Die rote Verschwörung

Ok, ok. All good. But not getting that no one else is getting that the boy, AT A MINIMUM, would be 65 years old this year. Senior died in 1953

British Prof. Fluke Kelso (Daniel Craig) is an expert on Stalin. His lecture in Moscow is harassed by Stalin sympathizers. He is approached by an old man who claims to be a guard for Stalin during his death in 1953. He tells a shocking story that Stalin was killed by Soviet secret police chief Beria who then stole and buried Stalin's notebook.

This TV movie is just pre-Bond. Certainly, post-Bond Craig gives a different feel to this material. Putin was still relatively new after his first presidential term. Russia still has the reputation as a struggling state. The plot feels right although Stalin as a Jesus-like aspiration is still unreal. Russia wants a strong man, not a faded copy of one. It's not like there's something special about Stalin's bloodline. It's the old cliché villain playbook for Hitler's secret descendant. I was hoping for something more compelling in the notebook like Stalin was a CIA plant or maybe there is a secret stash of Kremlin gold. Despite the pulpy political thriller construct, this has enough tension and intrigue to make it work. At the very least, it's a good pre-Bond Craig.

A great cast and premise goes absolutely nowhere. Characters are shallow and have no discernible arcs. The plot seems interesting at first but can't back up the initial promise. The visual style is bland and muddy throughout.

I kept thinking "this will come through with a great ending"... until about halfway through the final episode when I realized this was going to crash with a thud. Characters who seemed to be important started dying, and an ending that made everything that came before utterly useless. What a waste of time and talents.

All the old clichés are rolled out early in this adaptation of Robert Harris's spy novel 'Archangel': surly Russians, an arrogant English hero, a garrulous American. There's also a certain amount of expository dialogue: in an early scene, a leading academic makes a speech to a conference in which he makes the dramatic revelation that Stalin was evil. 'Archangel' is certainly no 'Tinker, Tailor, Soldier, Spy', and the thin characterisation makes the early stages tedious to watch. But in the middle, it improves greatly, as a conventional but tautly scripted thriller begins to take shape. Sadly, the ending can't quite deliver on this promise; both because of the risible suggestion that megalomania is an inherited quality, and also because it is surely not (as the film suggests) the worship of Stalin's image that is the real problem in today's Russia, but rather, the social circumstances which make such an absurdity possible. Still, it's always interesting to get a glimpse of the great Russian north on camera, and lead actress Yekaterina Rednikova looks very sexy smoking a cigarette. But overall, this is routine stuff.

Archangel

Set in contemporary Moscow and the frozen northern town of Archangel, the drama revisits the stark landscape of Communist Russia and takes place over four days in the life of academic Fluke Kelso. His fateful meeting with a former Stalinist bodyguard leads to the uncovering of one of the world's most dangerous and best kept secrets. He is led unwittingly through murder and intrigue towards his own personal "Holy Grail" - Joseph Stalin's secret legacy - a legacy that could change the face of Russian history forever.

'Archangel' is quite friendly towards those not familiar with the legacy of Josef Stalin, and is an engrossing mystery as a result. Unfortunately, there's also a lack of character development here. The people in this television film are just sort of presented to the audience, and then become pawns in the film's narrative. So it doesn't work very well as a thriller, and maybe an extra half an hour or so could have worked out this problem. However, Daniel Craig and Russian actress Yekaterina Rednikova give reliable performances, and the ending is definitely not what I was expecting (but in a good way). Not without its flaws, but worth catching when it's on again.

~ 7/10 ~