Viruddh... Family Comes First
- 2005
- 2 Std. 12 Min.
IMDb-BEWERTUNG
7,0/10
2272
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuAn ordinary 60 plus couple - Vidhyadhar Patwardhan and his wife are forced to search for their faith in human values and society after the death of their only son Amar. In the process they u... Alles lesenAn ordinary 60 plus couple - Vidhyadhar Patwardhan and his wife are forced to search for their faith in human values and society after the death of their only son Amar. In the process they undergo the most testing struggle of their lives.An ordinary 60 plus couple - Vidhyadhar Patwardhan and his wife are forced to search for their faith in human values and society after the death of their only son Amar. In the process they undergo the most testing struggle of their lives.
- Auszeichnungen
- 3 Nominierungen insgesamt
Anusha Dandekar
- Jenny Mayer
- (as Anusha Dhandekar)
Shivaji Satam
- Bharucha
- (as Shivaaji Satam)
Shri Vallabh Vyas
- Advocate Asnani
- (as Vallabh Vyas)
Empfohlene Bewertungen
Viruddh is a film that has interest for the star power in it. Big B, Sanjay Dutt, and John Abraham make out to be a perfect cast. That's why I got it and was not let down
The first 45 minutes or so of this film is quite slow to the point you wonder if there will be a plot. It reminded me a LOT of another Amitabh/Abraham film Babuul which was really bad... but it turned out this slow beginning was just to get you hooked to the main characters. The husband/wife relationship played by Amitabh and Sharmila is at the heart of this film and without this intro film wouldn't have been as good
but hold on through the dragging beginning because Viruddh surely picks up and becomes an incredible tale. I won't say much because I don't want to give away the plot (which would ruin the film). But I will say that this film is truly unforgettable. Acting is superb, story keeps you going, characters are excellent.
One problem with Viruddh, not really a problem with the film but more of an annoyance was the RIDICULOUS product placement!!! Motor oil shot to the bottle an Sanjay pours it in a car but most hilarious was the WESTERN UNION scene that played no consequence to the film and was a scene added in where John Abraham essentially tells Amitabh just like in the commercials "hey Dad am sending you money, you can go to any location, etc. etc" wih a shot of Amitabh happily going to Western Union. I was cracking up!!! It distracts you from how real the film is... shameless!!! But forgivable because this film is great
And if you like this film you should check out Big B's Family with Akshay Kumar. SImilar like plot and Amitabh's acting is far better.
Both films are great. Enjoy!
The first 45 minutes or so of this film is quite slow to the point you wonder if there will be a plot. It reminded me a LOT of another Amitabh/Abraham film Babuul which was really bad... but it turned out this slow beginning was just to get you hooked to the main characters. The husband/wife relationship played by Amitabh and Sharmila is at the heart of this film and without this intro film wouldn't have been as good
but hold on through the dragging beginning because Viruddh surely picks up and becomes an incredible tale. I won't say much because I don't want to give away the plot (which would ruin the film). But I will say that this film is truly unforgettable. Acting is superb, story keeps you going, characters are excellent.
One problem with Viruddh, not really a problem with the film but more of an annoyance was the RIDICULOUS product placement!!! Motor oil shot to the bottle an Sanjay pours it in a car but most hilarious was the WESTERN UNION scene that played no consequence to the film and was a scene added in where John Abraham essentially tells Amitabh just like in the commercials "hey Dad am sending you money, you can go to any location, etc. etc" wih a shot of Amitabh happily going to Western Union. I was cracking up!!! It distracts you from how real the film is... shameless!!! But forgivable because this film is great
And if you like this film you should check out Big B's Family with Akshay Kumar. SImilar like plot and Amitabh's acting is far better.
Both films are great. Enjoy!
A gaze that can penetrate steel and the clothing of a corrupt Police Officer-the ensuing scene and dialog is a snippet of a good Film. Very few actors are blessed with this talent-like Rod Steiger in the "In the Heat of the Night", Robert De'Nero in "Good Fellas", Al Pacino in "God Father". Bachchan, the indisputable Icon, has managed to give another impeccable role probably the best in his career.This scene coupled with few other memorable scenes puts Mahesh Manjrekar as the top in his Profession. Khedekar as the Police Officer is another fine actor. After"Swades", I enjoyed this movie. The imbeciles who selected "Paheli" as the entry for the Oscars are a National disgrace.This SRK idiot,not just walk the Red carpet but take a walk, period.
"Viruddh" is a very unusual film in that it's like two totally different films. The first portion is lighthearted and fun--the second extremely sad and cynical. And, this final portion will do little to encourage tourism in India--particularly to Mumbai!
