Die mythische Welt beginnt eine Rebellion gegen die Menschheit, um die Erde zu regieren, so Hellboy (Ron Perlman) und sein Team müssen die Welt vor den rebellischen Kreaturen retten.Die mythische Welt beginnt eine Rebellion gegen die Menschheit, um die Erde zu regieren, so Hellboy (Ron Perlman) und sein Team müssen die Welt vor den rebellischen Kreaturen retten.Die mythische Welt beginnt eine Rebellion gegen die Menschheit, um die Erde zu regieren, so Hellboy (Ron Perlman) und sein Team müssen die Welt vor den rebellischen Kreaturen retten.
- Für 1 Oscar nominiert
- 6 Gewinne & 36 Nominierungen insgesamt
- Johann
- (Synchronisation)
Empfohlene Bewertungen
Hellboy is the most unique character to appear in your comic book shop. The mythology and the character are such the opposite of the main stream and to Hellboy II's credit so is this movie. Ron Perlman doesn't deliver catch phrases or gun down bad guys for the sake of doing so. He is an interesting character but he is overshadowed by this lackluster plot and the world around it. I felt as if we didn't see enough of Big Red or maybe we did we just didn't get to see the most of the talents. Del Torro constantly wants to remind you that he directed Pan's Labyrinth because visually the creatures look like they were leftovers from that film. I don't mind this per say but these characters just don't have much to do, they are there really to look at rather than them having significance. Visually I can't complain about them because they are amazing but they serve little purpose to the story.
The plot is really the weakest thing this movie has going for it. I felt it took too many liberties against the original concepts of Hellboy. Hellboy is a creature alive in our world, Del Torro tries to tell us that our world is nothing more than a division of fantasy and reality. Well we spend too much time in the fantasy that we forget the fact that this Golden Army is a threat to reality. The villain Prince Nuada is weak, we don't see any method to his madness other than the fact that the plot dictates that he be the antagonist. In the first film and to a lesser degree this one we were given details about why Hellboy has faith in humanity and would chose not to serve his purpose. It's interesting because we are given glimpses of what could have been something that could have added real teeth and tension to the story, for the first time Hellboy is tempted by evil, weakly tempted but tempted nonetheless. This mental struggle could have given our actors the chance to show their talent but instead the filler between the action scenes is just okay at best.
I didn't hate Hellboy II I just think it needed some beef in it's story. Del Torro has shown us he is a master storyteller but this time he didn't focus on the story it's self. I would recommend this film but I know Del Torro can and has done much better.
As entertaining as many comic book-to-film adaptations are it is a rare event when one can call one of these films a true artistic achievement. I am convinced without a shadow of a doubt that Guillermo Del Toro's entire career has been leading up to this film, particularly regarding his work as screenwriter here. The comedy feels less forced and is worked incredibly well into the script here, so much so that it doesn't feel remotely unnatural when the scene of comic drunken singing leads directly without a break into one of the film's most intensely dramatic sequences. Del Toro's handling of character has never been better, not even with "The Devil's Backbone", which is still my favorite of his films, and his sheer skill and ability when it comes to telling a fairytale-esquire fantasy is astonishing, as proved in the prologue to this film. In short this is Del Toro at the top of his game and providing artistry the likes of which we rarely if ever see in summer blockbusters. It's only fair that an astonishingly brilliant comic like "Hellboy" by an astonishingly brilliant artist like Mike Mignola is adapted this well and by someone as talented at what they do as he is.
How refreshing it is, a week after the release of "Hancock", which to me epitomizes everything wrong with action film-making today, that we get "The Golden Army" which features hands down some of the finest action scenes we have ever seen in this sort of film. Just stunningly beautiful, well-shot, well-crafted, the sort of thing that leaves one wondering how much time and effort went into it and endlessly thankful that some really talented people went to the trouble of making the film.
The film is generally just superb on a technical level. Why am I even saying this? Of course it is. Danny Elfman composing, Guillermo Navarro serving as cinematographer, top-notch editors, fantastic special effects wizards. It's a world-class crew that made this film. I shouldn't be surprised at its quality but "The Golden Army" really just floored and astonished me with how good it is. The cast is also excellent, proving once again that you don't need 'big names' to carry a movie. Just about everyone here is excellent, particularly Perlman with another excellent turn as Hellboy and the underrated Selma Blair as Liz Sherman.
