The Dark

As a huge fan of horror movies, I give pretty much everything in this category a chance. I had never heard of this movie before, just stumbled upon it at the video store. I know a lot of people think it was a stereotypical horror movie but I jumped A LOT. And to be honest, I didn't always see the frights coming. I do see similarity between The Ring and The Dark but I enjoyed it nonetheless. I am still a little unsure about the ending but I guess that happens sometimes in this category. The camera work made it a little difficult at times to see but I guess it is called The Dark for a reason. The little girl was creepy which seems to be a requirement for child roles in horror movies. All and all I would say it's worth a peek.

It's a confusing movie with a poor story. I felt I was watching the wrong movie when I stepped into the theater. It took me some time until I could realize what was really happening.

Plus, mentioning the Welsh mythology sounded more like an excuse to hook the story.

Although it contains some disturbing images, it is not scary at all. Well said: 'when a film has to relay on loud music and flashy imagery to scare people then the film isn't scary'. So, that's the whole truth about this movie. I expected something better.

I am completely disappointed.

The Dark is OK for its day but The Hallow (2015) and The Daisy Chain (2008) are much better Celtic movies dabbling in local myth. The Dark is a pretty ad hoc jumble of bits and pieces (past/present, real/dreaming, myth/crime, etc) strung together in what seems like, to me, an attempt to make a 90 minute movie out of only 60 minutes of material. In the last half a lot of sequences look very similar to previous sequences, although I admit the idea was torture and descent. Mind you, The Dark did try to make sheep seem spooky, and one has to admire the attempt. For looks it's very similar to The Daisy Chain, indeed, that movie may have seen what was working or not working in The Dark and proceeded appropriately. In the end the story does make sense, and it is a very chilly conclusion. I still enjoyed it, and it is original to a degree. My main criticism is that the filmmakers needed to make this a darker journey and not such an action movie for the Mum. It needed more pauses, more shocks, and better shocks, maybe a storm, the odd spider. The Dark, however, still tackles a difficult premise to pull off, and in this it has made an accomplishment.

The Dark shocked me really, after seeing the trailer on TV my initial thoughts were that it was going to be a genuinely scary film, however after watching it, it appears it is not as much scary as it is strange!

The concept of it will seem pretty weird to you but it actually works, however there are times in it where the acting is pretty sketchy. I think all in all this film will appeal to people who like a bit of the supernatural or spiritual stuff, and maybe not as much to the people who like a really scary horror flick.

Hat off to Sean Bean, i like most of the films he's in, and Maria Bello does make viewing slightly more pleasant. Some will like it, some won't. Would definitely watch again though.

I had enjoyed Fawcett's knowing revision of the werewolf myth in GINGER SNAPS (2000), but wasn't really expecting much out of yet another ghost story (which, in recent years, have flooded the horror market from all over the world). Still, it turned out to be a pleasant surprise which, given my initial skepticism, managed to win me over with its intriguing - if highly derivative - plot line, good performances (by all five main actors but especially Maria Bello, in a difficult and rather unsympathetic role, and the two ill-treated girls) and the unfamiliar seaside Welsh setting.

As a matter of fact, the film borrows and mixes together elements from a wide variety of classic and cult horror/fantasy titles - ORPHEUS (1950), DON'T LOOK NOW (1973), THE WICKER MAN (1973) and THE BEYOND (1981) - and even features a Bernard Herrmannesque score! Unfortunately, it becomes confusing towards the end and the final twist feels rather like one too many trips to the well; actually, I much preferred the serene (and more balanced) alternate ending!

Despite some editorial flourishes throughout and the occasional cheap shock, the film's tone is generally low-key and introspective; far removed from the hipness of GINGER SNAPS, it's undeniably a more mature work.