Der Klang des Herzens

This movie "August Rush" really touched my soul. I was an orphan and identified with this child's yearning and searching for his parents. Near the end of the movie, I started to cry like a baby. "August Rush" touched something tender buried deep inside my soul seventy-six years ago.

My father was killed in a car accident three days before I would have celebrated my third birthday. My father was also Irish and looked a lot like August Rush's father. It was during the Great Depression and my mother gave me up to the county's foster care agency.

I am now seventy-nine years of age. How I yearned down through the years for my parents, especially my Irish father. My mother was French. I met her many years later in New York City when I was in my early twenties. She was cold and rejecting towards me. I could not understand why. I was abandoned a second time by one of my parents.

The movie "August Rush" was healing to my soul wounded since early childhood;and again, in my early twenties. I knew where he was coming from as he longed for his parents. Instead of music, I used my talent of writing to deal with the lost of my parents.

"August Rush" made me fantasize during the movie that my yearning and searching for my parents were like this remarkable child.

This is an urban fairy tale. If you go to AUGUST RUSH with the intention of poking holes in it, you can find little glitches and logic flaws. On the other hand, if you are looking for a movie that will sing to your soul (and show you some beautiful eye candy as a bonus), look no farther. The casting director and cinematographer should each get an award. This gem of a movie takes us on a journey, and the people we meet along the way are well worth the ticket price.

A trio of beautiful performances form the heart of this film, although the secondary characters are also crisply compelling. A day after seeing it, I find that specific shots of their faces still glow in mind like pieces of a mosaic. And the music is a genuine addition, as it should be in a film of this kind. I was genuinely moved.

I saw a sneak preview tonight, not knowing anything about this film. If you still have an inner child, and an imagination that has not been beaten out of you by the "practical and mature" world, then you will love this movie. I wish I had taken my daughter. The only people that I have seen complain about this movie are people that probably consider playing music "hard work and self-sacrifice". If you don't play the cello, you are not going to notice how bad she fakes it. During certain scenes, I found myself sitting way back in my recliner, with my eyes closed, soaking up the sounds that inspired this young man. Not since "Strictly Ballroom" have I been so moved by a film.

If you love it, you'll LOVE it. If not, then the most you'll probably give it is an 'ok'. The movie requires the audience to have a somewhat willful suspension of reality as there are some slightly mystic themes interwoven in the storyline. But as the movie is basically centered on the power of music, the mystic elements make sense. It's completely about belief and faith in the intangible.

Personally, I loved the story. And the music was amazing. I had goosebumps throughout the entire movie. In fact, there was probably so much emphasis on the music that there was less character development than a lot of people would like. I liked this element of the movie, though, as it requires you to read between the lines. Not even the ending is handed to you nicely wrapped and on a platter. There's no wrap-up dialogue or epilogue sequence, just the audience's own inferences. Hence, if you don't have an imagination, you should stay home.

Firstly, being a fan of Jonathan Rhys Meyers I had been hearing about this project for a while and I couldn't figure out how they'd make sense out of it. It does end up making sense even if it's a little far-fetched. It's about a son and his parents who all have to find each other, but my problem was that I couldn't figure out a way they could have gotten so separated in the first place. But luckily the writers did. It's pretty sappy and sentimental but if you're not that kind of person, I can't imagine you'd be interested in something like this anyway. It's the type of story that always comes out around this time of year, which is also the most sentimental time of the year. It gives you warm fuzzies so if you like something like 'Mr. Holland's Opus' or 'About a Boy' or 'Love Actually' you'd more than likely enjoy it.

I don't know if this qualifies as a musical but it should. It had lots of music in it although people didn't burst into fits of singing dialogue. The songs were normal songs, mostly original, and they were great. The young people involved were very talented, especially Jamia Simone Nash and Leon G. Thomas. Robin Willams and Terrence Howard had smaller supporting roles. (I've been saying that Williams and Bono resemble each other for 20 years so I'm glad he put the hat on and finally proved me right.) JRM and Keri Russell are co-stars who do their jobs well. But the star of the movie is Freddie Highmore. He's a good actor and I believe this was the first thing I've seen him in. I wouldn't be surprised to see him nominated for this.

I actually think this movie would be good for kids. I think there is maybe one bad word in it and maybe the way he came into the world might bother the extreme conservatives. But it's uplifting and a story about belief, especially belief in yourself. And I expect that'd be good for anyone to see, except maybe those who really hate too much sentimentality.