Mein erster Mord

Mini (Nikki Reed) is bored with her life. Her mother Diane (Carrie-Anne Moss) is a boozing gold-digger. Her latest catch is her stepfather Martin (Alec Baldwin). Mini is always looking for challenging "Firsts" and joins an escort service. Her client turns out to be her stepfather Martin. They begin a secret affair behind her mother's back and then scheme to get rid of her.

This tries to be a black comedy. It tries and tries but can't quite get there. The writing has nothing new and lacks funny jokes. The biggest problem may be Nikki Reed. She looks sexy in skimpy outfits but doesn't excel in comedic roles. She's better as the femme fatale. The movie is not quite dark enough to push the envelop of black comedies. This is all very familiar and simply less than good.

Although the story is a bit entertaining to watch the quality is just not there. It all looks and sounds like a TV movie. Not that there's something wrong with TV movies but it's just not of the same quality. The worst thing about Mini's First Time was the soundtrack. That was really bad and brought the quality of the movie down. Despite some known names in the cast not everybody in this movie is a great actor. I've seen worse movies so it's not all that bad, but it won't win big prizes, that's for sure.

I saw this film at Tribeca and loved it. From the moment it started with the pulsating music and the fast paced driving sequence of Nikki Reed in her sports car, I was hooked. The energy and excitement kept me on the edge of my seat and the performances were outstanding, especially the wonderfully wicked Nikki Reed, who was superb in "Thirteen."

I was especially impressed with Carrie Ann Moss' performance in a very different role, reinforcing her 'A' list status and demonstrating her wide range as an actress. Other outstanding performances were turned in by Jeff Goldblum, Alec Baldwin and Luke Wilson.

The dialogue was fresh and funny, and I enjoyed going on the wild ride with Nikki Reed and Alec Baldwin as their antics became more and more outrageous. If you love a great dark comedy, this film is for you.

I just saw this film's world premiere at the Tribeca Film Festival.

The movie starts off with Mini, played by Nikki Reed as a spoiled and manipulating child of a wealthy actress (Carrie Anne Moss). (ala Heathers). Anyway, Mini decides to work as a call girl for the heck of it, and one of her first clients is her step-father (Alec Baldwin). They begin a torrid love affair and devise a plan to drive Moss crazy so that they can be together (ala Gaslight). Predictably, the plan turns to murder. And "then" the movie gets really dark.

The first half of the film was really good as the various scenarios devised to make Moss go crazy are inspired and original. However, in the second half of the movie, the plot begins to fall apart and things just get too creepy. Also, the "twist" at the end is somewhat obvious throughout the film.

Finally, I still cant figure out why Jeff Goldblum is in this movie. He's a really good actor, but his character was superfluous and pointless. It seems the only reason he's even in this movie was to add some improv scenes and have him make strange faces for pointless comedy. Has Jeff Goldblum turned into the comedic version of Christopher Walken?

If you're a fan of this genre, you'll love this film. If not probably not for you, but one of the funniest films I've seen in a long time. Depraved, unrelenting, will probably scare the hell out of some parents or Christian fundamentalists who think Hollywood is glorifying deviant behavior in our teens.

The conceit of the film, a girl who will try anything once is very effective because you're always wondering where this philosophy will take us next. Without giving anything away, this idea mixed with an ethereal, driving score pulls you into Mini's world and you'll follow her anywhere.

The performances by all 5 leads are incredible. Baldwin gives his best performance in years and that's saying a lot because he's been doing great work. It's easily the best I've seen this year so far in any film by a male lead. He renders this macho, yet beaten down PR exec in a way where although he doesn't deserve our sympathy, he gets it.

Reed is astonishing. Part vixen, part little girl lost, the glee with which she sets about her goals, takes a character who is, in fact a sociopath and makes you respect and like her. Although what she does is without a doubt destructive there is an implicit understanding that she is surrounded by adults who only pretend to be moral. Her intellectual honesty is actually refreshing.

Her performance works in part because of Carrie Anne Moss' willingness to deliver one of the most chilling and hilarious performances in years as Mini's mother. The incarnation of Hollywood self absorption. It's clear that Mini wasn't born this way, she is a product of Diane's utter lack of mothering. Mini is an inconvenient appendage in Diane's life and Diane lets her know it whenever she can.

Jeff Goldblum is spot on perfect as their TV producer neighbor, whose lighthearted, Dionysian life is a constant thorn in Baldwin's side. Luke Wilson also gives as subtle a performance as he has in years. At first playing an incarnation of his sad sack Mitch from "Old School" and then switching on a dime to show us just how smart this detective has been all along. The look of muted terror on Baldwin's face when he realizes how he's been the recipient of Wilson's own PR play is priceless.

I'm sure some parents groups will attack it as encouraging teenagers to turn on their parents and to indulge in the darkest parts of society, but it really felt like a cautionary tale about what happens when kids know in their bones that they aren't loved.