L'annulaire

There were a lot of things I enjoyed about this movie. The cover, the synopsis and the concept were really the high points. The lead actress was quite good as well (not bad to look at too). I mean the cinematography was good I guess, but nothing to out the ordinary. I mean you can't rely on gritty filters and a softened colour palate to carry a movie. The concept for this movie really intrigued me and I had begged my friends to rent it a couple times by the cover(instead of "Poisidon" and "When a Stranger Calls"). Just it seemed to me that it was trying too hard to be something and wasn't focusing enough on characters actual motivations and any connection with the real world. "Who is this girl?" is what I'm sure would have been the question if I had convinced anyone I know to watch it with me.

Don't bother. Heard its hard to find so should be a problem for most people.

Very fine film, beautifully photographed and directed with a wonderful central performance from Olga Kurylenko, who of course, has deservedly gone on to find fame and fortune, while this gem languishes, barely seen. I had never heard of it when I picked it up but am certainly glad I did. Based on a book by Japanese author Yoko Ogawa this is a marvellously quirky tale on the nature of obsession and possession. Some have mentioned David Lynch and I would have thought most of his fans would enjoy this. Set mainly in the port of Hamburg, we get a fantastic painterly picture with the increasingly strange happening inside as people visit to have painful memories preserved and thereby contained. Very Japanese in concept and this would have worked more easily in a Japanese setting but this is still a unique experience well worth seeing. Oh, and I almost forgot mesmerising score from Beth Gibbons, which is sadly not available.

"L'annulaire" ("The Ring Finger") is one o f the strangest films I've ever seen and now that I've seen it, I really have no idea what it was all about or whether I even liked it. I certainly loved parts of the picture.

Olga Kurylenko stars as Iris, a woman who loses the tip of her ring finger at the beginning of the story. She then obtains a job working for a VERY strange man who 'conserves' things...though exactly why and what he does with them is very vague. In fact, vagueness is the strong theme throughout the tale. Often people are in scenes but you have no idea who they are and why they're there. Knowing no one's motivations or back stories make for a very odd viewing experience. Plus, often folks do things....and you have no idea why. Iris begins a bizarre sexual relationship with her boss, the conservator....but you have no idea why nor does Iris for that matter. What comes of all this? I have no idea....see the film and decide for yourself.

Overall, one of the strangest films I've ever seen and one that is beautifully filmed and directed...though maddeningly vague. I still don't know what I thought of this film, though I do think you should be aware that there is a lot of nudity in the picture...though it didn't seem very provocative nor perverse...just explicit.

By the way, throughout the film, Iris perspires a lot and the office where she works has no air conditioning. Her boss tells her to arrange to have air conditioning installed but it never occurs. When she calls, she asks for a 'Mr. Rota'...that is Spanish for 'broken' and I wonder if this choice of names was intentional.

The sexy Ukrainian Bond-babe (from Quantum of Solace) Olga Kurylenko's first film was L'Annulaire (2005) . Iris (Kurylenko) have an accident and cut off her ring finger. Then she moves to a port town (filmed in Hamburg), and lodging in a hotel by the seafront. She gets a job as an assistant and receptionist for a man who preserve peoples specials items into specimen. The guy and the place is weird, and he comes up with some requirements to her, that makes the job and employer even weirder. It's originally a Japanese novel by Yoko Ogawa, and there is some strange Japanese atmosphere over this story. The movie is packed with the nude Iris, and I guess that alone will please a lot of male viewers. I think the story was going a bit empty after a while, but I'm a male viewer - so I stayed tune with the beautiful Iris until the final.

Saw this at TIFF 2005, my buddy and I went into this movie with no expectations and it ended up being a favorite (top 3 for me) of the film-fest. Unlike most at the fest, the pacing was perfect and each scene was necessary, it's a rare movie today that has such tight editing. The mystery and eros has a slow-burning build....

This was the only film I attended at the fest that left the audience hushed during the credits as well. I wouldn't call it 'eerie', maybe 'otherworldly'? Reminded me a little of polanski's ninth gate somewhat (and that's a good thing), but I doubt that anyone else would make that comparison :) I've been thinking about this movie for five months, figured it would be a shoe-in on the art-house circuit, but haven't heard much yet, this movie deserves to be seen!