Füge eine Handlung in deiner Sprache hinzuWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood ... Alles lesenWilliam Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.William Boyals, a successful, black, gay attorney in New York, is drawn back to the small, rural Louisiana town he long ago escaped from to investigate the lynching of a black gay childhood friend.
Cornell S. Thomas
- Henchman #1
- (as Cornell Thomas)
Aaron Kleven
- Cedric
- (as Aaron Klevin)
Wilbert Lewis
- Preacher
- (as Reverend Wilbert Lewis)
Nancy B. Shepard
- Funeral Mourner
- (as Nancy B. Shepard Ph.D.)
Celestial
- Martha Boyals
- (as Cecile M. Johnson)
Empfohlene Bewertungen
Horrible script, ending is a non sequitur, some okay acting, mostly wooden - bad, bad, bad script. Much as I am willing to suspend disbelief in the interest of a movie about gay life this movie is beyond my ability.
Some of the relationship interactions, e.g. between Boyles and Calvin's brother, are interesting and worth watching. Duane's performance is good, the bar owner's is also. This is not the strongest cast, but no- one could do much with this script.
Surprise endings should make sense in retrospect - this one just comes out of the blue, without any reasonable build up or explanation, confusing the message of the movie and disdaining the intelligence of the audience. Also, a message movie about racism and homophobia does not need a surprise ending, it just distracts and detracts. Stupid stupid script.
Would love to see a serious movie about life as a gay black man in the South (or anywhere) - this ain't it.
Some of the relationship interactions, e.g. between Boyles and Calvin's brother, are interesting and worth watching. Duane's performance is good, the bar owner's is also. This is not the strongest cast, but no- one could do much with this script.
Surprise endings should make sense in retrospect - this one just comes out of the blue, without any reasonable build up or explanation, confusing the message of the movie and disdaining the intelligence of the audience. Also, a message movie about racism and homophobia does not need a surprise ending, it just distracts and detracts. Stupid stupid script.
Would love to see a serious movie about life as a gay black man in the South (or anywhere) - this ain't it.
I went to see this 3 nights ago here in Cork, Ireland. It was the world premiere of it, in the tiny cinema in the Triskel Arts Centre as part of the Cork Film Festival.
I found "Strange Fruit" to be an excellent movie. It is a bit rough around the edges, but for a low-budget movie that is to be expected! In general the acting (particularly from the main lead Kent Faulcon) is wonderful, the cinematography and direction excellent, and the script hugely entertaining and thought-provoking, with some nice set-ups and witty dialogue.
The ending was a bit sudden, with no conclusion given to characters and events once the finale came to its gripping end ... but perhaps that's what the filmmakers were going for? It certainly did make the movie more unsettling. I did like the fact that the main character never came to terms with his mother on screen: it leaves you wondering whether or not he ever will, as in real-life sometimes these things are never settled. This was a good choice, to leave it unresolved rather than sentimentally wrapping it up!
Taut and suspenseful throughout, "Strange Fruit" is a hugely ambitious debut and I have high hopes for what the writer/director Kyle Schickner will unleash next. He - and his colleagues - are a talent worth watching.
I hope "Strange Fruit" gets a wider release soon, as more people deserve to see this movie, an above-average thriller with some original and insightful twists on homophobia and racism in America's Deep South.
Highly Recommended: 7/10
I found "Strange Fruit" to be an excellent movie. It is a bit rough around the edges, but for a low-budget movie that is to be expected! In general the acting (particularly from the main lead Kent Faulcon) is wonderful, the cinematography and direction excellent, and the script hugely entertaining and thought-provoking, with some nice set-ups and witty dialogue.
The ending was a bit sudden, with no conclusion given to characters and events once the finale came to its gripping end ... but perhaps that's what the filmmakers were going for? It certainly did make the movie more unsettling. I did like the fact that the main character never came to terms with his mother on screen: it leaves you wondering whether or not he ever will, as in real-life sometimes these things are never settled. This was a good choice, to leave it unresolved rather than sentimentally wrapping it up!
Taut and suspenseful throughout, "Strange Fruit" is a hugely ambitious debut and I have high hopes for what the writer/director Kyle Schickner will unleash next. He - and his colleagues - are a talent worth watching.
I hope "Strange Fruit" gets a wider release soon, as more people deserve to see this movie, an above-average thriller with some original and insightful twists on homophobia and racism in America's Deep South.
