Merry Christmas

This very touching story about a true occurrence during the first Christmas of the Great War is very moving. Although the truce was not a generalized event, it did happen in quite a few areas all along the front line. It was the only moment of sanity in an otherwise gruesome experience in futility. Twenty years later, these same countries would be at it again.Karl Marx said that wars are awful events pitting ordinary people (proletariats) one against another for the benefit of the wealthy, the powerful, the aristocrats. This aspect is depicted very well in this movie. I would just like to add a footnote: Alfred Anderson, the last survivor of the Christmas Truce of 1914 died November 21th, 2005 at a nursing home in his native Scotland. He was 109 years old. Lest we forget.

I was looking forward to finding out how this historical yet forgotten event would be put to film, and how accurately it would be depicted. I am not disappointed. This evokes emotion without ever slipping into sentimentality or sap. It personalizes without robbing the true occurrence of attention. There is focus put on certain characters(all of which are quite well-written), but never to the point of such being lost on what really happened. The plot is great, and develops well. Some liberties are taken with the story, and they are not all justified, but the core is kept intact, and this manages to both tell what happened and make us feel and care about it. The overdubbed singing could have been subjected to better synchronization, but there is little to any criticisms directed at the acting itself. The same goes for the production value. The technical aspects of this are excellent, as well. The cinematography and editing are just about flawless. Pacing is rather good. Writing and directing are commendable. All three sides each speak the actual languages, adding to the already well-established sense of realism. I recommend this to anyone interested in the period, and the specific situation in particular. 8/10

I saw this film the day before Christmas Eve last year and I have to say that it was the highlight of my Christmas. No, I did not have a rubbish holiday - the film just made me realise what Christmas must be like for the people who do not enjoy the relative peace we take for granted.

I cannot think of a single bad thing to say about the film. And this from someone who usually avoids foreign language films like the plague because it annoys me when the words are out of time with the movement of the lips.

I thought that using actors from each of the countries involved in the conflict was a master-stroke and made it all so much more believable. I shed a tear at the end, though I could see why the men needed to be moved from the front having made friends with 'the enemy.' I know that this is going to be a must see film for me every Christmas and I am eagerly awaiting the release of the DVD.

Last night I went to special screening of Joyeux Noël ahead of it's release on 22nd of December.

Wow, what an amazing movie. As a rule I generally tend to blacklist war movies but this so different.

This is in no way about the glorification of war but instead tells a tale of a group of human beings that see past their differences for one night.

Apparently all based on true events known as the The Christmas Truce of 1914.

I highly recommend this movie to any and all.

Writer/director Christian Carion ('Une hirondelle a fait le printemps' aka 'The Girl from Paris') is unafraid to write and create cinematic tales that touch the heart as well as the mind. 'Joyeux Noël' is a story of war and its effects on soldiers that goes far beyond sentimentality (or the opposite emphasis on brutality as found in American films) and offers the viewer insights to the responses of young men's minds to the monster of war and how they cope.

Based on a true story, the film opens with the usual callous killing among three groups of soldiers - German, French, and Scottish - who face an oncoming Christmas Eve in the trenches, the realities of fighting have precluded their getting time to retreat for air. But a miracle happens: among the Germans is a famous opera tenor Nikolaus Sprink (Benno Fürmann) who has aligned with his fellow troops in the trenches, hoping he can bring some minor sense of Christmas and understanding to them. His soprano partner Anna Sorensen (Diane Kruger) finds a way to be with him in the trenches on Christmas Eve, 1914. Meanwhile the disgruntle troops of all three sectors are planning meager festivities and a bit of relaxation even in the trenches as the bodies of the day's plunder lie in the snow of no man's land. We get to know the French Lieutenant Audebert (Guillaume Canet) and his orderly Ponchel (Dany Boon), the German head of the regiment Horstmayer (Daniel Brühl), and the Scots - especially the priest/medic Palmer (Gary Lewis).

Christmas Eve comes and the voice of Sprink (in reality the tenor Rolando Villazón) sings 'Stille Nacht', rising out of the trenches to sing in the open of no man's land. Soon he is accompanied by the Scottish bagpipes and the 'chorus' of the Germans, the Scots and the French. They all emerge, share gifts of champagne and other libations, and agree to a cease-fire in honor of the holiday. It is in this magic moment that the true personalities of these warring men surface and each is seen as a vulnerable puppet of the WW I, exchanging addresses to meet after the war. Anna Sorenson has managed to enter the scene and during a communal mass led by Palmer she sings (the voice is Natalie Dessay) an Ave Maria (composed by the film's composer Philippe Rombi): the lovers have previously sung a duet version of Bach's 'Bist du bei mir'. For that moment in time the horrors of war melt and the camaraderie of the men glows and is carried into Christmas Day when all three groups of soldiers agree to bury their dead together. Of course the brutality and ignorance of war re-engages and the leaders of the three groups enter camp and threaten courts martial and punishment for the troops' lack of military discipline. The film ends in a manner that leaves the audience able to integrate the happenings of that Christmas Eve on the futures of these men.

The script is superb, the cast is uniformly excellent, the sets and cinematography are creatively moody, and the musical score by Philippe Rombi is one of the finest in years: the ending song 'I'm Dreaming of Home' deserves to become a standard. Would that everyone could see this film, a bit of global hope in the cloud of the destruction that shadows our world right now. Highly recommended. Grady Harp