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Vital

Originaltitel: Vitâru
  • 2004
  • 16
  • 1 Std. 26 Min.
IMDb-BEWERTUNG
6,7/10
3563
IHRE BEWERTUNG
Tadanobu Asano, Kiki, and Nami Tsukamoto in Vital (2004)
DramaThriller

Füge eine Handlung in deiner Sprache hinzuAfter a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a book... Alles lesenAfter a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a book about dissection, he decides to join the medical school with the support of his parents. ... Alles lesenAfter a tragic car accident where his girlfriend Ryôko Ooyama (Nami Tsukamoto) died, Hiroshi Takagi (Tadanobu Asano) suffers amnesia with his memories completely blanked. When he sees a book about dissection, he decides to join the medical school with the support of his parents. In the dissection class, his group participates of the autopsy of a young woman, and while... Alles lesen

  • Regie
    • Shin'ya Tsukamoto
  • Drehbuch
    • Shin'ya Tsukamoto
  • Hauptbesetzung
    • Tadanobu Asano
    • Nami Tsukamoto
    • Kiki
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,7/10
    3563
    IHRE BEWERTUNG
    • Regie
      • Shin'ya Tsukamoto
    • Drehbuch
      • Shin'ya Tsukamoto
    • Hauptbesetzung
      • Tadanobu Asano
      • Nami Tsukamoto
      • Kiki
    • 24Benutzerrezensionen
    • 60Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 3 Nominierungen insgesamt

    Fotos2

    Poster ansehen
    Poster ansehen

    Topbesetzung67

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    Tadanobu Asano
    Tadanobu Asano
    • Hiroshi Takagi
    Nami Tsukamoto
    • Ryôko Ooyama
    Kiki
    • Ikumi
    Kazuyoshi Kushida
    • Hiroshi's father
    Lily
    • Hiroshi's mother
    Hana Kino
    • Mrs. Ooyama, Ryôko's mother
    Gô Rijû
    • Dr. Nakai
    Jun Kunimura
    Jun Kunimura
    • Mr. Ooyama, Ryôko's father
    Ittoku Kishibe
    • Dr. Kashiwabuchi
    Takashi Akiba
    Toshiki Ayata
    Kazuko Emura
    Asako Endô
    Kuniko Fukuda
    Takashi Furuya
    Masahiko Gunji
    Noboru Hara
    Tomoyuki Hashimoto
    • Regie
      • Shin'ya Tsukamoto
    • Drehbuch
      • Shin'ya Tsukamoto
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen24

    6,73.5K
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    Empfohlene Bewertungen

    5darkforcepet

    Obscure, confusing but entertaining

    This movie was a strange experience, I started watching what I thought was a horror movie and ended up watching a tough "hard to swallow drama".

    This movie should get, at least, 7 stars for originality! I never saw anything like it. The idea was genuine, the characters were creative and the set was very appropriate and perfectly matched every scene. It has a great photography, high quality images with nice shooting angles helping and transmitting the feelings and emotions connected with each character. From the technical point of view the only inferior element was the soundtrack, which didn't quite caught my ear.

    However, the plot and its progression is a total different subject! I had a hard time understanding where the flashbacks ended and started and this movie has lots of them! Then, the main character's individuality was very peculiar, I mean, too peculiar, it just turned my head around and made it very hard to understand what was going on, what was he feeling and, thus, where the movie was going... Depressive thoughts and activities are splattered all over the movie, the main character has a hard time distinguishing reality, imagination, memories and dreams, and so do we...

    From a subjective point of view, the movies theme was too depressing and it's just not my style. From an objective point of view, the plot could have been delivered in a more proper way.

    In spite of all flaws, the movie did entertain me and I couldn't leave my sofa until I knew how this confusing and strange movie would end.
    6therealmusashi

    Not quite there yet...

    I was mostly disappointed with this film. I'm a fan of Tsukamoto's other work, and while this film indicates his growth as a director, and has a strong cast, I felt it had issues with pacing, and a pretty dissatisfying ending.

