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Çemberimde Gül Oya

  • Fernsehserie
  • 2004–2005
  • 1 Std.
IMDb-BEWERTUNG
8,8/10
4711
IHRE BEWERTUNG
Selda Alkor, Mehmet Ali Nuroglu, and Özge Özberk in Çemberimde Gül Oya (2004)
Politisches DramaDramaGeschichte

Füge eine Handlung in deiner Sprache hinzuYoung journalist Feriha faces personal challenges while attempting to depict the violent era of 70s Turkey.Young journalist Feriha faces personal challenges while attempting to depict the violent era of 70s Turkey.Young journalist Feriha faces personal challenges while attempting to depict the violent era of 70s Turkey.

  • Hauptbesetzung
    • Selda Alkor
    • Kenan Bal
    • Özge Özberk
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,8/10
    4711
    IHRE BEWERTUNG
    • Hauptbesetzung
      • Selda Alkor
      • Kenan Bal
      • Özge Özberk
    • 8Benutzerrezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Episoden40

    Folgen durchsuchen
    HöchsteAm besten bewertet1 Jahreszeit

    Fotos125

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    Topbesetzung99+

    Ändern
    Selda Alkor
    Selda Alkor
    • Yurdanur
    • 2004–2005
    Kenan Bal
    • Dinçer
    • 2004–2005
    Özge Özberk
    Özge Özberk
    • Yurdanur (genç)
    • 2004–2005
    Mehmet Ali Nuroglu
    Mehmet Ali Nuroglu
    • Mehmet
    • 2004–2005
    Melisa Sözen
    Melisa Sözen
    • Feriha
    • 2004–2005
    Isil Yücesoy
    • Sema
    • 2004–2005
    Serif Sezer
    Serif Sezer
    • Sultan
    • 2004–2005
    Goncagül Sunar
    • Canan Cansev
    • 2004–2005
    Tuba Büyüküstün
    Tuba Büyüküstün
    • Zarife
    • 2004–2005
    Suzan Aksoy
    • Suna
    • 2004–2005
    Isik Aras
    Isik Aras
    • Hatice
    • 2004–2005
    Füsun Erbulak
    • Madam Niki
    • 2004–2005
    Mahmut Gökgöz
    • Ibrahim
    • 2004–2005
    Firat Berk Konya
    • Ercan
    • 2004–2005
    Ali Kiyak
    • Halim Dede
    • 2004–2005
    Kartal Balaban
    • Hasan
    • 2004–2005
    Serdar Yegin
    • Ümit
    • 2004–2005
    Serhat Nalbantoglu
    • Sinan
    • 2004–2005
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen8

    8,84.7K
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    Empfohlene Bewertungen

    10another-u

    A Fabulous Warm story...

    am an Egyptian girl but i've been told that my great grandparents were Turkish..i've visited turkey for couple of times, antalya and Istanbul recently..i love the European and Asian combination...it just made me want t know more and more about anything that have to do with turkey.. i've been watching the TV series recently, tomorrow is the last day..i am THRILLED about the story...when it finishes i just cant wait to see it again..its translated here to Arabic.. it teaches you many things..there are political events happening..great love story going on...and warm family bondings taking place...all of these three factors are just belnded together in a very exciting and interesting way...and most of all its a very true reflection of the Turkish society and the life out there...i HONESTLY LOVE it!!!
    5l_rawjalaurence

    Seemingly Interminable Soap Opera

    The Noughties have been notable for the development on Turkish television of the dizi, or serial. Broadcast in lengthy slabs and interspersed with regular commercial breaks and on screen ads, the diziler can last anything up to three hours, from 20.00 to 23.00. Some private television channels find them so profitable that they broadcast one after another during daytime, early evening and prime- time.

    Shot on minimal budgets, invariably in and around the Istanbul metropolis, the diziler are remarkably similar in terms of structure and form. They comprise a series of interior sequences, where characters are photographed in close-up or two-shot in shot/reverse shot sequence. The beginnings and endings of scenes are signaled through an establishing shot - a pan of the Istanbul landscape, or an aerial tracking shot swoops in towards the characters from the air.

