IMDb-BEWERTUNG
6,6/10
1991
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA narcoleptic transgender woman who yearns to have sex reassignment surgery dreams up elaborate musical numbers in which she's the star.A narcoleptic transgender woman who yearns to have sex reassignment surgery dreams up elaborate musical numbers in which she's the star.A narcoleptic transgender woman who yearns to have sex reassignment surgery dreams up elaborate musical numbers in which she's the star.
- Auszeichnungen
- 5 Gewinne & 3 Nominierungen insgesamt
Empfohlene Bewertungen
A narcoleptic transsexual (Monica Cervera) wants the 20 centermeters between her legs removed so she can become a true women. Then she meets hot, handsome, hunky Raul (Pablo Puyol) who likes what she has between her legs--a lot. She loves him...but enough to keep what she has? Also the film shows her fantasies and dreams which break out into elaborate (to say the least) musical numbers.
The basic idea (depressing story intercut with elaborate musical numbers) has been done before ("Pennies From Heaven", "Dancer in the Dark", "Moulin Rogue")--this is only different in the subject matter. I mostly liked it--the musical numbers are just great--full of energy and some incredible dancing (the "True Love" number stops the show). But the film is slowly paced and depressing. The acting of Cervera and Puyol (who has guts taking this role on) saves it. Also this has some fairly explicit nudity (male) and sex--be forewarned. Worth catching. I give it an 8.
The basic idea (depressing story intercut with elaborate musical numbers) has been done before ("Pennies From Heaven", "Dancer in the Dark", "Moulin Rogue")--this is only different in the subject matter. I mostly liked it--the musical numbers are just great--full of energy and some incredible dancing (the "True Love" number stops the show). But the film is slowly paced and depressing. The acting of Cervera and Puyol (who has guts taking this role on) saves it. Also this has some fairly explicit nudity (male) and sex--be forewarned. Worth catching. I give it an 8.
Beautiful masterpiece! I'm not into tranny stuff or what so ever, but i enjoyed this movie lots!!!!!!! Fun and musicals, perfect mixture! You go on, Spanish Cinema!!!!!! There's this boy with gender assignment issues and his entire adventure in seeking for the better. Perhaps it is the natural portrait of transgenderers in Europe, but its a complete hymn for the ones who are left behind in Latin America, or elsewhere. The soundtrack selection is totally accurate, and the cast drives you into a very profound study upon the emotions that a girl in the body of a male can cast away. Complete A+ in your movie collection. You can't ignore a film like 20cm if you are a fan of Spanish Cinema.
"20 Centímetros" (2005), written and directed by Ramón Salazar, is the story of a transvestite who would like to be rid of the 20 centimeters-- about 8 inches--of sexual organ that prevents her from being the woman she wants to be. The plot becomes more complex because Marieta (Mónica Cervera) falls in love with a man who likes her just the way she is.
There are two more subplots--one involves Marieta's house-mate, who is a wildly inept businessman, and the other is about a woman who lives in Marieta's apartment house and who is involved with some very shady deals, that are often frustrated because she can't find a babysitter.
The supposed charm of the movie comes from the fact that Marieta has narcolepsy. When she falls into a trance, she dreams of herself in Technicolor musical production numbers.
The problem with this film for me was that the musical numbers, which should have kept the movie from just being a Spanish "Transamerica," weren't very charming. The classic movie musicals are colorful and vibrant--these were more cutting edge and threatening.
I don't see "20 Centimetros" as a GLBT film any more than "Transamerica" was a GLBT film. However, when it was shown at Rochester's Dryden Theatre, the crowd was composed almost exclusively of gay male couples. The man who introduced the film said the he chose it because of the musical numbers. I'm not sure if he had previewed it before he selected it. It's the kind of movie that looks better on paper than it plays on the screen.
There are two more subplots--one involves Marieta's house-mate, who is a wildly inept businessman, and the other is about a woman who lives in Marieta's apartment house and who is involved with some very shady deals, that are often frustrated because she can't find a babysitter.
The supposed charm of the movie comes from the fact that Marieta has narcolepsy. When she falls into a trance, she dreams of herself in Technicolor musical production numbers.
The problem with this film for me was that the musical numbers, which should have kept the movie from just being a Spanish "Transamerica," weren't very charming. The classic movie musicals are colorful and vibrant--these were more cutting edge and threatening.
I don't see "20 Centimetros" as a GLBT film any more than "Transamerica" was a GLBT film. However, when it was shown at Rochester's Dryden Theatre, the crowd was composed almost exclusively of gay male couples. The man who introduced the film said the he chose it because of the musical numbers. I'm not sure if he had previewed it before he selected it. It's the kind of movie that looks better on paper than it plays on the screen.
It seems filth everywhere taste the same but the way of looking at it is different. This movie was better than I expected, it was light and cheerful.
Although 20 Centimeters is not a flawless musical, or a flawless film representation of trans people...I loved It. I had a dumb smile on my face almost the entire time. I found the portrayal of trans-people refreshing because the tragedy ratio was lower than most films that deal with trans-women in the sex industry especially.I also enjoy a quirkiness in films that leave them less polished and that is just about aesthetic preference.It was a light film about things that aren't always offered levity. Hooray for that.I thought the acting was great and the idiosyncrasies of the plot and supporting characters, engaging. Oh, and I liked the outfits.
Wusstest du schon
- SoundtracksTómbola
Written by Augusto Algueró and Antonio Guijarro
Performed by Mónica Cervera
Courtesy of Warner Chappel Music Spain, S.A.
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 6.635 $
- Eröffnungswochenende in den USA und in Kanada
- 2.177 $
- 29. Okt. 2006
- Weltweiter Bruttoertrag
- 439.632 $
- Laufzeit
- 1 Std. 52 Min.(112 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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