Three... Extremes

The idea of having Chan-wook Park, Takashi Miike and Fruit Chan as part of the same DVD set is enough to warrant a purchase. This was the sole reason I watched these three shorts.

While Miike's offering was very enjoyable, and had some interesting scenery and Chan's Dumplngs was also very entertaining, Chan-wook Park stole the show in my opinion.

I now wonder if CUT isn't what SAW should have been.......?

Unfortunately I can't speak on the film too much as I could ruin the story, but if you are a fan of either OLDBOY or Sympathy for Mr Vengeance this short IS A MUST. Chan-wook Park continues to impress me with his creativity, and the camera work in this film was GREAT. There are two directors that I currently find to be very interesting, and I will watch anything they produce. Micheal Haneke is one, Chan-wook Park is another.

I have heard rumours of Sympathy for Ms Vengeance, and I can only hope they are confirmed.

This was an easy purchase.

This is an excellent blend of three horror films that characterize the ideal representation of Asian cinema. Each story is presented with ordinary people displaying qualities of evil and depravity. These directors use powerful cinematic storytelling elements in exploring their genres. This is not an ordinary horror film with a ghost or a slasher/killer with a knife but a combination of people who are capable of psychotic behavior. While all of the films are not perfect and contain some mildly dull aspects, watching all three will leave you intrigued with the art and approach of the horror genre utilized in various countries Asia. If you can hold your stomach through the first film "Dumplings", you will certainly enjoy one of these stories and won't be disappointed. A disturbingly good movie!!

Three...Extremes is an anthology of three horror films by three respected Asian directors. 

"Dumplings" - Directed by Fruit Chan

In Dumplings, an actress who has entered middle age and begun to lose the attention of her husband to an affair with a younger woman visits Aunt Mei, an old woman who still has the looks of her youth. Aunt Mei has a secret recipe that makes anyone look years younger, but such an unnatural benefit comes from a truly abominable source. I found Dumplings to be absolutely stomach-churning. A horror movie that doesn't even attempt to scare you, but actually tries (and succeeds, in my case) to horrifying you. Not for the squeamish. Even the sound effects eventually became almost more than I could bear. Disturbing and entertaining. - 8/10

"Cut" - Directed by Chan-wook Park

A talented director and his wife are taken captive by a murderous, utterly insane movie extra. Cut is darkly comedic, utterly absurd, and far more meta than the other movies in this collection. It took me a while to figure out whether I liked it or not, but by the end of the segment, I was won over. Like Dumplings, Cut isn't frightening in the conventional sense. Instead, it's flat-out zany (in a good way). - 7/10

"Box" - Directed by Takashi Miike

The most haunting of the three segments. Box is about a jealousy-fueled tragic accident involving two young sisters. The surviving sibling suffers from suffocating (literally) dreams and disturbing visions of her deceased sibling, even years later as an adult. Box is probably the creepiest of the three, and it has a psycho-sexual aspect to it that makes the whole thing even more unsettling. Definitely more of an atmospheric, "mood" movie than the other two. - 8/10

I liked all three segments, as well as the movie as a whole. I found Dumplings to be the most effective/entertaining, but I recommend the entire anthology. The three short films are not only memorable and very different from one another, but they're also fairly unique among the other horror movies that I've seen. 

Overall - 8/10

This compilation movie of three horror stories is dark and disturbing. The first story concerns a woman's greed for beauty and the bizarre path she takes to get it. The second story centers on a director who gets held captive by a film extra with an agenda. This leads to torture and a strange game of cat and mouse. The final story regards a writer with a twisted past. This part is surreal and at times awkward in storytelling and direction. I enjoyed this film as a fan of the horror genre. The elements of surrealism and paranormal activity were effective in each story. While the movie did have a relatively slow pace, the intensity of each stories climax made for a fulfilling watch. Recommended for fans of Tales from the Darkside, Tales from the Crypt, The Twilight Zone and admirers of Takashi Miike and Chan-wook Park.

This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.

All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.

I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.

A solid 8 out of 10 for the efforts of these genius Asian directors.