Zwei degenerierte Serienkiller filmen ihren gesamten Alltag mit einer Handkamera, inklusive aller Gewaltexzesse in ihrem Folterkeller, und der Zuschauer wird Zeuge ihres perversen Treibens.Zwei degenerierte Serienkiller filmen ihren gesamten Alltag mit einer Handkamera, inklusive aller Gewaltexzesse in ihrem Folterkeller, und der Zuschauer wird Zeuge ihres perversen Treibens.Zwei degenerierte Serienkiller filmen ihren gesamten Alltag mit einer Handkamera, inklusive aller Gewaltexzesse in ihrem Folterkeller, und der Zuschauer wird Zeuge ihres perversen Treibens.
- Girl in cellar
- (as Ann Marie Reveruzzi)
- Man Behind The Camera
- (Nicht genannt)
- Self
- (Nicht genannt)
- …
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It don't even fall in the category of the Guinea Pig series. Those can be seen for what they are. This is nothing.
The two main protagonists seem to consider themselves to be at the top of the food chain; the world is their playground and the people in it are there solely to be used for entertainment. The protagonists do everything in a really nonchalant way, and regardless of how friendly others are towards them, they always see them as objects rather than people. This is the biggest reason why I raised my eyebrows, and questions like 'What are they doing, and why?' popped up in my head.
At first, I was not really sure I wanted to watch this movie, because of what people said about it and how extreme it is. In all honesty, the movie is not that brutal and chaotic as I expected. The pure violence portrayed in this movie is not as out of this world as someone might expect. We are so desensitized to this type of extreme violence nowadays that we get to see hammers, chainsaws and axes being used to chop off this and that even in mainstream Hollywood movies. It is not the visual violence that is disturbing in August Underground, but the concept of it and the atmosphere. It is more connected to the real world than in other movies, and the fact that this actually can happen (and probably has) in the real world, together with the previously mentioned attributes makes this movie quite unique and disturbing in a way we rarely see.
I don't think vogel is totally talentless. He can't direct, clearly can't script a film and his acting sucks ( there seems to be a pre-occupation with ridiculing victims because of their weight, when none are anywhere near as fat as he is, which is quite unfathomable ) but put him with a team of competent, talented film makers and i reckon you might get something really good out of him. Having said that, avoid this unless you really feel the need to watch it, i expect the reasons that most people would want to see it are because of the supposedly shocking and outrageous violence. Well, it isn't shocking, and neither is the sequel ( of what i have seen ), only a bit sad and misguided.
Prefiguring the "torture porn" genre began by movies like "Saw" and "Hostel", "August Underground" works like a mash-up of "Henry: Portrait of a Serial Killer" and "The Blair Witch Project", except that it *really* ups the ante in terms of extreme human depravity, and that it lacks any sort of craftsmanship whatsoever. It may be one of the most disgusting movies that this viewer has ever seen. Its fans may argue for its sense of immediacy, or the fact that it's so vivid and so committed to portraying filth on film. But it's still impossible to want to spend time with the characters here. Apparently, the movie *does* have some sort of script, by Allen Peters and director Fred Vogel, but it feels like it was ad libbed for its interminable 71 minute run time. The effects are plenty tacky, but still have the power to thoroughly distress an audience.
If one really wants to see a serial killer epic based in some sort of reality, they're much better off watching or revisiting "Henry".
Three out of 10.
Wusstest du schon
- WissenswertesWhile traveling to Canada to attend a film festival in Toronto, director and co-writer Fred Vogel was arrested, pending charges of transporting obscene materials into Canada, when copies of August Underground and its sequel were found by customs officials among the merchandise he had intended to bring to the convention. The charges were eventually dropped, after Vogel had spent roughly ten hours in customs prison.
- Zitate
Killer: [while looking at statues of Biblical figures] You know what I don't understand? I don't understand, you know, like, in, y'know, in the Bible, and y'know, the stories that you hear, y'know, they're always upset, and weeping, and crying and stuff like that. These people just have a stoned look on their face. Get it?
Man behind the Camera: That was bad.
- VerbindungenFeatured in S&man (2006)
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Details
- Laufzeit
- 1 Std. 10 Min.(70 min)
- Farbe
- Seitenverhältnis
- 1.33 : 1