In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.In den 1970er Jahren wird eine junge Transfrau, Patrick "Kitten" Braden, erwachsen, indem sie ihre irische Stadt verlässt und nach London geht.
- Auszeichnungen
- 6 Gewinne & 17 Nominierungen insgesamt
Pat McCabe
- Peepers Egan
- (as Patrick McCabe)
- …
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I saw BOP in Toronto last week and it was one of my favorites (of the 29 I saw). Cillian Murphy was fabulous as the brave and relentless seeker of the truth who faced life with conviction even when everything around him seemed to be disintegrating. Liam Neeson as the town priest was credible and at times heartbreakingly genuine in his reactions to unfolding situations. Stephen Rea was an unorthodox but sweet magician who brought a great deal to his small part. The supporting cast, especially Brendan Gleeson and Ruth Negga, acted with realism and intensity that helped bring the film to life. Neil Jordan, whose track record stands on its own, delivered a delicious dim sum that left me wanting more and at the same time completely sated. Declan Quinn's dulcet cinematography, much like that of Monsoon Wedding and Vanity Fair, made the film one of the most lustrous at Toronto. After getting the willies watching how evil Murphy can be it was great to see him as an uber-hero. Oh, and did I say I want some of those outfits?
I saw this on 10/2 at the NYFF-we got last minute tickets right up front. Neil Jordan was present at Q&A-an absolute treat. The film was simply wonderful from beginning to end--charming, emotionally satisfying, delicately nuanced and very powerful. The acting was sublime, as in all Jordan films. Cillian Murphy is so impossibly gorgeous and yet so fearless and skillful an actor, who uses his physicality to his supreme advantage. The Irish gang of three-Gleeson, Neeson and Rea, who usually appear in Jordan's films, were superb and touching as usual. There were wonderful casting touches--Bryan Ferry as a sicko, Gaivn Friday as a gay rockabilly, etc. The film was audacious, swerving mightily between broad comedy and grim tragedy. The most arresting elements were the amazing customes and the choice of 60s and 70s songs, something Jordan discussed in detail during the Q&A.
I urge all cineastes to catch this one-you will be amazed and deeply satisfied.
I urge all cineastes to catch this one-you will be amazed and deeply satisfied.
This spellbinding, tightly written, tightly wound, full speed ahead film is Neil Jordan's best work by far since his 1992 hit, "The Crying Game." And, interestingly, in this new film, Jordan returns to exactly the same intertwined themes that marked "Crying Game": the armed struggle of Northern Irish Catholics against the British Crown and gender bending.
Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.
The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.
Unlike the last minute revelations in "Crying Game," however, here the protagonist's transsexuality is placed front and center from the getgo. Cillian Murphy gives a bravura performance as Patrick "Kitten" Braden, in a story set in the 60s and 70s. Murphy oozes sensual vitality and is a world class flirt, but he's also genuinely kind and compassionate toward everybody.
The story is divided into 35 brief, fast paced "chapters" following Kitten's life over several years, first in a village near Belfast, later in London. The musical score, which is extraordinarily good, is an eclectic mix of everything from 40s pop tunes to Harry Nilsson and Van Morrison. Good supporting turns are provided by Liam Neeson, Ruth Negga, Stephen Rea, Gavin Friday and Brendan Gleeson. My top rated narrative drama of 2005: grade 10/10 A.
A masterpiece. I have not seen many of Jordan's other works, but I intend to give his career a thorough examining after seeing Breakfast on Pluto. I also now have an immense respect for Cillian Murphy. To go from 28 Days Later and Red Eye to the layered, mesmerizing performance of Pluto is astounding. The story of using fantasy to escape the harshness of reality is so appealing, one would think this movie could be accepted by the masses. Dreamy visuals, multi layered and realistic characters mixed with stark visceral violence and political mechanisms create an emotionally jarring experience unlike anything I have ever experienced before. I intend to go to the film again and perhaps again. And I urge everyone to go and see this film and support it. Instantly in my top ten all time favorite movies. Bravo Mr. Jordan and Bravo Mr. Murphy.
as my heading this really declares om what i believe is true.Cillian Murphy has delivered yet another amazing performance.this young Irish actor deserves all the credit that is given to him recently.He will sore into the spotlight for sure after this movie.I for one do not think this movie as my best cillian performance..Disco pigs rates high up in my charts,so does the Character Jim in 28 days later which i do believe to be his best acting yet,he was great in intermission,also red-eye and batman..which I'm sure he will be in the new batman due out in 2008 BTW. as it says he is a developing characters in this movie so I'm not too sure but fingers crossed eh folks.
Wusstest du schon
- WissenswertesBrendan Gleeson himself made up the dance for his character in the Wombles suit.
- PatzerTowards the end of the film Kitten pretends to be doing a survey for British Telecom. British Telecom didn't come into existence until 1981.
- Zitate
Patrick "Kitten" Braden: If I wasn't a transvestite terrorist, would you marry me?
- Crazy CreditsWith thanks to the people of Callan Co., Kilkenny
- VerbindungenFeatured in The 63rd Annual Golden Globe Awards 2006 (2006)
- SoundtracksSugar Baby Love
Written and Composed by Wayne Bickerton & Tony Waddington
Performed by The Rubettes
© Budde Music, Inc. (ASCAP)/WB Music Corp. (ASCAP)
Courtesy of Polydor Ltd (UK)
Under license from Universal Music Enterprises
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- Desayuno en Plutón
- Drehorte
- Callan, County Kilkenny, Irland(Patrick 'Kitten' Braden's hometown)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 828.699 $
- Eröffnungswochenende in den USA und in Kanada
- 33.279 $
- 20. Nov. 2005
- Weltweiter Bruttoertrag
- 3.942.254 $
- Laufzeit
- 2 Std. 8 Min.(128 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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