    Plots are usually highly similar, centering on love, conflict and familial strife. The generations are usually well represented, with sets of characters from the pensioner, the middle-aged, the young pro, the ingenue and the youngster age-groups. Some of the diziler might be historical in terms of situation, but the plots remain remarkably similar: love-affairs that ebb and flow, overcoming obstacles or foundering on the rocks of parental disapproval. Emotions are worn on the sleeve, and enhanced by deliberately atmospheric music reminiscent of similar material in South America, for instance.

    The diziler are the modern-day equivalent of Yesilcam: cheaply-made melodramas with a series of stock characters and situations, filmed on a shoestring. They attract huge viewing figures, but are not really sufficiently differentiated from one another in terms of plot and theme to warrant serious analysis.

    CEMBERINDE GUL OYA (THE ROSE AND THE THORN) ran for forty episodes between 2004 and 2005. It is notable for the fact that it was written and directed by Cagan Irmak, who later went on to have a successful film career. Students of his oeuvre will find the series fascinating, as it shows where several of his preoccupations came from: for example, a certain nostalgia for the Seventies and early Eighties (even though it was a time of military strife); an emphasis on sentimentality; and a largely superficial approach to characterization. On the other hand the dizi is notable for its use of shot/reverse shot sequences, zooms in and out for dramatic effect, and an emphasis on incident. The series shows how, unlike many of his contemporaries, Irmak's cinematic style is explicitly televisual in origin and should be treated as such. Thematically speaking he might be interested in Turkish history, but as a filmmaker he is more concerned with arousing viewers' emotions at a visceral level rather than prompting reflection on history. This is not a criticism; on the contrary, this style works very well with a certain type of movie. It is just very different.
    10viyola

    Once Upon A Time in Turkey...

    Another Masterpiece from genius and talented director-writer Cagan Irmak. Once Upon A time in Turkey.70's...nobody wants to remember and tell.Anarchy,confusion...people, who had judged about their ideas and believes...

    First of all "Cemberimde Gul Oya" is not a mini-serie.40 episodes (70-75 minutes).

    a story about a time...A story about a love....A story about Turkey,relationship,friendship,solidarity...A story about people who take courage from their loves and believes...written by Cagan Irmak. Great story, acting,art direction,production....And the soundtrack is wonderful.When you watch "Cemberimde Gul Oya",you can not believe that is only a TV drama "Cemberimde Gul Oya" is the best TV drama i have ever watched.CGO created its own fans."Cemberimde Gul Oya" DVD box sets (complete season) released in Turkey.I bought and watched all episodes 2 times.I think Cagan is a very important person,writer,director...
    7kahnshang

    Politics & Love

    What happened to impossible loves? Is it really exist in these days? Especially between a man known as anarchist and the Turkish deputy's daughter. It is the love story between leftist guy (Mehmet) and also leftist primary school teacher (Yurdanur) by the early time 70's. We see also our times and watch old Yurdanur and Mehmet. Cleverly made scenes, Awesome outfits and environment but the music was poor for those nostalgic scenes. It tells us there is war between leftist and rightist before the military intervention . The story came out from first person by Yurdanur herself. She is sharing the story with her daughter and the spectator. Characters were well fit into story and reflected their feelings exact of that time. Special thanks to Çagan Irmak for making it and made us remember this sad times.
    De_vampir

    Beautiful Time

    Basically this film is reflecting on the times of Turkey in the 1970's, the anarchy, the fight, the power. These times are told by a woman and her experience to a reporter> her daughter which works for a news agency. These times which in political disorder affect confusion and similarities on everyones mind blinds them silence.! But a girl of a rich family finds it worth loving a different man than loving money>> like her father. But he was also in love with her mother, this girl is the woman in this day.. They experience the fight which they unknowingly accepted the day they met, in a street of scattering crowd and open fire

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    FAQ17

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    Details

    Ändern
    • Erscheinungsdatum
      • 3. September 2004 (Türkei)
    • Herkunftsland
      • Türkei
    • Sprache
      • Türkisch
    • Auch bekannt als
      • The Rose and the Thorn
    • Drehorte
      • Istanbul, Türkei
    • Produktionsfirma
      • Avsar Film
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std.(60 min)
    • Farbe
      • Color

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