Baramui paiteo

I watched this movie the other night, but i found it quite enjoyable. While I will agree that though there are enough fights, they aren't nearly long enough. But the length of the fight isn't what makes them good, it's how well they're done with the time given. Like if you're going to throw a punch at someone, but stop yourself only centimeters from your target, proving to everyone that you have defeated him and he was powerless to stop you, well that is pure quality right there. I loved the main character. He willingly put himself through hell with his training, and became one of the most focused and determined fighters i've ever seen in a movie The story wasn't the best, but i still found this movie fun

I was impressed and satisfied with Fighter In The Wind. Most martial arts movies tend not to be very serious, but in terms of grit and realism, this was one of the few martial arts movies that maintained complete seriousness throughout.

Apparently, it is biographical of a real karate master, which I didn't realize until the end. It is also apparently based on a comic book version of the story, which in hindsight is easy to see in the colorful and visually well-arranged cinematography. Many different environments, landscapes and buildings are encountered in the course of the story, and they are all beautifully presented. The director is a master at his craft.

Baedal's geisha girlfriend, played by Aya Hirayama, is absolutely stunningly beautiful, and the movie is worth watching just for her. But it is a good movie in its own right, with a good portrayal of the Korean minority in Japan just after World War II. Although parts of the story and characters lack depth, I do find the movie generally satisfying, except in one respect: As the other commentators point out, it doesn't have a great deal of fighting, and the fights it does have are brief and relatively unimpressive - all the more so because Baedal apparently doesn't use any specific style. It doesn't ring true, either, that he gets to challenge every kind of martial arts school, from karate to judo and others. Would such schools accept challenges from someone with such an unspecific fighting style? I doubt it. But, I'm no expert on this.

In any case, despite these flaws, I think the overall style of the movie is very well made, and I enjoyed it a lot. I'd definitely recommend it to any fan of martial arts and action movies.

My rating: 7 out of 10.

'Paramui Paito (Fighter in the Wind) is based on the events in the life of legendary Korean martial artist Choi Bae-dal. Or more precisely, the film is based on the comic book based on the martial artist's life _ a difference that can be felt throughout this entertaining but factually suspect movie.

The first of a handful of local films about famous Koreans who lived during the Japanese occupation period, ''Fighter in the Wind tells of the early part of Choi¡¯s life, how he sneaked into Japan in the late 1930s in hopes of becoming a pilot, joined the martial arts community there, and after training by himself in the mountains for 18 months, came down to become the top fighter of that country.

The film offers a seemingly sentimentalized version of the same story, especially playing up the outsider aspect of Choi's experiences, of his being a Korean in Japanese society. Given the story's xenophobic elements, which include evil yakuzas exploiting Koreans, it will be interesting to see how a Japanese audience responds to the film when it gets released there as planned.

''Fighter¡¯s best moments hint at the moral complexity of films like ''Raging Bull,¡¯¡¯ Martin Scorcese¡¯s boxing masterpiece. At first, Choi¡¯s motivation to become Japan¡¯s best seems to be connected to righting injustices felt by Koreans in Japan, but as he travels to martial arts schools enduring punishment after punishment, it becomes less clear as to what he is trying to prove.

But such insights are all too brief in the film, which is so heavy on the melodrama and action that it's difficult to take too seriously. By the end, the story resembles a kung fu film from Hong Kong, complete with a geisha girlfriend (Ara Hirayama), who tries to turn Choi into a lover not a fighter, and elder statesmen of the Japanese martial arts community who will go to any lengths to keep a Korean from becoming Japan's best. It's not the most inventive of plots, but the film keeps it entertaining throughout.

Singer and actor Bi (Rain) was initially cast for the lead role of Choi but had to pull out due to schedule conflicts. It¡¯s a good thing too, for the rail-thin pop singer wouldn¡¯t have been able to take the physical punishment the role required.

Instead, we get Yang Dong-geun, a burly actor who plays the part to near perfection. It¡¯s refreshing to see this young and talented actor take on a substantial role for a change, and he brings to ''Fighter the necessary savagery and physical presence to make it work.

i cant believe the comments made about this movie!this has to be Korea's best output in the martial arts genre since musa!!the fights certainly pull no punches you can hear heads and bones crunching!!i suggest you take another look and as you will see this a fine movie!!acting is good,the locations brilliant as the camera takes you around ghetto's to the wondrous scenes in the mountains,the training he puts him self through would make rocky balboa blush!!!the ice climb is excellent,you also get a feel for the period,this guy took no prisoners i can tell you,don't be put off from some reviews see this as a ruff n tumble session of extreme!!the last shot has to be seen to be believed!!!10/10 for a real gem of the martial arts kind!!!

I believe that this is one of the best movies to come out Korea in along time. It has got heart and soul and you can see that the director and the cast really care about bringing to life this story of one of the greatest martial artist in history. However despite how much I enjoyed this film there were a few flaws.

First some emotional parts in the story moves to fast and there are scenes f Korean and Japanese customs (such as shaving his eyebrows) that we don't understand and we are not given an explanation to. Another thing is that some moments of this movie are incredibly exxagerated and some are just made up for the movie. I don't understand why they did this since Oyama Mas had an amazing life without all the made up scenes.

Last is the action, I hear that most people didn't like the action because the fight scenes were short and brutal. However because I do martial arts and know a lot about Oyama Mas I believe that this was the right way for the movie. This is because Oyama never did any soft kungfu which you see in most movies these days, He did hard taekwondo and later created kyokushin karate and he always tried to finch his opponent with one punch. combat is not a dance where you can predict each other movements.