Loverlorn

I think the movie is a masterpiece.Turkey's best actor Sener Sen acts wonderfully from beginning to the end and when the movie ends you thank him for the job he made.The movie is about a teacher working in east part of Turkey for several years and got used to life there.When he comes back to the place he was born it would be hard for him to get used to life again.He becomes to work as a taxi driver and meets a singer then his life would never be the same again.Wonderful scenario,actors filled into the roles perfectly,dramatic story and a different ending.I recommend this movie to everyone.Sener Sen is the rising star of Turkey and soon he should be rewarded with an award.

Although it is an extreme drama and few such situations may exist, I bet there can be found such cases. And having that reality is the most dramatic part of the movie. Together with the performances of the experienced actors and actresses I think this film deserves an 8 or 9, if to consider it is not perfect.

There are some imperfections though, especially the full-moon scene, for a person who has been in Istanbul.

I should add that personally I liked this one more than "Eskiya", not only because of the important social and political messages in this movie, which gives a serious mood to the film, but also that the roles of the actors are distributed most suitably.

Gonul Yarasi is an above average movie in the tradition of classical Turkish drama. Idealist elementary school teacher Nazim (named after the great communist poet Nazim Hikmet) retires and returns home, Istanbul, after a 15 year term in the poor, forgotten Kurdish-Alevite village in Eastern Turkey. Politely ignored by his children who secretly despise him since he chose his ideal over his family long ago, he begins a new (night)life as a taxi driver. There he meets a fallen single mother who works as a "singer" in a sleazy night club. He takes the mother and her daugther in to protect them from the stalker ex-husband, falls in love with her, and the drama unfolds.

Yavuz Turgul, a master of storytelling, is not at his best, and the film cannot surpass his former masterpieces such as 'Eskiya' or 'Golge Oyunu' - though the movie is among the best of the season. Sener Sen, Meltem Cumbul and Guven Kirac give solid performances, but Timucin Esen proves outstanding with his portrayal of the multi-faceted, psychologically unstable ex-husband. The film, in the Yavuz Turgul tradition, inevitably ends with the tragedy-redemption-hope sequence.

Turgul likes to give subliminal social and political messages in his movies, but he is less subtle in this one.

One of the best Turkish movies I've ever watched. Sener Sen, one of the greatest Turkish actors did not surprise me with the great performance and success but Meltem Cumbul really made me surprised. I used to think she was a all-in-one contemporary model but she proved shes also a good actress. She has tried her chance in many fields like singing, TV shows etc. She has singed perfectly in the movie but in fact she should act, not to do anything else. The movie is simple, with no hi-tech effects, no super models, no hip-hop etc.. its just people, telling you to turn back and see what is important in life, at all. Especially if you're living in a complicated country like Turkiye. Life is hard..

I haven't seen many Turkish films, but this was great. The acting of Sen and Cumbul were impressive. A definite contender for Best Foreign Film at the Oscars of 2006. Anyone with intelligence and pluck should see this movie. Could win an award also at Cannes BAFTA , probably not at SAG. However its really good. Could help EU prospects of Turkey, for Europeans to see the culture in such powerful films. I have seen a few other films of Cumbul and Sen after this movie. The Turkish film called Propaganda was very impressive as well, nothing of coarse compared to this movie but still very impressive. This movie on the whole is quite dark, one has to honest. The other third protagonist of the film, dint know his name was also good, though his acting is overshadowed by the other two.