Defenceless: A Blood Symphony

Nope. The arty pretentiousness of this movie does not make it an original horror film. Neither does its brutality (much of it poorly simulated) make it a edgy art film. But the combination of the two certainly makes it something - pure drudgery. This murder/revenge drama strains to be unique offering nothing more on its soundtrack than a musical score and some rather awkwardly dubbed screams. A prolonged and arduous torture sequence might stir some guilty giddy pleasure in those fond of exploitation, but by the time it occurs, it is likely such viewers will have long given up on watching. And those who might have appreciated its deliberate pace and elongated romance scenes are likely to be turned off by the sudden burst of graphic violence. Defenders of the film might argue that Defenceless does not play by the standards that have been set by horror films of the past and therefore is to be appreciated for being different. But originality is not a sufficient substitute for a well crafted drama.

This is going to polarize audiences because half the population out there hate nothing more than someone with a personal vision. The other half admire it. Reviews on here are positive so far, but this was slammed by Variety, and i can understand why. It's an unapologetic blend of high art and grotesque exploitation. You can't categorize it. The wife threatened to walk out of the Monday afternoon screening, but didn't make good on her threat. It took me a while to get comfortable with its dialog-free narrative, but I emerged a true admirer. The set-up is quite straightforward, although the complications mount. A woman, played by a beautiful Australian actress named Susanne Hausschmid (who was new to me), is murdered by real estate developers. She then takes revenge on them -- while dead. Yes, dead! Director Mark Savage hasn't made a film that will please all fans of bloody revenge movies because he's working from his own formula, not one thirty years old. The film has a strong French influence (a very Eric Rohmer-like seduction scene) and isn't possible to categorize. Is it horror? Partly. Is it art-house? Partly. For God's sakes, does it really matter? Do we have to know what it is? It's very different. And very explicit at times. Most importantly, it's highly individualistic. That's why it won't be loved by many. Nobody loves an orphan.

Art for arts sake. It's an original film that's weird and sexy and spooky. Mark Savage knows how to make a feature. I like that he pushes the envelope.

Have you ever wondered how a magician pulls off a trick?

If you watch "Defenceless", then expect to marvel in similar fashion, but do not expect any answers. Mr Savage has finally pulled a rabbit from his hat that has many of us scratching our heads. How did he do it? How on earth did the man manage to sustain interest for 98 minutes with no dialogue? Because Mr Savage has finally delivered a work which leaves us in no doubt as to the importance of story -- and what can be achieved in we concentrate on "the story". The story. And, still again, "The Story".

"Defenceless" reminds me of the origins of "story". When a tale was told with grunts by pre-historic men in caves. Stick figures on walls. No special effects, no adr, no computers. Just story.

How did he do it? By telling us a tale the old fashioned way. Not unlike the kind Hal Ashby and Bob Rafaelson used to tell in the sixties and seventies, but even they used some dialogue. Mr Savage does not use any. I love dialogue. Always have. Always will. I plot David Mamet like a nautical dove plots the course pf ancient mariners in times gone by. But, with "Defenceless", I did not need it.

The story was all.

How did he do it? Ask not. Any more than you would ask why pasta never tastes the same away from home as it does when you make it yourself. And, like a master chef, Mr Savage has finally delivered his piece de resistance: a meal fit for kings.

The wonderful thing is, that I suspect "Defenceless" is the "appetiser". The main course is yet to come. I am hungry for more, and in truth, cannot wait.

For those of you who enjoy venturing deep into the nastier things the horror realm has to offer, I think you may enjoy this. A film with some ultra-violence, VJ stabbin, penae mutilation, rapeyraperape, cannibalism....it's got the "good" stuff. A film that revolves around themes of revenge and "staying true to oneself in rough times"....(what's a word for that?....perseverance?). The kicker is, there isn't a word spoken in the film, besides I think a couple "Nooooo!"s. No dialogue in the film. And to come across as powerful as it did, is pretty commendable.

Personally, even though it's got everything I enjoy in horror I'm not going cuckoo over it. The acting, camera-work and length all bothered me. Basically because it is slightly amateurish. But overall and most importantly it's unique, and it'll be some time till I have difficulty remembering it. Definitely worth a view for the right viewer