Romanzo criminale

There is long tradition in Italian cinema in which the hero is a thief or a pathetic loser or a criminal or, like in "Romanzo Criminale" all three. Part of the tradition is to humanize the beasts, to give them feelings, to make us feel for them. Here we're giving an endless romance based on the real life Magliana band, a bunch of heartless, violent thugs that dominated the Roman gangland in the 70's. Michele Placido and his script writers concoct a confused and confusing document that is as annoying, tedious and opportunistic as it is long, endless really. There is, however, one big plus in its favor, the actors. They are given a sketchy draw of their perverse characters but they go for it with body and soul. Kim Rossi Stuart's tormented Freddo exudes a cutting pain that makes you think he has a conscience. Claudio Santamaria projects danger without even trying and the "Libanese" is played by an actor totally new to me, Pierfrancesco Favino, that gives the best performance by an Italian Actor in many, many moons. Riccardo Scamarcio has a face to launch a thousand ships but unfortunately no character and Stefano Accorsi is totally unbelievable in a character that is nothing short of absurd. Explosions, production values, American style editing, but very slow pacing, a brilliant dirty photography by the great Luca Bigazzi. What a pity that with all of this talent available the end result is so mediocre.

I read the book some years ago, and was really excited that a movie was going to be made out of it. The plot was just perfect and the characters strong enough to work well on screen. Well the movie is quite disappointing, and not because of the script, which in a way does work (except maybe for a foreign audience who will not catch all the political implications of the movie), but for Michele Placido's poor television style of directing and (mainly) for the choice of (most) the actors. These guys should be the worst criminals Rome had ever seen, people you would not have the guts to see in the eyes, but the actors chosen are all the cool and beautiful teenager idols of Italian cinema, surely good actors, but not in the right place this time. This movie could have been a great opportunity to finally export some good Italian cinema...i'm afraid we'll have to wait much more!

Romanzo Criminale is a strange movie. I'm most of the time quite critical about what I see, but about this particular movie, I can't quite seem to make up my mind. I can find a thousand faults to it : the limited storyline doesn't really develop the historical and political context, the actions is sometimes quite difficult to follow, the characters are totally cliché (the-bad-gangster-guyswho falls in love with the-beautiful-virgin-mary-reincarnation, the repented hooker, the good policeman, the really bad godfathers with all their money, the villa by the sea and the twenty-five year old wife. And yet I enjoyed it. It's not the movie of the year but there's a certain something that makes it different, that saves it from being a total mess and a failure, and turns it into a mysterious movie.

American movies have been chock a block with Italian mafia and gangster movie over the years, saturated with the usual clichés aping the genuine classics of the genre. This film, for me at least, is a novelty, an actual gangster movie by Italians based in Rome (Italy).

The film covers the sharp rise to the top by a small tight group of street gangsters, who become the top dogs of the Roman underground world of drugs, prostitution and hit-jobs. The group is really three friends going by their nicknames, and as ever they are surrounded by a large cast of fellow criminals and hoodlums. At the same time they are being hunted down by a dogged policeman who enters a romantic triangle with a beautiful and cunning prostitute who happens to also be the love interest of one of the gangsters. Tricky situation if ever there was one!

The film sweeps from the 70s up to the 90s and follows the characters, showing their self-serving and amoral attitude, but as time unfolds their loyalty is tested to the limit as is their commitment to not only their criminal world but to each other as well.

For me, this film was interesting and clever. The story maps out the main characters identities well, and seems to steer clear of general gangster clichés. I can only recall one mention of the Mafia by name, whilst most of the action took place at the street. The film adds the surprising element of govt/state collusion with the gangsters, but never places a heavy hand on this. The acting was superb especially by "Ice" and Patrizia, but the rest follow suit very well, and it is hard to knock anyone in that respect, whilst the Italian setting adds its beautiful character as the background setting.

On the other hand, the film does fall down on a couple of points. The story seems to move away from the gangster story to soap opera at points with vengeance the main game and plot. Business matters seems to disappear into thin air. Also, the large cast is great to have, but sometimes hard to keep up with who is who, and also what they are doing. More development of certain of the characters would have helped, although I don't want to criticise too much as the cast were excellent as it is.

Overall, a film that is a great interesting and intelligent film, but misses out on being the great modern Italian gangster film that it maybe was aiming for. As in the real world, it appears that the foreign equivalents (e.g. City of God for Brazil) have taken over from the old Italian masters, but a comeback is not out of the question, and hopefully this will be the first of a new burst of quality film making from the Italians.

I confess I'm not Italian and don't really have a grasp on the historical significance of the 70's in Italy though I read Moravia's A Time of Innocence (I believe that was the English translation title) and liked it. The movie looked like it was made in contemporary times and the few references to the 70's were confusing as nobody looked like they did in that period. Given that, I loved the style, color, photography and editing and found the plot absorbing and the actors great for the parts. I haven't seen the extended version, don't know what it includes, but would like to, since I was never bored for a minute and it could have been longer as far as I was concerned. Kim Rossi Stuart was great, as were the other members of the 'band', though yes, he seemed out of his element playing a 'cold-blooded' killer. But his sensitivity and decline at the end worked for me. The other guys were great, as was Anna who played Patrizia. She was pretty stunning to look at and believable - when she was on the screen my eyes never wandered. The movie reminded me of Soavi's Uno Bianca in its hypersensitive style, which I loved, though Romanzo wasn't as tight or as suspenseful, I guess. And it wasn't scary either like Soavi's Ultima Pallottola. I don't know if it makes me shallow or what, but I liked the glossy, model feel of the movie a lot. Like I like Soavi's work. For my eyes it was a cinematic feast. Its apparent failings pointed out by other reviewers as a faithful adaptation of the material about the times didn't so much matter to me as I don't know that much about them anyway. I just enjoyed the movie as if it were taking place today and I think others like me might too.