Highly Recommended: 7/10
After the first few minutes, I figured I wouldn't give this film anything higher than a 5. The sound is atrocious. The violent scenes are beyond amateurish. Some characters, particularly the Sheriff, were parodies of themselves, and unintentionally painful to watch. And some characters had sudden changes of heart that weren't believable.
But two things hold the viewer's attention. First, Ken Faulcon in the lead role is believable and captivating. And second, the story of twin bigotries is also believable, and the plot is told in a way that the ending was a complete surprise to me, in more ways than one.
I agree with others who said this film could be better paced near 90 minutes. Get a better cast, fine-tune the script, improve the production values, and you could have something. Look what happened to those atrocious Madea videos -- some became half-decent movies. While I give this current film a 6, I'm certain that a remake could achieve a 7 or 8.
But two things hold the viewer's attention. First, Ken Faulcon in the lead role is believable and captivating. And second, the story of twin bigotries is also believable, and the plot is told in a way that the ending was a complete surprise to me, in more ways than one.
I agree with others who said this film could be better paced near 90 minutes. Get a better cast, fine-tune the script, improve the production values, and you could have something. Look what happened to those atrocious Madea videos -- some became half-decent movies. While I give this current film a 6, I'm certain that a remake could achieve a 7 or 8.
I just saw this excellent film at the Asheville Fim Festival and was just stunned! The movie was so well written. The acting flawless. I was in tears at a couple of places during the movie. Mr. Faulcon was just tremendous in the lead role, especially in the last few minutes. His powerful acting was one thing that brought me to tears at the end. It kind of had the feel of "In The Heat of the Night". Very sad movie that makes you think about being gay in the South and also being black and gay in the South. As a note, Mr. Shickner was in the audience and hosted a Q&A after the movie. (I was actually sitting next to him and another producer without even knowing it. Pretty neat!)
Highly recommended, especially if you grew up gay in the South.
Highly recommended, especially if you grew up gay in the South.
"Strange Fruit" does indeed have its flaws primarily the stereotypical redneck Sheriff. Additionally, one has to suspend believe entirely to believe a handsome African American man would come out as gay in high school in the deep south. However, getting past that, how likely is it that a homophobic self-righteous Sheriff would allow a gay bar to exist in his Parrish? Nonetheless, despite the weak plot devices and one-dimensional portrayals of some of the ancillary characters, the movie tells a story that needs to be told. That is, how difficult it is for gays - especially African American gays to find acceptance both in their families and their communities. The dead characters mother provides some telling insight into the whole "DL" phenomenon when she laments that fact that her some Kelvin "Never knew how to blend in." This is very realistic as a lot of African Americans have disdain for effeminate gays. If you're "passable" and keep your personal life hidden, everybody's OK with that. Kent Faulcon, who portrays William Boyals, alone is worth watching this movie for. He's unbelievably handsome, and gives a dignified and powerful performance. His depiction should be required viewing for black male actors who shy away from accepting gay roles. Playing gay need not require sacrificing one's manhood. Also moving is the depiction of a mother who loves her child, but cannot accept his sexual orientation therefore believes she should hold on to her hurt, anger, and bitterness rather than finding a way to deal with it. I would recommend viewing "Strange Fruit" for the social commentary it so realistically portrays.
Wusstest du schon
- WissenswertesThis movie was filmed in late 2004, after Barack Obama was the keynote speaker at the Democratic National Convention, and some television pundits had referred to him as "a very articulate black man." That phrase appears on a billboard as the first scene in Louisiana.
- Crazy CreditsChico was not harmed in the making of this film.
- VerbindungenReferences In der Hitze der Nacht (1967)
- SoundtracksKama Sutra Lover
Performed by Tami, Nadia and Nicole
Lyrics written by Tammy Reese (BMI), Nadia Elmalk (ASCAP) and Nicole Raymond (ASCAP)
Music by Benjamin Chan (BMI)
Produced by zeng @ New Music Unlimited
Published by Squeaky Kirin Music Publishing (BMI) and Squeaky Pagoda Music Publishing (ASCAP)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Drehorte
- Lakeview Memorial Cemetery, 8th Street & Arthur Avenue, Lake Arthur, Louisiana, USA(Funeral Scene for Kelvin Ayers)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
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