"Hellboy II: The Golden Army" provides essentially everything a Del Toro or Mignola fan would want. I imagine it will entertain and charm many outside those circles as well with its fantastic action sequences, engaging characters, and wonderful sense of humor. I would personally go as far as calling "Hellboy II: The Golden Army" one of the top five or so comic book movies ever made.
I have a confession to make: I haven't seen the original HELLBOY yet. And neither have I seen it when I saw the much-praised sequel HELLBOY II: THE GOLDEN ARMY. But that's just what I really like about this sequel: It doesn't require you to have seen the original to fully enjoy this weird and entertaining excursion. Seeing the original would certainly add to the experience, but taken in its own rights, HELLBOY II does what a sequel should do: Not just live up to the expectations left by its predecessor, but also shine as a stand-alone effort.
And yet I have another confession: I have not seen Guillermo Del Toro's crown jewel PAN'S LABYRINTH yet. But seeing HELLBOY II, I am more than impressed by his wild imagination. HELLBOY may have been based on a comic book, but for anyone who isn't a fan of the comics, Hellboy is Del Toro's own creation. Like what Tim Burton did with BATMAN, Del Toro has modeled Hellboy (Ron Perlman) as his own creation on-screen, and he's a very interesting character. Perlman never wastes his opportunity to provide depth as well as nuance to his character. Perlman proves himself worthy, not just an ideal action hero (under tons of make-up), but as yet another actor who successfully embodies the role of a comic-book character.
As in PAN'S LABYRINTH, Del Toro populates the world of HELLBOY II with some truly fascinating and intriguing creatures. Roger Ebert made a truthful compliment by stating that the world of HELLBOY II reminded him of the famous Cantina scene from STAR WARS. What George Lucas has conceived within only a few minutes of screen time in his movie, Del Toro manages to do for 2 hours. The creatures are imaginative, not just in look but in personality, and they are at an abundance. Plus, they're also mostly done using make-up effects rather than CGI, which makes them all the more real. Add to Del Toro's imaginative set pieces, he is a master storyteller. From the opening scene, where "Broom" Bruttenholm (John Hurt) tells the legend of the "Golden Army" to a young Hellboy, Del Toro exhibits is true talents at telling a good story. There are moments of thrills and even laughs, and the visuals are superb. Supporting performances and some neat special effects (notice that I praised the CGI later in in this review) make for one worthy adventure ride. HELLBOY II isn't perfect, but it sure is great at what it was doing.
Rating: **** out of 5.
Wusstest du schon
- WissenswertesAs the Angel of Death, Doug Jones could only see out of the crack across the mask he wore. Also, the mechanical wings he was wearing weighed about forty pounds. Doug was originally supposed to walk around the set, but when it was discovered that he could barely stand, they instead hung him from a wire. This is why The Angel of Death floats.
- PatzerWhen the tooth fairies attack, Abe says that they feed mostly on calcium and go for the teeth first, yet when the devoured body of a BPRD agent is shown, all the flesh has been stripped but the skeleton and teeth are clearly fully intact.
- Zitate
Hellboy: You're in love. Have a beer.
Abe Sapien: Oh, my body's a temple.
Hellboy: Well, now it's an amusement park.
Abe Sapien: No, no, no. The glandular balance of...
Hellboy: Just shut up and drink it, would you?
- Crazy CreditsThe film title is forged by clockwork machinery.
- SoundtracksSanta Claus is Comin' to Town
Written by J. Fred Coots, Haven Gillespie
Performed by Eddy Arnold
Courtesy of RCA Nashville
By arrangement with Sony BMG Music Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Hellboy II: El ejército dorado
- Drehorte
- Sóskút, Pest, Budapest, Ungarn(giant's causeway)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 85.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 75.986.503 $
- Eröffnungswochenende in den USA und in Kanada
- 34.539.115 $
- 13. Juli 2008
- Weltweiter Bruttoertrag
- 168.319.243 $
- Laufzeit2 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1