Der seltsame Fall des Benjamin Button
Originaltitel: The Curious Case of Benjamin Button
Erzählt die Geschichte von Benjamin Button, einem Mann, der rückwärts altert - mit bizarren Folgen.Erzählt die Geschichte von Benjamin Button, einem Mann, der rückwärts altert - mit bizarren Folgen.Erzählt die Geschichte von Benjamin Button, einem Mann, der rückwärts altert - mit bizarren Folgen.
- 3 Oscars gewonnen
- 85 Gewinne & 160 Nominierungen insgesamt
Faune Chambers Watkins
- Dorothy Baker
- (as Faune Chambers)
Jacob Tolano
- Martin Gateau
- (as Jacob Wood)
Mahershala Ali
- Tizzy
- (as Mahershalalhashbaz Ali)
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Brad Pitt makes his mark as an actor here as Benjamin Button, a man with a strange disorder - physically aging backwards. Along his emotional journey of life he encounters friends, family, loved ones, adventures, and most of all, chances.
Rarely has a film keeps the realism intact while still sustaining the magic of it. Truly, David Fincher and Pitt have created a film that is leaps and bounds ahead of its time. Taking a strange and fascinating tale and making it into one of the decade's very best films is something of an accomplishment.
Pitt, here, is an actor, not just a pretty face anymore. With the state-of-the-art visual effects at his hand, he pretty much carries the whole show. It is perhaps the first time since Andy Serkis' rendition of Gollum in The Lord of the Rings, that great acting has eclipsed terrific special effects. You genuinely feel and sympathize for his character, rooting for him all the way. Pitt owns the film, in short. He and David Fincher make a great team, and they look unstoppable to create more terrific films.
For the supporting cast, Cate Blanchett plays the love interest of Daisy to great effect. Her tale with Benjamin's make them somewhat star-crossed lovers. I won't go that far into detail but you'll see much later into the film. Taraji P. Henson also shines as Benjamin's surrogate mother, who gives her son the support he needs. Not to mention Tilda Swinton as an early love interest.
The screenplay by Eric Roth is excellent. Told from Benjamin's point of view with some highlights by Daisy, there are no clichéd dialogs to be heard, and the script is filled with equal moments of joy, ecstasy, sorrow, and understanding. Some dialog here is timeless and quotable, such as the film's tag-line; "We are defined by opportunities, even by the ones we miss." When you age backwards, you get more chances rather than missing it. I love that and wish for it, but sadly that is what movies are made for. And if that is what you've been thinking after or during your viewing of this film, then this film has succeeded.
David Fincher is a tour-de-force of film-making. Straying away from gritty violent thrillers such as "Zodiac", the unmatched "Fight Club", and "Se7en", he takes a bizarre love story, the most expensive budget he's faced, and crafts a film with such substance and flair that he adds quality to the film. There are moments in the film which make it obvious Fincher is calling the shots. The paced is slow, but this allows us to absorb and be infatuated with the characters. There is not one dull moment in the film. It is constantly gripping and re-watchable.
Technically speaking, the cinematography and lighting is absolutely perfect; gorgeous to the eyes and senses, and while giving the right tone and feel to the film shows us director Fincher's trademark. Accompanying this is the beautiful and heart-wrenching score by Alexandre Desplat, which is absolutely flawless. The special effects are unique and well-made, and you'll find yourself confused to whether certain scenes were made with special effects or not. If you want to see actors when they were young this is the best rendition of effects possible, and I hope the future movies use more of this amazing technology to make their stars more bankable. The special effects deserve their Oscar for it is the best I've seen in any movie in 2008.
In short, it is a beautiful, tragic, and terrific movie. It is certainly timeless and will stand the test of time, and hopefully, age well like fine wine (no pun intended). This absolute gem deserves the nominations it gets, too bad it was released the same year as Slumdog Millionaire.
Overall rating: 9/10
Rarely has a film keeps the realism intact while still sustaining the magic of it. Truly, David Fincher and Pitt have created a film that is leaps and bounds ahead of its time. Taking a strange and fascinating tale and making it into one of the decade's very best films is something of an accomplishment.
Pitt, here, is an actor, not just a pretty face anymore. With the state-of-the-art visual effects at his hand, he pretty much carries the whole show. It is perhaps the first time since Andy Serkis' rendition of Gollum in The Lord of the Rings, that great acting has eclipsed terrific special effects. You genuinely feel and sympathize for his character, rooting for him all the way. Pitt owns the film, in short. He and David Fincher make a great team, and they look unstoppable to create more terrific films.
For the supporting cast, Cate Blanchett plays the love interest of Daisy to great effect. Her tale with Benjamin's make them somewhat star-crossed lovers. I won't go that far into detail but you'll see much later into the film. Taraji P. Henson also shines as Benjamin's surrogate mother, who gives her son the support he needs. Not to mention Tilda Swinton as an early love interest.
