobs will have remained. Or, flipping burgers. I highly recommend this socially conscious movie, as I applaud its director for the courage to make it. Bravo!