Der winzige, o-förmige Tony Kleinman und der ehemalige Profi-Sportler Bernie Widman, immer noch ein beliebter Frauenheld, moderieren gemeinsam eine TV-Talkshow in Philadelphia, in der es hau... Alles lesenDer winzige, o-förmige Tony Kleinman und der ehemalige Profi-Sportler Bernie Widman, immer noch ein beliebter Frauenheld, moderieren gemeinsam eine TV-Talkshow in Philadelphia, in der es hauptsächlich um Sport und Sportler geht.Der winzige, o-förmige Tony Kleinman und der ehemalige Profi-Sportler Bernie Widman, immer noch ein beliebter Frauenheld, moderieren gemeinsam eine TV-Talkshow in Philadelphia, in der es hauptsächlich um Sport und Sportler geht.
- Auszeichnungen
- 2 Nominierungen insgesamt
Empfohlene Bewertungen
This is the First Monday night CBS sitcom I have refused to watch in many years. With their tradition of excellent sitcoms, it's beyond comprehension why they put this clunker between such fine shows as Still Standing, Everybody Loves Raymond, and Two And a Half Men. I prayed that the show wouldn't make it past mid-season, but my prayers weren't answered. One can only hope that somebody at CBS comes to their senses, and realizes that there is absolutely no substance to the show, and that it is "not" entertaining.
I think the show is a decent show. There are some great lines (i.e. "I had no idea this little hair could produce this much debris") among others. The show has good jokes. But it does lack something. One thing I can say is that if someone were to tell me what the first two episodes were about I wouldn't be able to provide the answer. The first two episodes haven't really been about anything. The daughter bans her father from her soccer games in episode 1. In episode 2 she defies him and gets more earring holes. These are not story lines with which to base an entire episode on. There's little substance there. The show doesn't have any meaning. Yes, comedies are supposed to be funny and are not to be mistaken for films that are supposed to inspire or deliver some great message. But there needs to be something.
"Seinfeld" didn't really have meaning either but the jokes centered around the little quirky things we do in our lives. This helped us relate. It made us interested. One of the better sitcoms we've had over recent years has been "Frasier" (mostly in its early years) but one thing that "Frasier" managed to do was to blend jokes with substance. Many episodes featured a serious conversation between characters that put life into perspective and revealed some truth. "Listen Up" has yet to provide something for us to grab onto. Each episode needs a conflict - one that can provide some humor but at the same time be resolved in the end such that Tony Kleinman learns something.
As for Jason Alexander and his acting thus far I have to say he's done a fine job. The little things he does is what makes his performance great - His pump of the fist when his son tells him that he's reading a book of zip codes for instance. The only thing I could perhaps fault him for is going into his yell voice too often and always with the same tone. But for the most part I have enjoyed his performance.
Everyone seems to be talking about how he's acting like George Constanza from "Seinfeld" and I'd have to say that he is. But this isn't necessarily a bad thing. Actors aren't generally supposed to act like a million different things. Actors are selling themselves. A director looks for a certain look, a certain quality in the actor's voice, and checks to see if the actor can act. Jason Alexander is Jason Alexander and he's going to be himself when he performs. He was cast to be the character he has always been. He's not a character actor. He's not going to seem like an entirely different person with each show or movie he is in.
On one level, I can see where the casting of Jason Alexander as the Kornheiser character (similar types) makes a certain kind of sense. But, of course, that still begs the question as to whether it was worthwhile to develop this stale show in the first place. And while the character of George Costanza was often hilarious as a cog in the big Seinfeld machine, Jason Alexander, now carrying the whole load on Listen Up, is forced to trot out all his old tricks. But, in the end, all he's really good at is being loud.
It seems they are really only trying to develop two characters in this show, Tony and his daughter. The "son" has a handful of lines in each episode and is portrayed as semi-retarded or highly addicted to the wacky weed. The mother hardly says a word and seems overly passive towards her kids. If someone was walking down the street and saw this group of people together, they wouldn't think they were a family. The show hardly talks about sports (Gee, wouldn't you think that a show based on a sports writer would have something to do with sports). I give this show the rest of the season and then the Axe. Side note: The opening credits sequence....LAME. Feels like something out of the 80's.
Wusstest du schon
- WissenswertesMark Harmon had been in contention for the role of Tony, but he was deemed "way too good-looking" for the role. Tony Kornheiser, whose life was the basis of the show, was asked to read for the role, but the sportswriter turned down the offer, stating that he did not want to move to Los Angeles.
- Zitate
Tony Kleinman: [meeting former Seinfeld costar Wayne Knight] Boy, you look really farmiliar. Have we met somewhere?
Buddy: I can't imagine where.
Top-Auswahl
- How many seasons does Listen Up have?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Shut Up and Listen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen