IMDb-BEWERTUNG
7,2/10
25.656
IHRE BEWERTUNG
In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.
- Auszeichnungen
- 6 Gewinne & 17 Nominierungen insgesamt
Pat McCabe
- Peepers Egan
- (as Patrick McCabe)
- …
Empfohlene Bewertungen
I saw BOP in Toronto last week and it was one of my favorites (of the 29 I saw). Cillian Murphy was fabulous as the brave and relentless seeker of the truth who faced life with conviction even when everything around him seemed to be disintegrating. Liam Neeson as the town priest was credible and at times heartbreakingly genuine in his reactions to unfolding situations. Stephen Rea was an unorthodox but sweet magician who brought a great deal to his small part. The supporting cast, especially Brendan Gleeson and Ruth Negga, acted with realism and intensity that helped bring the film to life. Neil Jordan, whose track record stands on its own, delivered a delicious dim sum that left me wanting more and at the same time completely sated. Declan Quinn's dulcet cinematography, much like that of Monsoon Wedding and Vanity Fair, made the film one of the most lustrous at Toronto. After getting the willies watching how evil Murphy can be it was great to see him as an uber-hero. Oh, and did I say I want some of those outfits?
This film is about a transvestite on one level, but it is also a lot more: it's about, belonging, being, loving and being loved. What could have been a one-dimensional caricature becomes a three dimensional movie in the hands of a good director like Neil Jordan, and actors such as Liam Neeson, Stephen Rea, and Cillian Murphy (who is magnificent).
Cillian Murphy imbues Patrick "Kitten" with growing dignity as he/she matures through the film, and at the end she has become a self-assured woman, who has 'found' family, her mother and father, and a meaning in life.
The film does not shy away from the Irish-English conflict, either, and the prejudice directed against "Paddy" is appalling, reminiscent of "In the Name of the Father." It is not for the faint-hearted, be aware! Costumes and music of the late 60's / early 70's are both equally impressive. There is an excellent soundtrack.
In all, I found the film quirky and uplifting; a friend with me pronounced it "depressing". Whatever, it needs to be seen and Provo's an interesting view of the times in which the story is set. Judge for ourself.
Cillian Murphy imbues Patrick "Kitten" with growing dignity as he/she matures through the film, and at the end she has become a self-assured woman, who has 'found' family, her mother and father, and a meaning in life.
The film does not shy away from the Irish-English conflict, either, and the prejudice directed against "Paddy" is appalling, reminiscent of "In the Name of the Father." It is not for the faint-hearted, be aware! Costumes and music of the late 60's / early 70's are both equally impressive. There is an excellent soundtrack.
In all, I found the film quirky and uplifting; a friend with me pronounced it "depressing". Whatever, it needs to be seen and Provo's an interesting view of the times in which the story is set. Judge for ourself.
This spellbinding, tightly written, tightly wound, full speed ahead film is Neil Jordan's best work by far since his 1992 hit, "The Crying Game." And, interestingly, in this new film, Jordan returns to exactly the same intertwined themes that marked "Crying Game": the armed struggle of Northern Irish Catholics against the British Crown and gender bending.
Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.
The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.
Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.
The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.
A masterpiece. I have not seen many of Jordan's other works, but I intend to give his career a thorough examining after seeing Breakfast on Pluto. I also now have an immense respect for Cillian Murphy. To go from 28 Days Later and Red Eye to the layered, mesmerizing performance of Pluto is astounding. The story of using fantasy to escape the harshness of reality is so appealing, one would think this movie could be accepted by the masses. Dreamy visuals, multi layered and realistic characters mixed with stark visceral violence and political mechanisms create an emotionally jarring experience unlike anything I have ever experienced before. I intend to go to the film again and perhaps again. And I urge everyone to go and see this film and support it. Instantly in my top ten all time favorite movies. Bravo Mr. Jordan and Bravo Mr. Murphy.
10don_agu
There's never been a character like "Kitten" on the screen before or an actor like Cillian Murphy for that matter. What a feast of a film! What a joyful race through a desolate existence dressed in smiles and hope and gratefulness. Neil Jordan's introduce us to this extraordinary real life character with the magical slant of a fairy tale. A lesson for all seasons. A unique portrait of a victim that behaves like a hero. The idea of victim doesn't even enter the orbit of his reality. How beautiful! I hope this marvellous film find its way to a large audience. I want everyone to feel what I felt. I was enthralled by the positiveness at the heart of its message. And if all this wasn't enough. Liam Neeson! Giving the best performance of his career as the most human of the imperfect humans that populate the planet. Do yourself a favour, put aside preconceptions and run to have breakfast on Pluto.
Wusstest du schon
- WissenswertesBrendan Gleeson himself made up the dance for his character in the Wombles suit.
- PatzerTowards the end of the film Kitten pretends to be doing a survey for British Telecom. British Telecom didn't come into existence until 1981.
- Zitate
Patrick "Kitten" Braden: If I wasn't a transvestite terrorist, would you marry me?
- Crazy CreditsWith thanks to the people of Callan Co., Kilkenny
- VerbindungenFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- SoundtracksSugar Baby Love
Written and Composed by Wayne Bickerton & Tony Waddington
Performed by The Rubettes
© Budde Music, Inc. (ASCAP)/WB Music Corp. (ASCAP)
Courtesy of Polydor Ltd (UK)
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Desayuno en Plutón
- Drehorte
- Callan, County Kilkenny, Irland(Patrick 'Kitten' Braden's hometown)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 828.699 $
- Eröffnungswochenende in den USA und in Kanada
- 33.279 $
- 20. Nov. 2005
- Weltweiter Bruttoertrag
- 3.942.254 $
- Laufzeit2 Stunden 8 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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