Puteri Gunung Ledang

I bought the Puteri Gunung Ledang (PGL) VCD last week and was excited to watch Malaysia's biggest budget movie. I have some comments and opinions on the movie:

Good cinematography. The view and scenery in the movie was spectacular and beautifully done. The harbor, lake, river and forest scenery was superbly done. This is something to me that's up to international standards. The leaves falling down on the rock scene like something from a Hollywood Fantasy story.

There seems to be confusing 'flashback' scene in the movie. Why not have something like the 'usual' blurry effect before the reminiscing scenes as indicator to the audience what's going on in the story? It could actually help the viewer differentiate the past and present scene in the movie.

The costume and props was also praiseworthy as it reflects the culture and differences of the races. Some of the dialogue was poetic, portraying true Malay wisdom in usage of proverbs in conversation.

The fighting scene at the market displayed one of the best Silat Silat (Malay Martial Art) I've seen in years. Excellent job was done by the choreographer in charge. (Could be made better without the exaggerated stunts). The scene where Hang Tuah and the Jawa Gusti Adipati fights in the 'mental realm' was cool but looked like something from Zhang Yimou's movie.

The legendary love story between the princess and Hang Tuah was not actually developed. I for one did not understand how the princess fell in love with Hang Tuah. (Except for the kick-flower-in-the-face scene).

Overall, in my opinion, this movie is a commendable effort by the local Malaysia Film industry. Keep up the good work!

I can be considered involved in the production of this movie. If you listen closely to the music of the movie, you will find the strings sound are real, not some cheap MIDI sound like most movies from Malaysia are using. I'm one of the violinists in there. Anyway, I am right now studying in New York, I recorded the original score right before I came here. I long to watch this movie since I walked out from the studio. So I asked my mom to send me the VCD of this movie. After finally watching this movie, I was quite happy about the seriousness of the production in a Malaysian film. However, I have never liked to watch Malaysian movies (dominated by Malay language films), because of its slow and meaningless pace. It is sad to say that this hasn't changed a bit in PGL, which I think is the greatest pity. (Even though this movie is directed by a Chinese!!) The movie could be shortened to 2 hours --- if not one and a half --- if the hyper-slow parts were being changed into a somewhat reasonable pace. But overall, I would like to say that I'm happy to see Malaysians try to make this movie a jump start (if it is) for the oh-so-rotten Malay movie scene. Like the another review, I feel the same that some elements like action (I don't like to use the word violence) could be enhanced, it could be better. Those elements are hanging in the middle of nowhere in this film. In fact, I think this issue might be caused by the strict censorship system (if there is a "system") in Malaysia. If we Malaysians want to push the film industry further to the world, PLEASE, the censorship board should reconsider the poor censorship system average that flows from time to time and, PLEASE, give filmmakers a bigger space in creativity. More budget and more money doesn't promise better movies!! Artistic quality is the most most crucial element in making a great movie!!

I was one of those people queuing up excitedly during Merdeka, hoping to enjoy the most expensive malaysian movie. Nonetheless, all the publicity in the newspapers, the huge banners along the roads, and a glimpse of the opening rehearsal in KLCC didn't amount to a good turnout. This movie, to some extent, failed to satisfy my needs as a viewer.

I have to admit that the settings for this movie is excellent and the costumes, though less extravagant in Majapahit terms, is very much compensated in the Malaccan palace. The yellow colour of the court is just marvelous. It stays true to the royalty of Malay courts at that time and the rich colour sort of signifies Malacca as the powerful Malay state. Gusti Puteri should have more accessories on her to signify her status as a princess. And perhaps Hang Tuah should have a more masculine colour on him like what the Bendahara is wearing.

Nevertheless, the movie is too long and viewers are put off by the lethargic movement of Gusti Putri. What I meant is that there is a difference between being graceful and slow. Being graceful doesn't mean you have to do everything in slow motion. Also, if some scenes are deleted it won't affect the storyline of the movie I think. Like the scene where Hang Tuah talked about Tuk Mudim or when Sabri Yunus joked about giving 'penampar Arab'. In the latter, the joke lost its purpose when told more than twice.

Gusti Putri did manage to show the theme of this movie; 'Cinta Agung', and she showed this in her willingness to sacrifice everything for Hang Tuah-by 'leaving her people behind' as Gusti Adipati suggested in their telepathic scene. Nevertheless, when Gusti Puteri is left alone with Hang Tuah, their scene is filled with (more) words when actions are more appropriate for two people madly in love. This movie can be a good portrayal of a great love story if only the characters aren't lacking vigour in portraying themselves as great lovers.

