Rabbit Fever

Rabbit Fever is a mockumentary collection of sketches, each one of them focussing on a female personal device that was made popular by a single 1998 episode of Sex and the City (the latter half of 1998, rather than the early episodes which were all directed by women). From opening statistics that make Rabbit Fever sound like a soft porn movie, we are treated to a sea of predictable sketches with real and imaginary characters in a world run amok with women's addiction to solitary pleasure.

Men, as Germaine Greer rather arrogantly explains, have invented a gadget for women that makes men superfluous in the bedroom. The Rabbit Vibrator (which some statistics suggest accounts for about a quarter of all vibrator sales) is so called because of little rabbit-like long ears which vibrate to stimulate the clitoris, while rotating pearls inside the shaft stimulate the inside of the vagina. The film interviews characters that attend Rabbits Anonymous to help overcome their 'addiction', as well as known people such as Tom Conti posing as a professor or Richard Branson (amid scenes of rabbits being banned on aircraft) saying he would like to provide free rabbits to his first class air travel passengers and ultimately to all of them.

The main weakness of the film is that the idea is not enough to sustain 85 minutes of cinema, the sketches don't have the writing skills of say a Charlotte Church or Ricky Gervais to make them funny enough and, while it might make desultory late night TV, doesn't have a hook to get people to queue up in public at multiplexes to watch masturbation jokes.

Lines like, "It's been nearly a week since you used your rabbit - how are you coping?" wear rather thin after five minutes. The film is based on the idea that the mere mention of the word 'rabbit' will get a laugh . . . and another one, and another one. Frantic midnight drives to buy batteries might be amusing in real life, but here they look rather laborious, and the special emergency delivery service outstays its welcome.

Strangely the BBFC gave it an 18 certificate in spite of zero violence, hardly any explicit sex, and sexual references that are less 'perverted' than any late night comedy show. The company protested the decision, but the BBFC didn't budge. At first sight this seems overkill on their part and their consumer advice now simply says, "Contains frequent strong sex references." One might think that youngsters would find masturbation jokes funnier than the most desperate of hen night parties, and the topic one worthy of debate; but Rabbit Fever does not even have the saving grace of a balanced approach to its subject matter.

The best part is probably The Rabbit Song by Ruocco (who play a band called Thumper in the film). For those who have dozed off and woken up at the end credits, there is a bonus scene at the end of them to reassure them that they haven't missed anything.

Don't expect to go and find The Chef d'Oeuvre of the 21st century, but very efficient if you want to relax a bit and forget your daily worries. It's basically a good laugh, precisely what a lot of other so-called big budget movies can't manage to buy. The best is probably to go and watch it with a group of friends. One good point also is most of the action takes place in London and we've seen too little of the City recently apart from other films like Match Point. Not everything is perfect in it, like for instance the numerous blonde actresses you kind of struggle to differentiate at times but don't forget it's a small budget movie

This mockumentary of turmoil caused by the "world's best" vibrator, the Rabbit, had us laughing out loud a few times. We chuckled more, and we were usually grinning at the overall story.

As the narrator follows the stories of a half-dozen women, their partners, friends, and families, we see a wide variety of perspectives toward sex toys presented as "serious" drama, only occasionally veering into more obvious satire. Some lives are improved, some complicated, and some frazzled by the women's attempts to fight their addiction to the multi-pronged device.

It's a fun film. And it has a coherent narrative. It could have felt fragmented due to the number of stories being followed, but a fair amount of synergy ties it all together.

If you watch it, don't miss the final scene at the end of the credits!

A superb comedy! How refreshing to see a movie that's original (at last, not a remake), inventive on every level and one that builds on the subtleties of cinematic humour - particularly when it comes to dealing with the delicate subject of sex toys. There were many moments of side-splitting hilarity that, because they're delivered with such comedic tenacity, leave you wanting more.

If you want to steal yourself away from the bad news now riddling the world, this is a must see! The writer hits the nail on the head. The fact that it's his first movie and was independently made on a tight budget can only give us faith. Again, how refreshing for the British movie industry. Inspiring stuff!

The acting throws up some wonderful performances - from the new faces to a collection of cameo appearances. Of the cameos, I don't spoil it by saying Germaine Greer, Tom Conti, Stefanie Powers and Sir Richard Branson inject a superb originality into proceedings that makes you sit up and wonder if you're actually watching a real-life documentary. Branson's role is particularly convincing. Of the new faces, my particular favourites were Sharon Gavin as the girlfriend of the Chelsea FC fanatic and the foppish Julian Rhind-Tutt as Rupert. Watch this space - they're going places. Every performance delivers though and the fact that you are watching a truly eclectic cast makes the experience yet more memorable.

Thank you for making me laugh. I look forward to the next. Some of the jokes still bring a smile to my face and it's been a week since the screening!

I saw this in a preview screening and have to say that this documentary style movie is the biggest load of tripe I have ever seen.

Completely unfunny, low budget, boring, rubbish script, terrible acting - The entire audience (young and old) sat through the film comatose without laughing for most of it... there were literally only about 2 places you will laugh in the entire movie

Many people left halfway - Can't blame them... I stayed thinking that the film would pick up, however, it never did and I wish I'd left.

The humour was really lame and I am surprised that this ever made it on to the big screen. I am not someone who is offended by the adult content of this movie at all - It just wasn't funny. The people who made this movie really don't deserve your money, so please don't pay to see this film.

This isn't even funny enough to be shown on TV, let alone cinema...

I wanted to give it 0 out of 10, but the system won't allow it...