Hot Fuzz - Zwei abgewichste Profis

After Shaun of the Dead, this second pairing of Simon Pegg and Nick Frost was very high on my wanted list, and it didn't disappoint in the least.

Hot Fuzz is crammed full of excellent characters, ranging from the eccentric to the diabolical, and every one gets at least one laugh during the course of the movie and most of them get many more. I don't mean to suggest that this film is wall to wall gags; in fact it is far from it, instead it is just very clever and often very subtle humour that runs continuously throughout the film.

Another pleasant surprise was the wonderfully impressive murder scenes, which were pretty gruesome and definitely stood out from the general vibe of the film, which made them far more involving. As well as the comedy and the murders, there is also a genuine sense of mystery surrounding these events and it definitely makes for compulsive viewing.

Just in case all that wasn't enough to satisfy you, there is a very action packed and explosive end sequence that is so out of place and ludicrous it works like a charm, and simply caps the film off in style superbly.

For me this film was every bit as good as Shaun of the Dead, and its definitely one of the best comedies ever made.

9/10

I was lucky enough to see a preview of this film for free after I attended a random screening of Scorcese's the Departed. Naturally hearing that the makers of Shaun of the Dead were behind this I had to go see it - if a group of people can make a romantic comedy with zombies, then a buddy cop film HAD to inventive and original.

I can safely say that it was. I haven't laughed as hard in a film as I did with Hot Fuzz. The parts are all cast brilliantly - in particular Pegg and Frost as the two lead police officers.

Pegg bringing the smart, intelligent, action hardened London cop to the sleep north England village works in a classic fish out of water scenario. It surprised me with it's direction and I will confess I couldn't have predicted how everything would pan out.

When this is fully released I urge you to go and see it.

Hot Fuzz satirizes American action films in a way that an American satire would not. Edgar Wright and Simon Pegg don't simply spoof the plot threads and the car chases. They know the smaller details of Hollywood's formula, as they exemplify with its continuous references to the scene in Point Break where Keanu Reeves fires his gun into the sky in anger and the scene in Bad Boys II where Martin Lawrence, in a circling tracking shot, says, "S*** just got real." Not only do they tackle those less clear characteristics of Hollywood, they also perfectly portray people who talk about awesome scenes in action movies, hilariously by Nick Frost. The film is brilliantly in precise tune with the American mainstream action adventure.

The irony in this film is that it takes place in the serenely beautiful English countryside. In some ways, the film is very important for Americans to see. It delves very deeply into the conscious social mannerisms of the English, and parodies the timid insular English village life. Perhaps the most brilliant element of Hot Fuzz is the intertwining of a big-budget action film with gimmicks and a desperately fast pace and a quaint, atmospheric English village given the secrets-of-its-own flavor and a Agatha Christie-style expository structure.

The film-making style in and of itself is complicit in the satire. The cinematography and editing is a product of the school of Tony Scott and Guy Ritchie. It's filled with jump cuts accompanied by loud and constantly changing sound effects, occasional strobe, and montages of grainy, bleached out, extravagantly lit shots edited together at machine gun speed. The soundtrack is that of any super-cool action film from Hollywood. This works so well not only as a dead-on impression of Hollywood film-making but also as a hilarious opposition to the English countryside.

Simon Pegg's performance is a work of comic genius. His character is so well-developed as a man of invincible and authentic confidence and incredible drive, a workaholic, a zealot, and also an action hero stereotype. Nick Frost is a great second banana because not only is he the punchline to Pegg's straight line, he's also funny in such a direct, adolescent way, an unlikely comic relief sidekick.

The film's great surprise is a comeback performance from Timothy Dalton. Not only is it a reappearance from the abyss he's been lost in since his two-year stint as James Bond, but also a vindication against all who've continually dismissed his credibility as an actor and doubted his comic ability. He's very funny and one of the film's great highlights.

I've rarely seen a comedy so cleverly written, beautifully directed, atmospheric, or intelligently ridiculous.

London Police Constable Nicholas Angel (Simon Pegg) is a try-hard. He's too good at his job making everybody else look bad. He gets promoted and transferred out into the country. He starts his new job by arresting his new partner Danny (Nick Frost), the son of chief inspector Frank Butterman (Jim Broadbent). Sandford, Gloucestershire seems to be a sleepy little town until a series of murders occurs. Simon Skinner (Timothy Dalton) owns the local supermarket.

Edgar Wright and Simon Pegg mine the plentiful material from cop dramas to bring a dryly funny satirical take on the genre. This has Edgar's quick edit style. Pegg and Frost continue their great chemistry with Edgar for almost a decade. It also serves as a fun whodunnit mystery. It's choked full of big British stars doing cameos. The last act does get overwhelmed with gun action and the guys struggle to maintain the comedy. They took the Bad Boys and Point Break motif too seriously. Overall, this may not be a comedy for everybody but it's a comedy for me.

Hot Fuzz is a brilliant new Britsh comedy that really hits its mark!!! Hands down this fantastic film is the new benchmark in British comedies!

Simon Pegg throws you into the extremely tongue in cheek narrative with its quick pace edits, booming sounds and terrific camera work that we have come to expect from Edgar Wright since Shaun of the Dead. Simon Pegg has really exceeded my expectations and credit must also go to Nick Frost who plays the classic sidekick which he accomplishes so well. The aforementioned crafty work by Edgar Wright proves that his style creates some of the best action sequences in the business. Whether it be the shoot'em ups, chase scenes or the jump out of your seat surprises, Wright can really make a film move and does this one ever!!!

This is definitely one of those films you have to watch at least twice to come close to getting every single joke, because they come so hard and fast it is sometimes hard to stop laughing at the previous one in time to hear the next.

Even though the film does take a lot of twists and turns there isn't really a moment where it lacks energy. Sure there are parts that slow it down, but it needs this to build momentum to one of the most climactic and hysterical pieces in film history.

Speed is the key! It keeps this insanely funny narrative flowing while at the same time giving a huge insight into the extremely detailed characters. Each character brings something to the table. It is an inventive yet classic comedy that reaches most audiences with its tongue in cheek and witty humour.

People who thought the cop-comedy genre was finished should definitely see this creative film which will pluck those heart strings and have you slapping that knee while feasting your eyes on the adrenaline fueled action!!!