Vital

I think whoever listed this as a "thriller" was going by the plot description rather than the actual film, in which an amnesiac medical student spends several months dissecting his ex-girlfriend at the University. The student is taciturn, is followed around by another, infatuated medical student, and because to have memories of his ex. And that's pretty much the movie. It is deliberately paced and at times purposely opaque.

The director has at times a film students fondness for meaningless composition, notably in an early scene in which the students parents stand perfectly still and converse. This sort of statues-holding-deadpan-conversations work well in Hal Hartley movies, but they feel a bit pretentious without Hartley's humor. The opening jittery camera-work also seems like something a film student would do. This sort of thing put me off, but the movie did generally keep my interest, becoming slightly more involving and less pretentious as it progressed, and in the end I feel okay about sitting through it, although I can't say I'd give it a strong recommendation.

I normally watch films with no expectations or anticipation of what they have to offer but I wish I'd done some background reading on "Vital" before I settled down to view it. Expecting a horror film, I was left disappointed. Described as a thriller, I didn't find "Vital" particularly thrilling or attention grabbing.

While the film is beautifully shot, the movie relies on mood to keep the viewer engaged with what is unrolling on the screen. In the end, though, it's a somewhat confusing meditation on death and left me feeling more than a little frustrated.

6 out of 10. This is a stylish entry in Asian cinema but it lacks substance. I've no doubt it will delight some viewers but it will frustrate in equal measure.

This movie was a strange experience, I started watching what I thought was a horror movie and ended up watching a tough "hard to swallow drama".

This movie should get, at least, 7 stars for originality! I never saw anything like it. The idea was genuine, the characters were creative and the set was very appropriate and perfectly matched every scene. It has a great photography, high quality images with nice shooting angles helping and transmitting the feelings and emotions connected with each character. From the technical point of view the only inferior element was the soundtrack, which didn't quite caught my ear.

However, the plot and its progression is a total different subject! I had a hard time understanding where the flashbacks ended and started and this movie has lots of them! Then, the main character's individuality was very peculiar, I mean, too peculiar, it just turned my head around and made it very hard to understand what was going on, what was he feeling and, thus, where the movie was going... Depressive thoughts and activities are splattered all over the movie, the main character has a hard time distinguishing reality, imagination, memories and dreams, and so do we...

From a subjective point of view, the movies theme was too depressing and it's just not my style. From an objective point of view, the plot could have been delivered in a more proper way.

In spite of all flaws, the movie did entertain me and I couldn't leave my sofa until I knew how this confusing and strange movie would end.

as usual, tadanobu asano provides a subtly seizing performance as a medical student who returns to school from a car accident that killed his gf (an extremely attractive yet horrible dancer). the med student has lost some of his memory, but is searching for answers which arrives in the form of flashbacks. during an autopsy, he discovers that his cadaver is his former gf, and he mentally struggles to regain his composure during a surreal and trippy ride in his mind.

unlike some of the director's earlier works, this film does not spazz out with an inordinate amount of guitar fuzz and headache inducing images (but there are still some bizarre images of smokestacks integrated with migraine inducing punk rock for a few fleeting moments). instead, the film focus on the medical student's more subtle descent into confusion and then enlightenment as he struggles to regain his memory and make peace with himself.

in the midst of the med students flashbacks, another sexually bizarre med student (another extremely attractive woman) courts tadanobu.

if you're squeamish and wouldn't watch HBO's "autopsy" program, then i would not suggest this movie to you.

This film really gave me an impression and was for myself a very memorable experience.

Like many others i was also quite surprised about the emotional and gentle character of this film. Before starting to watch i prepared myself for something extreme and uncompromising like i experienced in many Shinya Tsukamoto's films. But that is a good thing for this film; making it possible to reach a broader audience. And it definitely deserves it.

Technically this film is superb. Lighting and camera were excellent .. and the colors ... Sound design and music weren't that demonstrative but still played, in a subtle way, an important role. Acting was also impressive. Tadanobu Asano, one of my favorite actor since Ichi the killer, was a perfect fit. Nami Tsukamoto was very scary, in a good way ;). But she doesn't have a record at IMDb yet. I wonder why .. her acting was very promising. And letting Kiki perform modern dance was for the atmosphere and art-style a very good idea.

To sum the story up, by leaving all the artful details behind, you could say it is about the painful yearning for the loved one. This was extremely good implemented. Just everything, art, sound and acting supported the presentation of this yearning.

This is one of those films you don't simply watch. You have to experience them.