Dead Man's Shoes

One of the most effective and emotionally-striking films to have come out of Britain in the last decade, talented indie auteur Shane Meadows has created another masterpiece with 'Dead Man's Shoes'. A gritty and unsettling tale of revenge set amidst a small Northern England town rife with small-time drug dealers and criminals. 'Dead Man's Shoes' truly shows Paddy Considine's acting talent as the grief-stricken brother who has returned home to settle the score with the guys who brutalised his simple-minded brother and sent him into a life of chaos. This is truly a powerful and emotional tale that I cannot get out of my head, one that lingers in your mind. A film definitely to be watched (if you can handle the depressing tone), Shane Meadows has created an utter masterpiece of British cinema.

It doesn't rely on CGI or explosions, small town, small budget but an epic film. The acting is superb, the plot is fantastic. I've rewatched several times now and it never gets old. A must watch. 10/10

This is not just a "kitchen sink" film. It's an thriller with an edge, a story and believable characters.

It is a fairly violent film, but that violence is given a realistic, documentary treatment, which is some ways makes it all the more shocking. There is no gore splatter, just cold, well-defined revenge. The trailer did leave me with the impression it was going to be much bloodier, but I feel that Shane Meadows got the balance right.

Paddy Considine's script is very good, and leaves enough room for the audience to be surprised at the next turn, and his portrayal of a vengeful brother is spot-on.

Provided they are happy with the lack of Hollywood polish, this is a film I'd recommend to any lovers of the thriller genre. It's well-paced and there are sufficient surprises to keep you guessing throughout.

Overall, it kept me well occupied and it gets a good 8/10 from me.

I was already a huge fan of Meadows' work (A Room for Romeo Brass, 24/7) before going to watch this film and had extremely high hopes for it. Another reviewer hit the nail on the head when he said he was manipulated from the off with deep anxiety and anticipation. It recently came out to rent on DVD and I must have watched it about six or seven times now and loved every viewing and there are very few films that I can say that about. It is superb, if you have not seen it, don't read on, just go and watch it. It is obviously not technically the best film of all time, but I don't care what anyone says, it has become my second favourite film ever made, its that good. My reasons for loving it are probably very personal, so excuse my if you think I'm overrating it. I showed it to my mates though and they all loved it.

SPOILERS AHOY Its a dark, yes very dark film, but Meadows has a knack of using humour to ensure his work is never miserable or too depressing. The scene where Sonny accidentally shoots his mate in the head with a sniper rifle is gloriously farcical. I even had to chuckle during the scene where Richard shows Herbie the mangled body of Tuff because of Paddys fantastic acting- 'D'ya wanna give 'im kiss?', 'D'ya want me t' shut it? yeah', unbelievable. The drug scenes are some of the most realistic I've ever scene; whoever suggests they aren't needs to go out and drop some trips and say that again.

Just like all his films (except Once Upon A Time In The Midlands), the soundtrack is spot on. Perfect songs used with impeccable timing create a distinct, moody atmosphere. All the acting is fantastic (even the little kids at the end) the improvisation works a treat and you genuinely feel as if you know these characters, or have met them somewhere before.

I feel sorry for anyone who didn't like this film, you really are missing out. There's a few small continuity mistakes, but I only noticed them after watching it a few times and you've got to be a miserable git to let that spoil the experience. Shane and Paddy (if you're reading this), you are the best thing to happen to the British film industry since Loach, forget cockney gangsters. I can't wait for 'Le Donk'. 'thtweet boys and girth'. 11 out of 10 from me.

On paper I can see the argument that there is little morally redemptive quality to a film like Dead Man's Shoes, no diamond polished by the end credits to reward an audience going through the trauma. But to actually sit through the film, and most importantly, to be subjected to another of Paddy Consadines' electric performances, is an extra-ordinarily vital, if viceral experience.

In 'A Room for Romeo Brass' Considines character shifted from comical to threatening in a truly unsettling way, although in the end his promise 'to go dark on you' is easily thwarted by the decisive action and confidence of a father-figure. In this film, again, there is some uncertainty on the audience's part as to how far the character will go, as until the end, we are uncertain of exactly what he is revenging.

Rest-assured, Considine delivers an absolutely convincing depiction of a man struggling to balance his desire for revenge and redemption, he invokes sympathy and fear from the audience in a performance to rival DeNiro in 'Taxi Driver'.

I judge a film on the value of the experience it gives you, and 'Dead Man's Shoes is more than worthy of your time.