    Asano Tadanobu, normally an engaging lead, seems to be coasting through this film, brooding, mainly. Of course, maybe that's how his character was written, but I found myself wondering when it would pick up in several places and unable to identify with him.

    Kunimura Jun is wonderfully powerful as Ryoko's father, and I wound up wishing he was more of a central character. I also felt Ittoku Kishibe, who can conjure a truly menacing screen presence, was rather wasted as Dr. Kashiwabuchi.

    There are some interesting philosophical questions raised, but they are never really addressed or explored fully. I guess I'm also getting tired of the "I don't know whether I'm dreaming or awake" cliché in many movies in this genre. Plus, it's a little ham-fisted to have a character just come out and say that.

    Vital contains a few interesting scenes involving a dance, and some of Tsukamoto's signature music video-style strangeness in a few places, but in summary, a slow, dark film with no real scares or thrills.
    6cherold

    odd contemplation of life and death

    I think whoever listed this as a "thriller" was going by the plot description rather than the actual film, in which an amnesiac medical student spends several months dissecting his ex-girlfriend at the University. The student is taciturn, is followed around by another, infatuated medical student, and because to have memories of his ex. And that's pretty much the movie. It is deliberately paced and at times purposely opaque.

    The director has at times a film students fondness for meaningless composition, notably in an early scene in which the students parents stand perfectly still and converse. This sort of statues-holding-deadpan-conversations work well in Hal Hartley movies, but they feel a bit pretentious without Hartley's humor. The opening jittery camera-work also seems like something a film student would do. This sort of thing put me off, but the movie did generally keep my interest, becoming slightly more involving and less pretentious as it progressed, and in the end I feel okay about sitting through it, although I can't say I'd give it a strong recommendation.
    6DVD_Connoisseur

    Vital viewing for genre fans or a confusing art-house offering?

    I normally watch films with no expectations or anticipation of what they have to offer but I wish I'd done some background reading on "Vital" before I settled down to view it. Expecting a horror film, I was left disappointed. Described as a thriller, I didn't find "Vital" particularly thrilling or attention grabbing.

    While the film is beautifully shot, the movie relies on mood to keep the viewer engaged with what is unrolling on the screen. In the end, though, it's a somewhat confusing meditation on death and left me feeling more than a little frustrated.

    6 out of 10. This is a stylish entry in Asian cinema but it lacks substance. I've no doubt it will delight some viewers but it will frustrate in equal measure.
    8mononoke1

    Brief review

    After the surrealness of the Tetsuo films and the blue filters and voyeurism of Snake of June, I was not sure where Tsukamoto would go with this film. I saw it as part of the London FIlm Festival and it was one of my favourite films.

    The story is of a Hiroshi (Asano Tadanobu) suffering from amnesia (as a result of a car crash in which his girlfriend dies) slowly regaining his memory through performing an autopsy on her. It raises questions on the nature of the self and how mutable it is.

    For example, Hiroshi was pressured in to becoming a medical student, but he rebelled and became a drifter. After the crash he loses his recent memory, but he is inexplicably drawn to study medicine. Is this the call of his nature or a way of healing? Once the trauma's of teenage years are stripped away and we return to the core of the self before social conditioning steps in, are we more innocent or closer to what we can become? All this may sound very deep, but this film is all about childhood/innocence and the self in my opinion.

    Pretty different from the other three films mentioned above, but still has lots of blue/grey filters and an extremely acute sense of sound. Some of the autopsy scenes have some wonderful slurping noises and tension that really set me on edge.

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      Blue Bird
      Written by Cocco

      Performed by Cocco

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    Details

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    • Erscheinungsdatum
      • 11. Dezember 2004 (Japan)
    • Herkunftsland
      • Japan
    • Offizieller Standort
      • Official site (Japan)
    • Sprache
      • Japanisch
    • Auch bekannt als
      • 死亡解剖
    • Produktionsfirmen
      • Japanese Agency for Cultural Affairs
      • Kaijyu Theater
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    Technische Daten

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    • Laufzeit
      1 Stunde 26 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
    • Seitenverhältnis
      • 1.85 : 1

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