Eine Gruppe von Teenagern fürchtet um ihr Leben in den Sümpfen von Louisiana, verfolgt von Mr. Jangles, einem Mann, der von 13 bösen Seelen besessen ist, und nun unerbittlich nach neuen Opfe... Alles lesenEine Gruppe von Teenagern fürchtet um ihr Leben in den Sümpfen von Louisiana, verfolgt von Mr. Jangles, einem Mann, der von 13 bösen Seelen besessen ist, und nun unerbittlich nach neuen Opfern sucht.Eine Gruppe von Teenagern fürchtet um ihr Leben in den Sümpfen von Louisiana, verfolgt von Mr. Jangles, einem Mann, der von 13 bösen Seelen besessen ist, und nun unerbittlich nach neuen Opfern sucht.
- Terry Parker
- (as Marcus Brown)
- Paramedic
- (Nicht genannt)
- Officer on crime scene
- (Nicht genannt)
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As a horror fan, the most interesting aspect of the film for me was the joining of two horror sub-genres (for want of a better description) - the voodoo/hoodoo and slasher genres. There are better voodoo films, Wes Craven's "The Serpent and the Rainbow" comes to mind, and certainly many better slasher films, but it was fun to watch the director mix the genres.
Ray, originally known as "Jangles" in the computer game, makes for an interesting villain. He's the town outcast, who dies while trying to rescue a voodoo priestess from a car crash. Unfortunately, the old lady's possessed snakes attack Ray and he turns into a voodoo powered zombie with a really bad attitude. Ray is no Freddy Krueger or Jason Vorhees, but he's also a step up from most of the clowns polluting American horror movies these days. Ray's weapon of choice is a crowbar and he busily uses it to impale, spear and slash anyone he comes across.
The film also gets extra credit for having Bijou Phillips in the cast. I have no idea why this woman isn't a bigger star, she manages to steal every movie that she appears in. Bijou doesn't have a big role and she really is way too cool to be believable as a small town bimbo. However, she is a beacon in the sea of pretty but wooden actors that make up the rest of the cast.
The film starts well but becomes increasingly improbable. The character of Cece is so idiotic that it defies belief - Apparently every resident of Louisiana keeps a spare voodoo priestess robe in their wardrobe. Oh, and nice idea to use your dead friend as a voodoo doll. The director also gets carried away with CGI effects as the film progresses and spends far too much time making snake eyes move under Ray's skin than concentrating on the good, old fashioned gore that makes the first half of the film so enjoyable.
The film's finale is fairly predictable and by then I had lost interest. Nevertheless, Venom is a fun horror film and should please less discerning genre fans.
People tend to call these type of movies new age horror but fact is that these type of movies have been around since the '70's, in which a bunch of hot looking teenagers are all getting killed one-by-one by a maniac/monster. Not much has changed since the '70's, except for its style and look.
Storywise this movie is of course very formulaic in every way thinkable. It's actually a very simple written story, in which basically nothing out of the ordinary happens and everything progresses and happens by the book. It's the type of screenplay that makes you go think; Hey! I could have written something like this! The story is perhaps the movie disappointing aspect of the movie, since otherwise this is basically a fine and well made movie.
I liked the movie its style. It kept the movie going, even though when nothing was happening in the movie. It makes sure that you never get bored. This is also thanks to the editing by Paul Martin Smith, who is a good editor but hasn't really been given good movies yet to proof his skills to the world. The directing was good and fresh and it seems to me that Jim Gillespie has some talent as a director, even though he hasn't really showed it with his movies yet. Perhaps he needs to stop working with Kevin Williamson, perhaps then he will get some better movie propositions to direct. Ever since "Scream" Kevin Williamson hasn't done a decent thing for the genre anymore but he's still active in the business, probably because he is the guy who wrote "Scream". For this movie he serves as a producer. He also wrote the previous Gillespie directed movie "I Know What You Did Last Summer", which became a success, though probably only because it got released so shortly after the success of "Scream" and the genre was hot and popular again at that time.
This is not the type of horror movie that should ever scare you, it's more a movie that entertains with its horror, perhaps of the reason that everything happens in such a predictable way. But Jim Gillespie obviously understands the genre though and knows what is important. So there is some gore and good make-up effects as well as a good 'killer'. You don't really ever start to care about the rest of the characters though, mainly because they remain so superficial and obviously also aren't being played by the most talented actors.
The movie brings zombie movies back to its roots; Voodoo. The earliest zombie movies, from the '20's on, always featured voodoo themes, whenever zombies were involved with the main story. Just too bad that the didn't really used much of the voodoo concepts to make this movie a bit more interesting and original to watch.
It's enjoyable enough for the fans of the genre and certainly not as bad as everyone tries to make you believe it is.
6/10
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This movie is a pleasant surprise. While it is marketed to resemble a dozen movies similar to it, Venom has better than average plot development, an effectively eerie mood, and good suspense. The actors are unknowns, but they are believable. The film also avoids many horror movie clichés that would have otherwise dragged it down to a lower level.
Venom is evocative of many Wes Craven movies, especially Cursed, where another kind of "monster" is out attacking young people. In both, there is constant mayhem and suspense and the plots are easy to follow and moves quickly. I enjoyed the voodoo subtext here and even wished the story explained more of it and its role in motivating the killer.
Well worth a view on cable or DVD.
Wusstest du schon
- WissenswertesThe filmmakers hoped this would be the first film in a long-running franchise. They intended to make Ray Sawyer the next iconic horror villain, like Jason Voorhees. When the film bombed at the box office, plans for future sequels were scrapped.
- Patzer(at around 52 mins) When Sean is pulled through the window with the chain by Ray Sawyer, the whole window behind him shatters. However, a few moments later inside the house - the window has somehow repaired itself.
- Zitate
Ricky: [Grabs Tammy's bra strap] So tell me, is this synthetic leather?
Tammy: We got it at Lacey's in Baton Rouge.
Patty: No, *you* go it at Lacey's. I was in Barnes & Noble flipping through Janes. Do not make me a part of your felony.
Ricky: You stole it?
Tammy: Well, I wasn't gonna buy it! It was too ugly! And I felt bad taking a nice one. I *have* a conscience.
Patty: You're still a crook.
Tammy: [Pulls her shirt down] Yeah, a crook with a nice rack.
[to Ricky]
Tammy: Don't you think?
Ricky: [Looks at Ray in his truck, watching them] You may not wanna pull those out too often.
- Crazy CreditsAt the end of the credits we hear the sound of Ray's keys jangling
- SoundtracksJust The Girl
Written by Adam Schlesinger
Performed by The Click Five
Courtesy of Lava Records/Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 881.779 $
- Eröffnungswochenende in den USA und in Kanada
- 501.000 $
- 18. Sept. 2005
- Weltweiter Bruttoertrag
- 881.779 $
- Laufzeit1 Stunde 27 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1