When the film begins, Vidhyadar (Amitabh Bachchan) is sitting in a jail cell--refusing to eat. The police inspector says he feels guilt every time Vidhyadar comes to his office or looks at him. Why? What immediately follows is NOT an explanation of this short prologue but instead is a surprisingly warm and lighthearted segment about Vidhyadar's life before some incident occurred--and what that incident is you'll just have to wait to see. This sweet portion of the film concerns the man and his relationship with his wife. They obviously love each other and their life is quite predictable but nice. Their son, Amal, lives lives in London and helps to support his retired parents. However, you know that Amal will soon die, as his ghost narrates portions of the movie!
The film changes when Amal returns home for a visit. Surprisingly, he brings along his girlfriend, Jenny, and he's worried that his parents may not approve of this relationship. However, they all become fast friends and life is looking just fine. But, when Amal just happens to be in the wrong place soon after his marriage, he is murdered and everything is turned upside down. It isn't just because of the murder but because the savage killer is well-connected and his father's influence manages to completely subvert justice. It's the police themselves who not only help the killer escape justice but also to ruin Amal's reputation in order to get the murderer off for his crimes. Vidhyadar's faith in the system is destroyed and he then decides to take it upon himself to receive justice. What this is and how he does it is something you'll need to see for yourself.
There is a lot to admire about the film. Bachchan's acting (as usual) is superb and it's easy to see why he's probably the most beloved and famous Bollywood actor today. His emotional range is astoundingly good. In fact, the acting is excellent all around. Also, the direction and production values are generally quite nice. The story is also very compelling and your heart breaks for the parents--as you feel really connected with them.
On the other hand, there are a few problems which prevent an even higher score. The biggest is that the ending, while satisfying to watch, is awfully difficult to believe. I'll say no more--you just need to see it to know what I mean. Additionally, I think the use of slow-motion was a bit over-used. Still, a super-impressive film and one that cannot help but grab your heart. And a great example of an Indian film that is every bit as good as most of the films coming out of Hollywood.
Also, for non-Indians, there needs to be a bit of an explanation for one small bit in the film. The father's attending a meeting where folks stand in the park just to laugh hysterically with their friends IS a real thing. Mira Nair shows this in her made for TV film "The Laughing Club of India" and these clubs have been promoted for good physical and emotional health.
When the film begins, Vidhyadar (Amitabh Bachchan) is sitting in a jail cell--refusing to eat. The police inspector says he feels guilt every time Vidhyadar comes to his office or looks at him. Why? What immediately follows is NOT an explanation of this short prologue but instead is a surprisingly warm and lighthearted segment about Vidhyadar's life before some incident occurred--and what that incident is you'll just have to wait to see. This sweet portion of the film concerns the man and his relationship with his wife. They obviously love each other and their life is quite predictable but nice. Their son, Amal, lives lives in London and helps to support his retired parents. However, you know that Amal will soon die, as his ghost narrates portions of the movie!
The film changes when Amal returns home for a visit. Surprisingly, he brings along his girlfriend, Jenny, and he's worried that his parents may not approve of this relationship. However, they all become fast friends and life is looking just fine. But, when Amal just happens to be in the wrong place soon after his marriage, he is murdered and everything is turned upside down. It isn't just because of the murder but because the savage killer is well-connected and his father's influence manages to completely subvert justice. It's the police themselves who not only help the killer escape justice but also to ruin Amal's reputation in order to get the murderer off for his crimes. Vidhyadar's faith in the system is destroyed and he then decides to take it upon himself to receive justice. What this is and how he does it is something you'll need to see for yourself.
There is a lot to admire about the film. Bachchan's acting (as usual) is superb and it's easy to see why he's probably the most beloved and famous Bollywood actor today. His emotional range is astoundingly good. In fact, the acting is excellent all around. Also, the direction and production values are generally quite nice. The story is also very compelling and your heart breaks for the parents--as you feel really connected with them.
On the other hand, there are a few problems which prevent an even higher score. The biggest is that the ending, while satisfying to watch, is awfully difficult to believe. I'll say no more--you just need to see it to know what I mean. Additionally, I think the use of slow-motion was a bit over-used. Still, a super-impressive film and one that cannot help but grab your heart. And a great example of an Indian film that is every bit as good as most of the films coming out of Hollywood.
Also, for non-Indians, there needs to be a bit of an explanation for one small bit in the film. The father's attending a meeting where folks stand in the park just to laugh hysterically with their friends IS a real thing. Mira Nair shows this in her made for TV film "The Laughing Club of India" and these clubs have been promoted for good physical and emotional health.