And the beginning of the movie, when Gusti Puteri is in the maze, which to me signifies confusion, is contradictory. How can Gusti Puteri be confused when she is very certain that she wants Hang Tuah and is willing to go to him? I also fell asleep in the middle of the movie when Hang Tuah was battling with Gusti Adipati. This should be one of the highlights in this movie but by this scene, I was already bored to death with the irrelevant scenes.

In a nutshell, this movie is too long, too wordy and some scenes are irrelevant to the title 'Puteri Gunung Ledang'.

i was disappointed. i very much wanted to like this film as i'd like to hope high for Malaysian films. first the good - m nasir was very good. he met my expectation and handled a tedious script to his very best. sofia jane was excellent. if the stories that jaquelina instructed the removal of lots of jane's scenes are true (to take out screen "competition"... jaquelina co-produced this with her husband) then it is regrettable. it's just a rumor, but one does wonder why an excellent performer and performance ended up so maligned. moving on, the production values are all excellent. great set, nice cinematography, nice costumes... editing style was fine, though the decision to drag it out to 145 minutes was certainly ill-chosen.

now the bad. tiara jaquelina was really not fit to play this role. she is so limited, so one-dimensional and so wooden. she doesn't exude the grace nor the natural beauty demanded of the role, nor does she poses a voice (a bit croaky, isn't it?) to perform lengthy verses of spoken word poetry kinda dialogue and voice over. inevitable that she was the lead actress but deeply, deeply flawed decision for the film.

poor characterisation. didn't feel for them all. m nasir tries and succeeds somewhat to elicit a response from me but the rest of the leading cast are all cardboards. i'll blame the scriptwriter for this. just too much screen time for everyone but the film doesn't work hard enough to develop character, narrative and a love for the world. it's so easy already because everything's in place: great set, great story, great characters. in the end it just became a bad tiara star vehicle.

that's why i'm so disappointed.

For the first time in my life, I really have to admit that Puteri Gunung Ledang is so far the first Malaysian movie that contains all the right ingredients for a good and watchable movie. Truthfully, I have never liked any Malaysian-made movies before PGL, thinking that either the filmmakers here never actually bother for quality for the sake of money or perhaps, obviously, that they don't know the proper principles of film-making after all. When I decided to watch PGL a few weeks ago, I kept asking myself if this money was worth the ticket price. Fortunately, it was. Thanks to Teong Hin Saw's brilliant direction, PGL gives a refreshingly new perspective to the casual viewers and also fans of World History.

Basically, it is a love story between Hang Tuah, the legendary Malay Warrior of Malacca and the Javanese princess Gusti Putri (the title character) whose relationship arouses the tensions between two worlds: the Sultanate of Malacca and the Majapahit Empire. The plot may be a bit straightforward but its production values makes a major leap over the previous Malaysian outings; you can safely assume that PGL is definitely a work of a pro. Great cinematography (forget about the Cameron Highlands issue), exhilarating camera moves and editing, decent fighting sequences and quality SFX prove it all. Casting, on the other side, is a mixed bag: some perform extremely well, expressing their powerful gestures convincingly while the rest are surprisingly wooden, leaving lots of rooms for improvement.

It's true that PGL is not without flaws: the most obvious is the pacing of the entire movie and as a result, it is not a well balanced movie. The lack of any action sequence in the middle act makes the movie seem a bit draggy, filled with long (twisted for some viewers) conversations, tight focus upon the two lovers and other unnecessary slow-moving sequences. Unlike any international epic movies you have seen, PGL is rated 'G', suitable for the whole family, which basically means that it contains no forms of profanity or suggestive elements that may otherwise prove sensitive to some viewers. This only cheapens the maturity of this movie: for me, the whole movie, despite excellent production values, feels mild and unsatisfying as if I ate a half-baked cake.

PGL could have been a great contender in any film festival if a) it were a bit more sensual (ala Ang Lee's Crouching Tiger, Hidden Dragon), b) more violent (ala Peter Jackson's The Lord of the Rings trilogy), c) more thought-provoking and visually more disturbing (ala Ron Howard's A Beautiful Mind). Despite these inevitable drawbacks, the Malaysian film industry seems to be taking the right path and this is just the beginning. For now, PGL feels like a good movie. Not phenomenal, though.