American Gun

Character study interweaves different American's particular situations dealing with guns, and although there are some heartfelt moments and subtle touches of authenticity, this movie generally wastes the majority of it's time trying to get viewers involved with characters that are inadequately portrayed, with direction that is competent at best. While there are moments of surprising observation and relevance, throughout the movie most of these character's barely make a register on the viewers emotions due to the detached approach the filmmaker choose, I suppose as an attempt to emulate realism and lend the film some depth. Unfortunately, this backfires, as Avelino simply does not have the ammunition suitable to deliver the riveting drama he attempts here. While a few of the stories retain slight interest, no doubt due to the sometimes worthwhile cast, at least half of the plot here veers off to a tangent that really has no substance in dealing with the topic at hand, or the characters underlying emotions. Sutherland's chapter in particular seemed like a total throwaway for this movie, and completely under-utilizes the actor's immense talent. All and all, this is not a terrible movie. It addresses at least a few painful gun related issues lingering around the American psyche, but unfortunately it addresses these issues in a completely flat and unengaging way.

From the first time I heard about the movie, I've been waiting to see it. I finally saw it earlier tonight after begging my mother to order the movie on DEMAND. Like my title implies, the film ended too soon. I knew beforehand that it was only 95 minutes, but that's way different than actually watching it.

The characters - no matter how awful or sweet - somehow makes you love them in one way or another. You can't help but me sympathetic to each situation, because every character has something to offer. You will walk away learning something, no doubt.

To the ones who say they're tired of intertwining stories or whatever, this is one of the best films you could ever hope to witness with your own two eyes.

This movie is a true tale. I live like these characters almost everyday and I know people like that. So please give it a chance before you rag. I promise you won't regret it.

I watched Crash. I thought it was decent. Oscar worthy? Absolutely not. I watched Babel. I thought it was absolutely terrible. If you go to the comments on that movie, you will find what I wrote about it. I watched Magnolia. Another decent type of these, but nothing I would watch over again. All of these movies got quite a bit of notice. Whether they deserved it or not, I don't really know.

But what I do know is that American Gun deserved some serious attention. This movie, which clearly had a lower budget than all of those other movies, was the greatest film of the multiple stories genre.

Maybe it's just because I don't consider "racism bad" a good enough message in a movie for the past two decades (except American History X); I think gun violence, especially in high schools, is one of the most important issues in our country. This movie just managed to get under my skin and rip out emotion from me a lot better than most movies I have seen. This movie should have received the Oscar that Crash won. It was completed before Crash. Forrest Whitaker alone is better than every actor and actress in Crash combined.

Few films pull off the loosely connected people style very well. It annoys me when a movie filled with A-list celebrities gets noticed because of it. American Gun is one of the few that didn't get that notice and deserved it.

"American Gun" is an amazing, quiet movie that packs so much into an hour and 37 minutes. It's about the lives, ones of desperation and defeat, that different people around the nation live with every day, ones affected by guns.

Marcia Gay Harden plays a single mother whose son participated in a shooting at his high school and was killed. Even though that was years ago, she lives trapped in that time, that single moment that shaped her life and her younger son's life forever. For anyone who heard about the tragedy at Columbine, saw the footage and were outraged, for anyone who thought, "What were the parents doing? Why didn't they stop those children from taking guns into that school?" this movie shows the other side. And will make you think.

Linda Cardellini is a college student who works in her grandfather's (played by Donald Sutherland) gun shop. She's uncomfortable around him, around the shop, but family obligation keep there day after day.

Arlen Escarpeta plays Jay, an African-American high school student who carries a gun to school. But he's also a straight A student and takes care of his mother and younger siblings.

At the heart of this movie is Carter (Forest Whitaker), a principal at Jay's high school, a man who is there to make a difference. He talks to those kids, he tries to make them understand there's more to life than guns and gangs. He's so dedicated that sometimes he neglects his own family to help others.

There are no easy stereotypes in this movie, no pat answers. No one is simply one thing. The main characters are real, sometimes unrelentingly horrible, sometimes kind to each other. Whether you are pro or anti-gun, this movie will make you question what you believe and give you something to think about.

Another hard-hitting and thought-provoking drama. Director Aric Avelino examines guns from the perspective of four separate stories: Marcia Gay Hardin as the mother of an Oregon teenager who shot up his school, Columbine-like, and faces guilt and blame and scorn from neighbors, and worry about her other son, who is now the same age as the other brother when he performed his murderous act and suicide; an inner city school principal (excellently played by Forest Whitaker, who I was pleased to see won an Oscar last week for his role as Idi Amin in LAST KING OF Scotland) trying to stay on top of the school's anti-gun policy, with Arlen Escarpeta as an A-student carrying for his mom and family who feels he needs a gun for protection while walking to/from school; Tony Goldwyn as the cop who first arrived on scene at the Oregon school shooting and who faces community/media criticism for delayed response (again, very much based on Columbine); and Linda Cardellini who shines in a very convincing performance as a west coast girl displaced to a Virginia college who is working in her granddad's (Donald Sutherland) gun shot. All of the performances, in fact, are striking and through them the picture really has an emotional impact. The film, without comment, portrays these differing views of gun ownership, gun violence, school shootings, guilt, blame, etc., very nicely filmed and beautifully portrayed, its vignettes and its style leaving the viewer to establish their own viewpoint and opinions. The film keeps its personal viewpoint quiet, instead simply portraying a few aspects of American life impacted by the consequences of guns. Like American HISTORY X, I found this to be a provoking and stimulating drama about reality, choices, consequences, and inevitability, peopled by honest and real characters, superbly portrayed and beautifully composed.