The screenplay by Eric Roth is excellent. Told from Benjamin's point of view with some highlights by Daisy, there are no clichéd dialogs to be heard, and the script is filled with equal moments of joy, ecstasy, sorrow, and understanding. Some dialog here is timeless and quotable, such as the film's tag-line; "We are defined by opportunities, even by the ones we miss." When you age backwards, you get more chances rather than missing it. I love that and wish for it, but sadly that is what movies are made for. And if that is what you've been thinking after or during your viewing of this film, then this film has succeeded.
David Fincher is a tour-de-force of film-making. Straying away from gritty violent thrillers such as "Zodiac", the unmatched "Fight Club", and "Se7en", he takes a bizarre love story, the most expensive budget he's faced, and crafts a film with such substance and flair that he adds quality to the film. There are moments in the film which make it obvious Fincher is calling the shots. The paced is slow, but this allows us to absorb and be infatuated with the characters. There is not one dull moment in the film. It is constantly gripping and re-watchable.
Technically speaking, the cinematography and lighting is absolutely perfect; gorgeous to the eyes and senses, and while giving the right tone and feel to the film shows us director Fincher's trademark. Accompanying this is the beautiful and heart-wrenching score by Alexandre Desplat, which is absolutely flawless. The special effects are unique and well-made, and you'll find yourself confused to whether certain scenes were made with special effects or not. If you want to see actors when they were young this is the best rendition of effects possible, and I hope the future movies use more of this amazing technology to make their stars more bankable. The special effects deserve their Oscar for it is the best I've seen in any movie in 2008.
In short, it is a beautiful, tragic, and terrific movie. It is certainly timeless and will stand the test of time, and hopefully, age well like fine wine (no pun intended). This absolute gem deserves the nominations it gets, too bad it was released the same year as Slumdog Millionaire.
Overall rating: 9/10
"The Curious Case of Benjamin Button" sure got a lot of attention when it came out in 2008. It got so much attention that it received three Oscars and is ranked in the IMDb Top 250--currently at #247. And, as a result, when I finally got around to seeing it, my expectations were way, way too high. I was expecting too much, I am sure, as it's hard for a film to live up to all this hoopla. Now if I look at the film and try to ignore all these ridiculously high expectations, I see that it is indeed an exceptional film...but perhaps not quite the 'must-see' that I thought it was. I can't put my finger on it...it just didn't seem like a film a cinema freak must watch...though it was a nice, gentle viewing experience. And, after seeing this and "Slumdog Millionaire", I can see why "Benjamin Button" didn't capture the Best Picture Oscar.
Probably the best way to describe this film is like "Forrest Gump" run in reverse...and without the laughs or meetings with presidents and all the celebrity status. That's because although Benjamin SHOULD be world famous for being the only person to ever live life backwards, curiously he isn't and people seem to almost take it in stride. In addition, and this part DID bother me, everyone's performance seemed way, way, way too restrained. There were very, very few emotional highs in the film--and even those were curiously subdued. To me, that's what's curious about this "Curious Case"---why such an excellent film pulled its emotional punches throughout the film. As a result, when it should have been exciting, it wasn't...or not nearly enough. Still, it's well worth seeing...it has some lovely romantic elements and is a sweet film.
Probably the best way to describe this film is like "Forrest Gump" run in reverse...and without the laughs or meetings with presidents and all the celebrity status. That's because although Benjamin SHOULD be world famous for being the only person to ever live life backwards, curiously he isn't and people seem to almost take it in stride. In addition, and this part DID bother me, everyone's performance seemed way, way, way too restrained. There were very, very few emotional highs in the film--and even those were curiously subdued. To me, that's what's curious about this "Curious Case"---why such an excellent film pulled its emotional punches throughout the film. As a result, when it should have been exciting, it wasn't...or not nearly enough. Still, it's well worth seeing...it has some lovely romantic elements and is a sweet film.
I don't have too much to say about this film, except that it was one of the most beautiful, touching, poignant, and bittersweet films I have ever seen.
Benjamin Button lives his life in reverse. Despite this, it's a great life, full of adventure and love and learning. He finds out that no matter what, it's the people who make life so special.
The film is beautifully photographed and true to the periods it represents.
Brad Pitt is fantastic, and those CGI and makeup techniques for him and the rest of the cast are marvelous. It's a tribute to the film that it's very organic to the cast so we are not aware of makeup and CGI. Cate Blanchett is incredible; she is a dying, old woman in the beginning and gives a tremendous performance.
We're born helpless and without life memories, and some of us die that way. In a way, I guess, it doesn't matter if you're born old or die old - it's like Benjamin tells Cate Blanchett in the film, you'd still end up where you are now. The life experience, the people you meet, the wisdom you acquire, all happens -- and it happened to Benjamin at a time when he could really value it. But as he points out: "For what it's worth: it's never too late or, in my case, too early to be whoever you want to be. There's no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it."
