Füge eine Handlung in deiner Sprache hinzuWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood ... Alles lesenWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.William Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.
Cornell S. Thomas
- Henchman #1
- (as Cornell Thomas)
Aaron Kleven
- Cedric
- (as Aaron Klevin)
Wilbert Lewis
- Preacher
- (as Reverend Wilbert Lewis)
Nancy B. Shepard
- Funeral Mourner
- (as Nancy B. Shepard Ph.D.)
Celestial
- Martha Boyals
- (as Cecile M. Johnson)
Empfohlene Bewertungen
Horrible script, ending is a non sequitur, some okay acting, mostly wooden - bad, bad, bad script. Much as I am willing to suspend disbelief in the interest of a movie about gay life this movie is beyond my ability.
Some of the relationship interactions, e.g. between Boyles and Calvin's brother, are interesting and worth watching. Duane's performance is good, the bar owner's is also. This is not the strongest cast, but no- one could do much with this script.
Surprise endings should make sense in retrospect - this one just comes out of the blue, without any reasonable build up or explanation, confusing the message of the movie and disdaining the intelligence of the audience. Also, a message movie about racism and homophobia does not need a surprise ending, it just distracts and detracts. Stupid stupid script.
Would love to see a serious movie about life as a gay black man in the South (or anywhere) - this ain't it.
Some of the relationship interactions, e.g. between Boyles and Calvin's brother, are interesting and worth watching. Duane's performance is good, the bar owner's is also. This is not the strongest cast, but no- one could do much with this script.
Surprise endings should make sense in retrospect - this one just comes out of the blue, without any reasonable build up or explanation, confusing the message of the movie and disdaining the intelligence of the audience. Also, a message movie about racism and homophobia does not need a surprise ending, it just distracts and detracts. Stupid stupid script.
Would love to see a serious movie about life as a gay black man in the South (or anywhere) - this ain't it.
"Strange Fruit" certainly occupies a lonely niche on the video shelves - a gay drama with an African American cast and themes. For that alone, it was worth a look-see. Centering around the lynching murder of a gay black man in a small New Orleans parish, the tone teeters between realistic and over-the-top at times. Perhaps it is the 'momma' who seems to be way too young (topped by an ineffective gray wig - wasn't there an actress of age willing to take the role?) or maybe it is the 'moustache twirling' sheriff that unbalances "Fruit", but the film's reality suffers none-the-less. The acting is pretty good, with a background love story (for those who don't care for crime drama). My major problem with "Fruit" is that it seems overly long at nearly two hours and could have been streamlined a bit. On their indy budget, sound suffered the most and the editing is static and doesn't help move the film a long one iota.
I saw this film at the Pan African Film Festival and I will be honest I was a little skeptical seeing that someone white was attempting to tell this story (they introduced the writer/director before the film) but from that long opening shot, of the slow tracking shot down the river over the credits I was taken in. Usually when seeing films at festivals, you kind of expect a level of amateurishness to the whole endeavor, but I was thrilled to see an actual real life film. The production value was incredible, and although the filmmakers were cagey about the budget at the Q&A afterwards, I would guess close to a cool million.
As to my fears of the filmmakers race telling the story of the lynching of a gay black man? They were unfounded. The levels that Strange Fruit works on is mind boggling. Most movies these days are afraid to tackle any one of the many issues this film addresses. From racism, homophobia, family dynamics, Schickner navigates his way through such thorny topics without blinking, and right when the audience thinks it has it all figured out the writer pulls the rug out from us all in a twist ending sure to excite and enraged all at once.
Kent Faulcon is a revelation as the star. There was an excitement in the crowd because I think many were feeling what I was as the movie played on: "This is a star in the making". In fact, every actor from Faulcon to the waitress with one line makes you believe you are in the backwoods of Louisiana and not at some actors workshop. It was especially thrilling to see my very first boyhood crush, Berlinda Tolbert who played Jenny on the Jeffersons as the grieving mother. "Moving on up indeed!" The best was the sheriff, he was such a hateful redneck with a heart.
If this film makes it to your town do yourself a favor and check it out. More films need to be like this!,
As to my fears of the filmmakers race telling the story of the lynching of a gay black man? They were unfounded. The levels that Strange Fruit works on is mind boggling. Most movies these days are afraid to tackle any one of the many issues this film addresses. From racism, homophobia, family dynamics, Schickner navigates his way through such thorny topics without blinking, and right when the audience thinks it has it all figured out the writer pulls the rug out from us all in a twist ending sure to excite and enraged all at once.
Kent Faulcon is a revelation as the star. There was an excitement in the crowd because I think many were feeling what I was as the movie played on: "This is a star in the making". In fact, every actor from Faulcon to the waitress with one line makes you believe you are in the backwoods of Louisiana and not at some actors workshop. It was especially thrilling to see my very first boyhood crush, Berlinda Tolbert who played Jenny on the Jeffersons as the grieving mother. "Moving on up indeed!" The best was the sheriff, he was such a hateful redneck with a heart.
If this film makes it to your town do yourself a favor and check it out. More films need to be like this!,
I just saw this excellent film at the Asheville Fim Festival and was just stunned! The movie was so well written. The acting flawless. I was in tears at a couple of places during the movie. Mr. Faulcon was just tremendous in the lead role, especially in the last few minutes. His powerful acting was one thing that brought me to tears at the end. It kind of had the feel of "In The Heat of the Night". Very sad movie that makes you think about being gay in the South and also being black and gay in the South. As a note, Mr. Shickner was in the audience and hosted a Q&A after the movie. (I was actually sitting next to him and another producer without even knowing it. Pretty neat!)
Highly recommended, especially if you grew up gay in the South.
Highly recommended, especially if you grew up gay in the South.
I was fortunate to catch this movie at the Fort Lauderdale International Film Festival. "Strange Fruit" is a breakout film-in-waiting. Kent Faulcon is the next big thing. Fans of TV LAND will recognize Berlinda Tolbert (of "The Jeffersons"). Her performance is certain to win a legion of new fans. Sam Jones is the newcomer on the block, but his performance is remarkably nuanced and affecting. KUDOS to all involved. This is certainly a writer/director to watch. There is a totally unanticipated plot twist that I will not divulge. Watch the movie...you won't see it coming, either. From the opening credits to the closing credits, this is a low budget masterwork filled with conviction and integrity. SEE IT!
Wusstest du schon
- WissenswertesThis movie was filmed in late 2004, after Barack Obama was the keynote speaker at the Democratic National Convention, and some television pundits had referred to him as "a very articulate black man." That phrase appears on a billboard as the first scene in Louisiana.
- Crazy CreditsChico was not harmed in the making of this film.
- VerbindungenReferences In der Hitze der Nacht (1967)
- SoundtracksKama Sutra Lover
Performed by Tami, Nadia and Nicole
Lyrics written by Tammy Reese (BMI), Nadia Elmalk (ASCAP) and Nicole Raymond (ASCAP)
Music by Benjamin Chan (BMI)
Produced by zeng @ New Music Unlimited
Published by Squeaky Kirin Music Publishing (BMI) and Squeaky Pagoda Music Publishing (ASCAP)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Drehorte
- Lakeview Memorial Cemetery, 8th Street & Arthur Avenue, Lake Arthur, Louisiana, USA(Funeral Scene for Kelvin Ayers)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
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