Hairspray

I think I'll watch any copy or remake, at least for a while, because its fascinating to have one movie folded onto another. In this case, the original was attractively strange. We knew it came from someone who celebrates not just trailer park kitsch, but the peculiar self- referential sexual edge. It was joyful trash, and not from the South. On that, Waters laid a veneer of a genre, but the thinnest of veneers. His poke in the eye was intended very seriously.

Now the formula is reversed. We have a stage show that takes itself seriously, and the poke in the eye? Well, that's now gone, replaced by stylistic nods. Travolta in drag is a joke, but a simple movie joke, not a statement about the edge of the world. There's a moralistic story here about integration that ends happily. In the original, we know that what we see is one positive event in a sea of reverses. We have our fat girl in both, but in the original she was deliberately pathetic and the whole world of similarly pathetic creatures saluted. Here, she's triumphant. Having Queen Latifah on board in such a prominent role assures that. For once, she was appropriate for the purpose.

Its all another reminder of how we absorb the deviant. We had the hippies for less than a decade before they became a "lifestyle." We had true black heros, and they were swallowed in a glueball of hiphop. Waters is no great shakes in the grand mastication of society. But he was boldly perverse (within the rating system). And here, that perversion becomes simply set dressing for an old fashioned song and dance show.

Its perverted.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.

Had it not been for a free pass to an advance screening, I must admit that my friends would have had trouble getting me to see 'Hairspray.' I don't mind musicals but 'Hairspray' didn't seem like something I'd enjoy. Not for the first time in my life was I wrong.

'Hairpsray' is about tolerance, integration and acceptance of others. The film uses the racial divide between blacks and whites but the subtext of the film is Heterosexuals and Homosexuals. 'Hairspray' viciously lampoons bigots and reserves specific devastation for Ultra-conservative religious zealots, figures of authority and WASPs. The satire is white hot (Alison Janney steals every scene she is in), the music catchy, the movie's spirit is irreverent.

I had no problems with the cast and their performances. John Travolta isn't bad and when he gets his chances to dance he's great fun. Christopher Walken and Travolta have a song and dance number duet that rates among the best moments of the film and isn't to be missed. Queen Latifah adds some dignity and balance while Michelle Pfeiffer plays a terrific screen villainess. Amanda Bynes has few lines to deliver but gives perfect comic deadpan when she does for excellent comic effect. Keep a sharp eye out for the hilarious John Waters cameo during the opening number.

Of recent major movie musicals, this is easily better than 'The Producers,' (better comedy and music) and last year's 'Dreamgirls' (weaker songs but better pacing and strong beyond the first half). Although it doesn't have the star power or scale, I also prefer it to 'Chicago' -- 'Hairspray' takes itself less seriously and not many movies have me laughing and smiling from start to finish. If you're looking for a little pure counter-culture escapist fun, 'Hairpsray' is your movie.

'Hairspray' is perhaps one of the most spirited energetic musicals of recent time. Right from the beginning till the end, it's all energy. There is not one boring moment. Actually there is no time to be bored. Shankman does the admirable task of directing the film AND choreographing the dances. The film's also a treat to watch. It's very colourful and reminds one of the 60's glamour. The songs are of the foot-tapping and head nodding sort (pretty much any upbeat song of the 60's has this kind of effect on me).

The cast is splendid. The actors do the multiple task of acting, singing and dancing. It's quite obvious that Travolta's Edna is played by a man but his acting isn't bad. He manages to emote well and his dance number with Christopher Walken is hilarious. He does get into the skin of the character if not entirely the gender. Walken excellently plays the loving kind-hearted, slightly naive, father. Here one will see a different Christopher Walken. This is Michelle Pfeiffer's second negative role this year (the other being her character in 'Stardust'). The role was originally played by the famous Deborah Harry and it's noticeable how they eerily look alike. Pfeiffer both looks and acts the part of a skinny manipulative obnoxious bitch, making it her own. A lesser actress could have easily messed up the part. James Marsden is spot on as the host of a 60's musical show. He keeps proving his versatility. Amanda Bynes is adorable as the daft and supportive Penny. Allison Janney is a fantastic scene stealer. Jerry Stiller, who played Wilbur in the 1988 version, makes his presence felt with just one scene. It's hard to picture anyone other than the divine Queen Latifah as Motormouth Maybelle. Elijah Kelley dances well and Zac Efron's acting is wooden but his dances are okay. However, the 'Hairspray' rests on newcomer Nikki Blonsky. Not only does she hold her own among a host of incredibly talented actors, she bravely carries the film.

Next to being a wonderfully entertaining film, 'Hairspray' also brings forth some issues such as acceptance, tolerance and integration of people no matter their gender, race or sexuality. This is what the film is essentially about and it is brilliantly interwoven into this musical extravaganza. I wasn't expecting much from the film but right from the opening sequence it absorbed my attention and I was completely into the energy of the film, forgetting everything else around me during its 2 hours. A great experience.

While the original John Waters classic will always have the bigger piece of my heart, this musical adaptation is fun and well cast with some great musical numbers. Unlike many movie musicals, everyone here can sing and dance and make it look natural. The cast's high energy and enthusiasm is contagious and you'll find yourself wishing you could jump through the screen and join them.

As a fan of the stage musical, I was worried that the film might not measure up - but they hit this one out of the ballpark! Bright, bouncy and joyously hilarious! A big smile hit my face as soon as it started and I didn't stop grinning until the end of the credits.

I haven't heard a press screening audience applaud after musical numbers since "Chicago" - and they cheered! The huge cast is uniformly terrific. Travolta, Pfeiffer and Walken are a hoot and Nikki Blonsky couldn't be more perfect.

The performances, script, lyrics, sight gags and costumes wage an all-out assault on your funny bone. Even the set dressing gets laughs!

This is the movie musical that Grease, Rent and Dreamgirls should have been.

Bravo!