Die satirische Komödie folgt den Machenschaften des Chefsprecher von Big Tobacco, Nick Naylor, der sich im Namen der Zigaretten dreht und versucht, ein Vorbild für seinen zwölfjährigen Sohn ... Alles lesenDie satirische Komödie folgt den Machenschaften des Chefsprecher von Big Tobacco, Nick Naylor, der sich im Namen der Zigaretten dreht und versucht, ein Vorbild für seinen zwölfjährigen Sohn zu bleiben.Die satirische Komödie folgt den Machenschaften des Chefsprecher von Big Tobacco, Nick Naylor, der sich im Namen der Zigaretten dreht und versucht, ein Vorbild für seinen zwölfjährigen Sohn zu bleiben.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 13 Gewinne & 32 Nominierungen insgesamt
- Kid #3
- (as Courtney Burness)
Empfohlene Bewertungen
The fact that this movie doesn't take sides - and really, could be about any issue, because it's more about the MAN behind the spokesperson - but makes fun of all sides in the tobacco issue. The interaction b/w Nick Naylor (Eckhart) & the old Marlboro Man (Sam Elliot) is priceless, as is the back-and-forth between Naylor & Senator Ortolan Finistirre (William H. Macy) towards the end of the film -it's basically good actors doing what they do well - and it's very funny.
The movie's also a little bit touchy-feely, focusing for a bit on the relationship b/w Naylor & his son, Joey (Cameron Bright) - the kid's good & some of the lines written for him are priceless.
There was one odd, stupid thing - and my wife agrees w/ me on this, so I'm not just being a guy; there are 2 'sex' scenes w/ Eckhart & Katie Holmes, but zero nudity. Nada. Not even partial. We see them having sex in multiple places & positions, but they're almost completely clothed. It just took away from the credibility is all I'm trying to point out here - as I said, my wife actually made the comment before I did.
Bottom line, it's a great movie - well worth the price of admission. It's funny, it's entertaining & it moves, what more could you ask for?
The majority of the credit, however, needs to go to first-time feature director Jason (son of Ivan) Reitman. Adapting from Christopher Buckley's novel, Reitman has fashioned an enormously clever script, consistent and strong in character, yet not forgetting to be incredibly funny. The style is also perfect - brisk, light-hearted, with impeccable timing marred only by a tangental subplot including Sam Elliott that is, sadly, not very funny. Overall, however, the pace is fast enough where the laughs keep coming.
Reitman also does the unthinkable: he keeps the satire dark and funny to the very end. While most comedies stray blindly into the sentimental, "Thank You" avoids unnecessary emotional tripe and - thankfully - avoids sermonizing about the dangers of smoking or of the flaws of the political process. Eckhart's flawless performance and Reitman's wonderful screenplay anchor an uncommonly perceptive comedy, provided you take yours black. If you need a little cream and sugar, "Fun with Dick and Jane" might still be at the dollar theater.
Young Jason Reitman's direction and screenplay are deft and light. He is never heavy-handed, or worse, condescending (as may have happened more than once in WAG THE DOG). Based on a novel by Christopher Buckley (the son of William F. Buckley), the script is the star here. The double, triple, and sometimes quadruple entendres are spoken conversationally by a star-studded ensemble cast, who clearly revel in great material and great lines. Every reviewer opines that this will be Aaron Eckhart's break-out role. With his Dudley-Do-Right face and "that guy who always gets the girl----- on crack" charm and glibness, his Nick Naylor is the ultimate purveyor of the spin doctor's prescription: "the means justify the end".
The casting director should be congratulated in the same breath as the director. Rob Lowe as the "genius" behind Hollywood "EGO", a consultant firm which helps raise financing for movies with strategic product placement, is note-perfect in a "small role". With William H. Macy, the Vermont Senator who takes on the tobacco industry, Maria Bello, a fellow Merchant of Death lobbyist, and Robert Duvall, the "Captain" of this particular industry--- the cast is jaw-dropping, and sublimely funny. Katie Holmes, pre-TomKat, is gorgeous, seductive, and completely believable as the reporter who stops at nothing to get her story.
Nick Naylor's relationship with his son is the lens which focuses Nick on his own behavior. Even that relationship is not treated as a cliché, or completely reverently by the satirist, who remains true to the last frame to the goal of letting the air out of our self-righteousness. It is a breath of fresh air. I not only recommend it, I intend to see it again.
Wusstest du schon
- WissenswertesAs part of the message the movies promotes, no one is shown smoking a cigarette throughout the entire movie. In fact, except in the black and white film that Nick Naylor (Aaron Eckhart) watches, no one is seen even holding a cigarette. Naylor holds an empty packet, The Captain (Robert Duvall) holds an (unlit) cigar, and at about the 18:35 mark as the camera is panning around the club, a man on the right can be seen putting a pipe in his mouth although it is not clear if it is lit or not.
- PatzerDuring the MoD squad meeting, when Polly takes a bite of the pie she messes the cheese up, but in the next scene it's fine. Also, when Nick sees the cheese on top of the pie it is not melted, but when he pauses to think and stares at the pie, the cheese is clearly melted around the edges.
- Zitate
Joey Naylor: [eating fast food, next to Ferris wheel, at the Santa Monica Amusement Pier] ... so what happens when you're wrong?
Nick Naylor: Whoa, Joey I'm never wrong.
Joey Naylor: But you can't always be right...
Nick Naylor: Well, if it's your job to be right, then you're never wrong.
Joey Naylor: But what if you are wrong?
Nick Naylor: OK, let's say that you're defending chocolate, and I'm defending vanilla. Now if I were to say to you: 'Vanilla is the best flavour ice-cream', you'd say...
Joey Naylor: No, chocolate is.
Nick Naylor: Exactly, but you can't win that argument... so, I'll ask you: so you think chocolate is the end all and the all of ice-cream, do you?
Joey Naylor: It's the best ice-cream, I wouldn't order any other.
Nick Naylor: Oh! So it's all chocolate for you is it?
Joey Naylor: Yes, chocolate is all I need.
Nick Naylor: Well, I need more than chocolate, and for that matter I need more than vanilla. I believe that we need freedom. And choice when it comes to our ice-cream, and that Joey Naylor, that is the definition of liberty.
Joey Naylor: But that's not what we're talking about
Nick Naylor: Ah! But that's what I'm talking about.
Joey Naylor: ...but you didn't prove that vanilla was the best...
Nick Naylor: I didn't have to. I proved that you're wrong, and if you're wrong I'm right.
Joey Naylor: But you still didn't convince me
Nick Naylor: It's that I'm not after you. I'm after them.
[points into the crowd]
- Crazy CreditsThe opening credits are styled to appear as cigarette boxes.
- VerbindungenFeatured in Today: Folge vom 3. Juni 2005 (2005)
- SoundtracksSmoke, Smoke, Smoke That Cigarette!
Written by Merle Travis and Tex Williams
Performed by Tex Williams and The Western Caravan
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Top-Auswahl
Everything New on Hulu in August
Everything New on Hulu in August
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Gracias por fumar
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.793.509 $
- Eröffnungswochenende in den USA und in Kanada
- 262.923 $
- 19. März 2006
- Weltweiter Bruttoertrag
- 39.323.027 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1