Handbuch der Liebe

It's a very well-made light-hearted, romantic comedy consisting of several small stories sorted out by the different stages of relationships. The stories were told in such a fluid way that you don't feel disturbed by the director's chronically linear view on relationships, although the figures in different stories were connected in a way or another.

The outstanding performances from every actor in this film also makes the everyday love stories naturally telling. Although the audience can share lots of jokes about relationships in this film, I also like that sometimes the actors talked to the audience directly through the camera. This is a skillful technique to get the audience's empathy and involvement.

Brava & carina - this film is surely very entertaining.

the funniest scenes are in the second story when the couple having difficulties go to visit relatives who have a new baby. The admiration the baby receives is so exaggerated, the disgust . . . well no point in spoiling it. Most of the audience when I went were young Mexicans who were identifying with the characters in the first story but I didn't get hooked until the second one. The problems with parking guards who give fines, arrange for cars to be hauled off etc was probably funnier to the Italian audience but traveled well across the border. The "moral" of the last story was one I wish I'd learned sooner. All in all a very enjoyable evening's entertainment.

Considering that Italian comedy is kind of limited to 2 or 3 movies during the Christmas holidays,and that some of them are quite good (the ones with Leonardo Pieraccioni and Aldo,Giovanni & Giacomo)and some aren't (the Boldi & De Sica-movies),Manuale d'Amore was a bit of a surprise: released in March 2005,with a quite unknown director(Giovanni Veronesi,better known as a screenwriter,who was also behind Che Ne Sarà di Noi),a famous cast although only two actors were professional comedians (Carlo Verdone and Luciana Littizzetto),and a 4 episode-plot,reminiscent of classic Italian comedies,as well as Verdone's early films.

The story is simple but interesting,as it shows 4 different phases of love: 1.Tommaso (Silvio Muccino) falls desperately in love with Giulia (Jasmine Trinca)and spends the rest of the episode trying to get her; 2.Marco (Sergio Rubini) and Barbara (Margherita Buy) are a married couple in the middle of a crisis,and the whole situation is made funnier by the fact that the two actors were married in real life; 3.Ornella (Luciana Littizzetto) finds out that her husband is unfaithful and swears revenge; 4.Goffredo (Carlo Verdone)is suddenly left by his wife and tries to go on with his life,which won't be easy.

Veronesi tells the story in a very classic way (there are even characters commenting the events straight to camera),without using too much bad language (typical of the mediocre Christmas comedies)or any scenes of graphic nudity.

The cast is excellent: Muccino is one step closer to the stardom he deserves,Trinca,Buy and Rubini should do more comedies,while Littizzetto should do more movies. The real surprise,however,is Verdone,whose mature portrayal of an abandoned husband is miles away from his early,sketch-originated characters.His episode is a perfect mix of comedy and drama,and he deserved every bit of the David di Donatello he won for his performance(Best Actor in a Supporting Role).

So,if you want to watch a good Italian comedy,Manuale d'Amore is recommended.

A flaw that I feared before watching this movie was stereotypes about love, like men playing tricks on women to conquer them or betrayals with best friends. As a matter of fact the movie is divided into various parts, each one describing a stage of love: falling in love, crisis, betrayal and abandon. The different mini-stories are tied with each other by characters who are somehow related and the end of the movie connects with the beginning as an ideal circle. Despite the same old stories about relationships and developments of love stories, this movie has anyway some good aspects. For example, each actor plays his own repertoire, displaying their qualities in what they do best and for what they're known for. The best sketches, in my opinion,are made by Goffredo, played by Carlo Verdone, and Marco, played by Sergio Rubini, who offer the sense of humor shown in their own movies.

This is a fine Italian comedy that I would recommend to anyone. The movie is about the several steps of love relationships: falling in love, crisis, infidelity, parting. Each of these four steps is represented by a couple: Muccino-Trinca fall in love, Rubino-Buy are on the verge of disaster, Abbrescia is unfaithful to Littizzetto (and vice versa), while Verdone is mad about losing his woman (but will finally fall in love with another one, thus closing the circle).

The feature is structured in almost separate episodes, which is a reference to many "commedie all'italiana" of the '60s. Nevertheless the stories are ingenuously linked among each other and the writing is so skillful that the movie never loses its pace. Plus, it is very well acted. Verdone and Buy are almost perfect, and so is Littizzetto. (This actress became famous thanks to TV shows, but is actually very good and definitely deserves to play a dramatic role to show how credible she is and how versatile).

Verdone proves brave by accepting a character both ridiculous and tragic. He is a physician who has been abandoned by his wife and tries to re-build his life out of its pieces. Maybe the script is a bit excessive here, as it is not clear whether we have to laugh at or identify with him. Anyway he redeems himself in a beautiful ending almost reminding of "La dolce vita"'s.

The episode that I liked the least is the first. It avoids most of the stupid clichés of Italian comedies for teenagers, but why then all those swearwords? They are just annoying and don't add anything to the story and the characters. Plus, the episode is kind of unrealistic.

Obviously, this is not a revolutionary movie, but it is very funny and, most of all, not spoiled by silly character parts as so many Italian movies are.