Omaret yakobean

What I like most about this movie is that it opens a window into an unknown world for me, that of relations between men an women in modern Egypt, and it does so in a style that is at the same time sumptuous an unfamiliar. People do things you wouldn't expect, despite the slightly heavy-handed handling of emotions. There are areas where the movie is not perfect: it is so highly pessimistic and denounces the greed and selfishness of Egyptian men with so much vigor that it appears somewhat simplistic. It does tend to ramble a bit. But the power and the humor of the movie (it is quite funny, despite being tragic) transcends all that and makes those minor faults. I understand the director is very young, so he will have ample time to overcome and transcend these youthful imperfections. I didn't like Slumdog Millionaire because it told me everything about India that I already knew: it feels like a package tour where you are shown the sites you expect to see, and are whisked from one location to another. For a western viewer, Omaret yakobean is like a journey where you land at the airport and are immediately carried away by the atmosphere, the culture shock, the bustling streets, the misunderstandings, from which you emerge with challenged assumptions and a wider view of the world.

I read the story of Yacoubian Building so I couldn't wait to watch it in the movie theater but I thought it will be like any other story. not as good as the book. I just loved this movie.. the Casting was so genius and every actor did his part in an amazing way. The Old Classic ones and the new generation. Even Mohamed Emam. this is his first movie and he was able to make me believe in him. This movie should be nominated for an Oscar. Even the soundtrack, the picture and the dialog just so good. this movie had me thinking all night about it and made me live it. this movie made me laugh, cry, bothered, It is a masterpiece. I just hope the movie industry in Egypt keeps on bringing those types of movies. those movies which remind us of the 70's movies where at least 2 or 3 big movies stars act together. Now I'm thinking to take the rest of my friends to it so i can be able to watch it second time. It is one of the best movies I've watched this year.

"The Yaboubian Building" reminded me of those over-heated Spanish soap operas that air nightly on Telemundo. The sweep and size of the film (not to mention its length) may fool people into thinking it's a more important picture than it actually is, when really it's not much more than one big soapy melodrama that manages to stay mostly entertaining over the course of its three hours.

There's a lot going on in this film, and you may find you have your work cut for you just following the basics of the plot. I suspect much more of the film would have made sense to me had I known more about Egyptian culture. As it is, there are a lot of terms and situations in the film that probably didn't have their full desired effect. Of course, it's tough as an American, and therefore one used to experiencing art that throws critical darts at my country's beliefs and institutions, to fully understand how controversial this film (and the book on which it is based) has been in Egypt. By all accounts, the frank candour about corrupt government, homosexuality and the prostitution of Egyptian citizens (of all types and at all levels of society) have been greeted with quite an uproar in this film's country of origin. It's a noble effort on the part of the film-makers, and I can understand them wanting to pack in as much punch as they can, but the film tries to do too much, and the plot feels like several different agendas unsuccessfully unified into a coherent whole.

Much of "The Yacoubian Building" is no less ham-fisted than your typical Hollywood film, not the least of which are the scenes that explain outright the film's central metaphor (the Yacoubian building itself as a representation of Egyptian society). But much of it works quite well too, especially the acting, which is pretty good across the board, the crisp pacing and the driving musical score.

A big bold movie that bites off more than it can chew but provides a solid few hours of entertainment nonetheless.

Grade: B+

January 2002. Alaa el Aswani's first novel, Omaret Yacoubian, is published. Within a few months, it has taken the Egyptian book world by Storm. And it's easy to know why. The book is almost exclusively about the 3 taboos in the Arab literature; Politics, Sex (Hetero and Homo), and Religion.

Fast forward to June 2006. Unless you've been living on another planet for the past 2 years or so, you must've heard of the movie adaptation of the book. Seriously, it was nearly impossible to escape the following headlines "Yacoubian is the biggest Egyptian film of all-time", "De Niro says the film is a masterpiece", "Yacoubian gets huge raves at Cannes", etc... In my opinion, that was one of the film's biggest problems; the filmmakers set the bar too high for themselves. So, I walked in expecting to see a breakthrough in film-making. What I got was a great, although flawed, film. So, I was somewhat disappointed.

I didn't like Wahid Hamed's adaptation of the book. The spirit of the novel is there, and the film is much more humorous, but unfortunately, that was it. Maybe because Hamed had to fit the script, so that the bigger stars get the bigger parts, all the secondary characters (Soaad, Dawlat, Malaak, etc...) ended up with almost no screen time. Therefore, these characters came off as 2 dimensional and their actions didn't make a lot of sense. For example, in the book, Soaad is almost a beggar. She constantly asks her friends and relatives for money. In the film, she's a middle class secretary. That's why I never understood why she would agree to be separated from her own son, and marry an older man just for some cash. Another example would be how someone came out of nowhere to kill off one of the main characters.

Director Marawan Hamed did a great job. Yacoubian is his first full-length feature, but he helmed it like a veteran. His camera moved smoothly, his cuts were all in the right places, and he shined in the large-scale (protest, training, and shootout) scenes. I'm really looking forward to his next picture.

Adel Emam (Zaki el Dessouky) was amazing. His turn (his best in ages) was funny yet heartfelt. Khaled Saleh (Kamal el Fouli) and Khaled el Sawy (Hatem Rashid) were also great. In fact, I think Mohamed Emam (Taha el Shazly) was the only cast member who gave a so-so performance. Anyway, he's still a newbie (this is his first film), so he'll probably give better performances in the future.

Yacoubian is one of the most expensive Egyptian films of all-time, and fortunately, the money is on the screen. The costumes, make-up and sets are all top-notch. Khaled Hammad's score was good, but I felt it was overly dramatic in some places (a full Orchsetra playing while 2 people are merely talking?)

So, I'd definitely recommend watching The Yacoubian Building. It's the best Egyptian film in quite some time, and with a better adaptation, it could have been a masterpiece.

That's what I felt after watching that movie, it's really close to the society and the public's pulse, some overestimation is there but through comic frame, you'll enjoy watching that movie Marwan Hamed is not an ordinary director, he is one of the best around. i have never seen such a movie that tackles every issue in the Egyption society so honestly. it is a pure masterpiece and if i was running the Oscars then that movie will sure receive one. A movie so honest and directed, it is designed for all classes describing the social corruption in todays society - not only in Egypt but all around the world. if you miss this movie then you will spend your entire life regretting it so i advice every Arabic and non-Arabic speaker to watch the masterpiece and enjoy the art of this marvelous director whom i have a great respect for. two thumps up