Street Kings

STREET KINGS Welcome to Street Kings, the movie that sees Keanu Reeves returning to the genre that made him famous, the action/crime/thriller. And boy is it good to have him back. Whatever your opinion of Reeves is as an actor, I really think he's grown on me in recent years. This also might have something to do with the fact that the guy really doesn't make bad movies that often. Street Kings is definitely in the upper tier of his work, both in his performance and as a film.

One thing that should immediately stand out to you is the size and profile of the cast, which is not short on stars. However, underneath the sea of recognizable faces is a gripping thriller with enough gunfire and blood to satisfy most fans of the action genre, as well as a compelling story to keep the crime buffs interested. We follow Reeves' Tom Ludlow, a brutal and unforgiving LAPD detective, as he works the streets of Los Angeles without rules and uses whatever force is necessary to get the job done. However, when he is implicated in a crime, he must put all he knows behind him to save his life and career.

Keanu Reeves...I can't think of many actors who have played more characters that define the word 'badass' (maybe Mark Wahlberg). So what if his abilities are limited to being dark, moody, and the definition of brooding intensity? He's GOOD at it! He can play the most repulsive guy (like he does in this movie as well as Constantine), yet still come off as likable, which is why I'll finally admit that I like the guy.

The massive supporting cast is headlined by Oscar winner Forest Whitaker, and everyone's favorite snarky doctor, Hugh Laurie. While Whitaker does his usual theatrical/over the top act, it really fits with his character and doesn't detract from the film. Laurie is also great in a scene stealing role as the Captain after Ludlow's badge. Chris Evans is forgettable, but not horrible. Cameos from "The Moniker Team", as I like to call it, are welcome additions as well. This team consists of Common, The Game, and Cedric the Entertainer. Common's cameo as an ice cold villain is memorable and almost scary. I loved him. Amaury Nolasco annoyed me once again, while seeing John Corbett in a movie was kind of weird, considering that he 'retired' a few years ago.

The mood and atmosphere of Street Kings is where it gets its title. It really felt like a constant power struggle within the movie not only between the characters, but with Reeves' character as well. His character's light and dark sides both come out in the film, but the real twist is which side comes out on top in the end. The film has several twists and turns, including a somewhat predictable revelation as to who the main bad guy is, but I found that I was never bored. It is well paced and definitely entertains with some dark and dry humor here and there.

With Street Kings, you've got a thriller that doesn't bring a lot of new things to the table in the 'dirty cop movie', but instead has a strong foundation in its cast and director (David Ayer, the man behind other dirty cop stories such as Training Day and Harsh Times), which shows on screen. It's one of the better thrillers this year, and is worth a look if you're into the genre.

I didn't go into Street Kings expecting a masterpiece, and I didn't get one. What I did expect is what I got, more or less: a competently made corrupt cops drama that throws on some heap-loads of stereotypes (not just racially or ethnically but just movie stereotypes, which may possibly be true to form them), and even crazy hysterics. If there is any significant achievement it's in taking the cop movie into such depraved depths it's like looking at a very entertaining infected boil: you know it'll pop any minute, and the pus might just run out a little bit here and there till there's more to squeeze out. There's almost an underlying current of hopelessness that gives the movie some intellectual lift, but at the same time it's such a time-waster that unless you're hardcore fans of the actors it's just about worth a rental.

Keanu Reeves goes from wooden to soggy-bottom wood as a cop who has been doing some dirty tricks to catch the bad guys lately (like setting up two Koreans- who are bad dudes for sure- by having them jack his car and then catching up with them to pop caps in their behinds), and he might be ratted out by his former partner. But when his partner is killed in very conspicuous circumstances, he goes to investigate it further while on a quasi-probation for even being at the scene of the crime (the crime, by the way, has one of the cheesiest "don't die on me" moments I've ever seen, laughably bad in how it's executed, no pun intended). Now, the conclusion shouldn't be at ANY surprise to anyone in the audience who's at least seen ONE other work by James Ellroy, the film's co-writer.

What does give it just a bit of extra lift is the extreme quality of the conclusion, how things seem so ridiculous that in any other hands this would be total nonsense. David Ayer, the director (and writer of Training Day, the perennial new millennium corrupt-cop saga), does have a good handle on the material though, even with ham-bone performance; Forest Whitaker is one of them, sadly, as he basically retreads his persona from The Last King of Scotland as the "King" of the corrupt cops. There is some not too shabby work, like a nearly phoned-in-from-House performance from Hugh Laurie (not unappreciated if you are a House fan), but it's mostly from supporting players like Jay Mohr in odd mustache and Common, the rapper, as one of the 'thugs'. It all kind of blends together as a pulpy orange of a B movie, good for something to not ponder too long over, but not as horrible as you might expect for a genre piece. It's a flavor of the season.

I wasn't expecting much from Street Kings, just to be entertained and that's what I got. Keanu Reeves played the part good, Hugh Laurie did exceptionally well, while the worst acting in the movie was from Chris Evans. Chris Evans was wooden and didn't seem to be able to act his way out of a glass box, during the argument in the locker room between him and Reeves I bit my tongue to keep from laughing as Reeves was actually doing a good job. The story was good, flawed and slow in places, but overall good. Sure the movie could've had a better cast but it doesn't and the only surprise here is that Chris Evans was worse than Keanu Reeves.

Here's another movie the critics dismissed that turned out to be a great movie. I was initially hesitant to go see the movie because of the negative reviews, but went to see Forrest Whittaker, Hugh Laurie and Keanu Reeves. I think most critics can't look at Reeves and not see Bill Preston Esq or Neo. However Keanu Reeves shows range in the movie and heads up the movie wonderfully.

This movie is a fast-paced LA Cop movie. It starts off great and never slows down. Money well spent at the Theater, and I'm the kind of guy who'd walk out of a movie that does not engage me. I would watch it again.

This is an actors film, the plot is straight down the line, but the stars of the film make this a thoroughly entertaining movie.

The film wastes some opportunities by under utilising the 'squad'. The squad has some good actors in it who aren't given enough time to shine.

Otherwise its lots of fun :)