Benjamin Button lives his life in reverse. Despite this, it's a great life, full of adventure and love and learning. He finds out that no matter what, it's the people who make life so special.
The film is beautifully photographed and true to the periods it represents.
Brad Pitt is fantastic, and those CGI and makeup techniques for him and the rest of the cast are marvelous. It's a tribute to the film that it's very organic to the cast so we are not aware of makeup and CGI. Cate Blanchett is incredible; she is a dying, old woman in the beginning and gives a tremendous performance.
We're born helpless and without life memories, and some of us die that way. In a way, I guess, it doesn't matter if you're born old or die old - it's like Benjamin tells Cate Blanchett in the film, you'd still end up where you are now. The life experience, the people you meet, the wisdom you acquire, all happens -- and it happened to Benjamin at a time when he could really value it. But as he points out: "For what it's worth: it's never too late or, in my case, too early to be whoever you want to be. There's no time limit, stop whenever you want. You can change or stay the same, there are no rules to this thing. We can make the best or the worst of it. I hope you make the best of it."
I had been awaiting to see this movie for some time. Alas, it was Christmas Day and you bet I was there to see the movie on opening day. I set my expectations really high on this film. I expected nothing short of brilliance with a film coming from director David Fincher, director of the masterful "Zodiac" and screenwriter Eric Roth, writer of the classic "Forrest Gump". The acting is brilliant in the movie. Brad Pitt and the marvelous Cate Blanchett share a fire that resonates so effortlessly out to the audience. Other performances are notable as well, such as Taraji P. Henson's as Benjamin's mother, and Tilda Swinton's as Benjamin's first lover. Another notable achievement in the film is the visual effects; none of it is overdone and it is quite convincing. The music in the film is great as well. The haunting and mythical music is composed by Alexandre Desplat. One thing that did surprise me in the film was the amount of comedy present, but I guess comedy's needed for a tale with such sorrow. I really do think that this film is a classic. And I would go and see it again. When I was walking out of the theater, some people complained that the movie was very good, but that it was too long. I disagree; I actually didn't want it to end. It's the perfect film to watch all snuggled up in a blanket during the dead of winter. All things aside, this movie is about the short time we're given with life and how we are to make the most of it. Even with a story as fictional as Benjamin Button's, the message rings true.
I always get a teary eyed when watching this movie. It always leave a different moral lesson after finishing it. I have no idea why this movie keeps getting better as you get older - until recently where I realized this movie has a way of showing you the right path when you lost your way; motivates you when you are down; accompanies you when you are alone; reminds you to appreciate what you have and not to take things for granted; cheers you up when you're feeling blue; gives you hope when all seems lost. If I were given the opportunity to write my own dictionary, this movie is the definition of perfection. This movie deserved to have a rating of at least 9.0 and it is quite rare for me to review a movie - let alone expressing my feelings in public, hell I have never done it until now. This movie really has earned a place in my heart. I will forever cherish this movie and will watch it to my children and theirs. I hope you guys do too.
Brad Pitt's Top 10 Biggest Box Office Hits
Brad Pitt's Top 10 Biggest Box Office Hits
Now that F1: The Movie has become Brad Pitt's biggest hit, let's take a look at his top 10 best performing movies at the worldwide box office.
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- WissenswertesThe hummingbird is the only bird in the world that can fly backwards. Hurricanes spin counter-clockwise in the Northern Hemisphere and clockwise in the Southern Hemisphere. These, among other "backward" motifs involving clocks and so on, tie in with the major thematic elements related to Benjamin Button living life in reverse.
- PatzerBenjamin spends a few idyllic weeks in Murmansk in December 1941 (there he hears the news about Pearl Harbor). But in June 1941 Russia was invaded by Germany. As one of the main bases of the Soviet navy, Murmansk was constantly under ferocious attacks, up until October 1944. So in no way could it be as peaceful and quiet there as we see in the movie.
- Zitate
Benjamin Button: You can be as mad as a mad dog at the way things went. You could swear, curse the fates, but when it comes to the end, you have to let go.
- Crazy CreditsThe Paramount and Warner Bros. logos are in the form of mosaics constructed from several buttons.
- SoundtracksWhen the Saints Go Marching In
Traditional
Performed by Doc Paulin's Marching Band
Courtesy of Smithsonian Folkways Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El curioso caso de Benjamin Button
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 150.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 127.509.326 $
- Eröffnungswochenende in den USA und in Kanada
- 26.853.816 $
- 28. Dez. 2008
- Weltweiter Bruttoertrag
- 335.802.786 $
- Laufzeit
- 2 Std. 46 Min.(166 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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