I am coming from Tamilnadu. In Tamil picture circuit rarely two post retirement/post menopausal couple are the chief protagonists. The last such film, I remember was "Vietnam Veedu". The Tamil filmdom thinks that old people can only be character actors. In our films even old male actors with fading faces have to act as lovers of heroines of their daughters' age. It is sometimes pathetic to see the old heavy actors making some dance sequences. So it is refreshing to see the old couple both in their mild and mature flirting with care for each other and the poignancy of their tragedy of the murder of their son and subsequent legal shenanigans. It is the younger men are the character actors in this film.
Amitab Bachan and Sharmila Tagore act brilliantly bringing the gamut of emotions. The final meeting with the murderer was excellent. Of course the story line is linear and some excellent pieces of dialogue crop up.
Yet there are a few rather typical cinematic scenes which are rather incongruous The old lady who is a retired teacher goes out with her teacher's cane and beats up the roguish Ali and others to bring some sense of decency in them which is rather too dramatic. Similarly the last verdict of NOT GUILTY on the old man is rather surprising. I am not a lawyer and am not aware of judicial nuances. But after all the old man is a murderer however justifiable his actions are and some token punishment (at least the time spent in the prison so far) would have been more judicial. Besides during the first trial the Home Minister and the Police went far out of the way in harassing Patwrdhan and his family but after his son's death the Home Minister seem to have been paralyzed. Nobody even tried to confiscate the tape recorder which ultimately reaches the presiding Judge of the second trial -"a shocking piece of evidence". The police officer who foisted the Drugs in the son's bedroom seemed to have gone scot-free.
But for these loose ends, deliberately left for dramatic purposes, Viruddh is a very good and interesting film.
Amitab Bachan and Sharmila Tagore act brilliantly bringing the gamut of emotions. The final meeting with the murderer was excellent. Of course the story line is linear and some excellent pieces of dialogue crop up.
Yet there are a few rather typical cinematic scenes which are rather incongruous The old lady who is a retired teacher goes out with her teacher's cane and beats up the roguish Ali and others to bring some sense of decency in them which is rather too dramatic. Similarly the last verdict of NOT GUILTY on the old man is rather surprising. I am not a lawyer and am not aware of judicial nuances. But after all the old man is a murderer however justifiable his actions are and some token punishment (at least the time spent in the prison so far) would have been more judicial. Besides during the first trial the Home Minister and the Police went far out of the way in harassing Patwrdhan and his family but after his son's death the Home Minister seem to have been paralyzed. Nobody even tried to confiscate the tape recorder which ultimately reaches the presiding Judge of the second trial -"a shocking piece of evidence". The police officer who foisted the Drugs in the son's bedroom seemed to have gone scot-free.
But for these loose ends, deliberately left for dramatic purposes, Viruddh is a very good and interesting film.
Its truly a Big B and Sharmila film.Mahesh Manjrekar is back with his good stocks after Astitva...The movie shows the struggle of an old man to justify his sons innocence to the society.Bachchan was superb.His expressions were splendid in each of the sequences.Sharmila is equally powerful,and both have shared a terrific on screen chemistry.Sanjay Dutt excels,though he got very less on screen time..Jhon was OK.. The only minus point of the movie is the climax..It could have been more twisted and realistic. One person is worth mentioning here is Amitabh Dayal..He was terrific.
Some of the scenes which were well executed,
1) Amitabh Sharmila's conversations 2) Amitabh,Sharmila, Jhon and his wife together chatting at the bedroom. 3) Sanjay Dutt bashing the advocate. 4) Big B's conversation with Amitabh Dayal at the climax. 5) Big B pretending laughing at the park and bursts into tear.
Go for the movie. You will like it.
Sam
Some of the scenes which were well executed,
1) Amitabh Sharmila's conversations 2) Amitabh,Sharmila, Jhon and his wife together chatting at the bedroom. 3) Sanjay Dutt bashing the advocate. 4) Big B's conversation with Amitabh Dayal at the climax. 5) Big B pretending laughing at the park and bursts into tear.
Go for the movie. You will like it.
Sam
Wusstest du schon
- WissenswertesMahesh Majrekar was asked in an interview whether the film was based on Saaransh 1984 which had a similar story line of an elderly couple losing their only son. Mahesh Manjrekar replied that the story is based on a real life couple who had lost their only son in a tragedy.
- Alternative VersionenWill be made in two languages -- Hindi and English. The English title is Versus.
- VerbindungenRemade as Konkanastha (2013)
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- Family Comes First
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Box Office
- Bruttoertrag in den USA und Kanada
- 327.615 $
- Eröffnungswochenende in den USA und in Kanada
- 110.360 $
- 24. Juli 2005
- Weltweiter Bruttoertrag
- 2.048.588 $
- Laufzeit
- 2 Std. 12 Min.(132 min)
- Farbe
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