Die Bienenhüterin

I'm not sure why this film got such a bad rating....it's truly one of the nicest films I've seen in a long time! I brought my daughter to see the movie today -- we both had tears in our eyes throughout the movie. The acting was superb, as was the casting. Normally I like to read the book before seeing a movie, as usually the book is so much better. I am glad that my daughter talked me into going to this movie. I think cinematically, it was one of the prettiest movies I've seen in awhile. You are taken from laughing one moment to feeling as though your heart is being tugged out of your body in the next moment. I will definitely be recommending this film to my friends!

These are cynical times, and the U.S. is still struggling with it's feelings on race, even today. The more of these types of movies, the better. Simple human love comes through in every frame. After a summer of superheroes and sex humor comedies, this was the most life affirming and refreshing film I've seen so far this year. If the academy doesn't recognize some folks from this film, they'd be remiss. I smell Oscar all over this film. Queen Latifah was wonderful as usual. Sophie Okonedo played an emotionally damaged woman with perfect pitch and demeanor. Paul Bettany's performance of the alternately hurt and hurtful father was a challenge. You needed to both hate him, and sympathize with him for the role to be effective, and I thought he pulled this off well. Just simply a moving story, a great script, top notch acting, and all beautifully shot. I place it in the must see category.

It's been two years since we last saw Dakota Fanning on the big screen here, in a film which was a adaptation of the literary classic Charlotte's Web. And what a career it had been for this child actress, now an adolescent, to have grown from scream queen (no thanks to her stint under Spielberg's War of the Worlds) to one controversial role in Hounddogs, which I doubt would make it to our shores here.

Based on a novel by Sue Monk Kidd and directed by Gina Prince-Bythewood, The Secret Life of Bees is one powerful drama above love and the looking for love, as well as running along the theme of forgiveness and reconciliation. It's easy to dismiss this as a chick flick because of its predominantly female cast, but that would be a mistake to make in making it an excuse to miss this film altogether. For all its worth, it's chock full of extremely well delivered performances from veterans such as Fanning herself, together with Queen Latifah, Jennifer Hudson (proving that she's no flash in the pan), Sophie Okonedo, Paul Bettany and even Alicia Keys!

Set in the time of Summer in 1964 Southern USA where the Civil Rights Act was just signed and in effect, the sentiments amongst the racist bigots still run high in a charged environment still hanging onto their old segregated ways. Fanning's Lily Owens carries the weight of her guilt buried deep in her subconscious from a tragic event that happened when she was four, and ten years later, after receiving the last straw of punishment from her abusive dad (Bettany), runs away with her caretaker Rosaleen (Hudson).

As if led by an invisible hand, they soon find themselves under the extreme goodwill of the Boatwright sisters, who earn a living through the cultivation of bees for honey, and a series of incidents that bring about some tying of loose ends, and the discovery that these strangers do tie back to Lily's own quest to finding out the truth about her mom, to debunk the lies as told by her father. And of course this allows opportunity for some serious girl power bonding between the characters as they find that they have a lot more in common, as well as the sharing and spreading of love through their ranks.

The trump card that this movie has, is the excellent performances by the ensemble cast. Fanning leads the pack and gives a wonderful moving performance as the gangling Lily, who thinks that she's quite a jinx with plenty of bad karma to go around, bringing about unfortunate happenings to her hosts which provide the dramatic twists and turns to what would otherwise be a flat movie. Jennifer Hudson had much to do in the first act, though her character got quite muted by the time the trio of the Boatwright sisters August (Latifah), June (Keys) and Okonedo (May) come along. Queen Latifah brings about some serious gravitas in her role as the eldest with the largest heart, and you cannot deny her chemistry with Fanning. Keys on the other hand plays the sister the exact opposite of August, being aloof and starting off with intense suspicion as to the intent of their guests. And Okonedo's role could probably be the most unorthodox of the lot, a fragile soul who has her own wailing wall to deal with the harsh realities of life.

The Secret Life of Bees is well worth the admission ticket, and you'll be hard pressed not to be touched by the film, or moved by the themes it explores, especially when the third act comes by leading to quite a number of powerful revelations and a solid conclusion. Set against its intended backdrop, it's a reminder of tolerance, which the world lacks these days, and of course it's not always hammering in such heavy themes as it has its fair share of romance as well, and for what it's worth, Fanning has her first on-screen romance in this movie, and if I'm right, has her first on-screen kiss as well.

You might be surprised when I say this, but this film has won me over enough for it to be considered as a contender when I shortlist my list of ten top films of the year. Definitely recommended!

Writer/Director Gina Prince-Bythewood, winner of the Independent Spirit Award for Sundance hit, "Love & Basketball," has now brought the beloved, acclaimed best-seller, "The Secret Life of Bees" to the screen.

1964, South Carolina. Lily Owens (played with open-eyed honestly by Dakota Fanning) is raised in a loveless home by her cruel, distant father. Fourteen year old Lily longs for a mother she never knew. When her only friend, their black maid Rosaleen, is assaulted in a racist incident, the girls are forced to go on the run.

Lily and Rosaleen end up on the doorstep of the Boatwrights, the black sisters who own a successful honey farm. Lily concocts an elaborate lie to persuade the maternal August Boatwright (played with warm dignity by Queen Latifah) to temporarily take them in. They are met with some resistance from the guarded June (Alicia Keys), a classical cellist and civil rights activist. But they are welcomed enthusiastically by the open-hearted May (played with touching vulnerability by Sophie Okonedo). They soon find that hyper-sensitive May is moved to tears by the mention of anything sad.

August teaches Lily how to tend the bees, and May whole heartedly embraces both girls. They are soon accepted as part of the family. But Lily still needs to find the truth of why her mother left her.

This is a coming of age story and parable about how to cope with the painful truth and find forgiveness. As Lily's young love interest puts it, "It's not just about the truth. It's about what you do with it." The two sisters illustrate different ways to deal with the hard truths of life. June has closed her heart and built a protective wall to keep out hurtful emotions. While May has completely opened her heart and feels everyone's pain. Her heart is open to joy but it is also an open wound.

I loved being in this world and a part of this loving family - so much that I stayed for a second screening. This is due in part to Gina Prince-Bythewood's excellent adaptation and the wonderful acting of Dakota Fanning, Queen Latifah, and especially Sophie Okonedo - who is literally the heart of the film.

If you're looking for a sweet way to spend the afternoon, "The Secret Life of Bees" will supply the honey.

Movie blessings! Jana Segal reel inspiration dot blogspot dot com

I caught an exclusive screening of this film a week back and I must say, it might be the best film featuring a mostly black cast since "Antwone Fisher." The story centers around Lily (Dakota Fanning), a poor, lonely little girl in the deep south, who deals with a tragic past and a miserable, cruel father (Paul Bettany). Her life revolves around dreams of being every bit like her deceased mother and her relationship with her caregiver Rosaleen (Jennifer Hudson).

In the midst of the civil rights movement, Rosaleen finds herself in some trouble with the locals, inspiring Lily to flee with her to a South Carolina town that she believes holds the secret to her mother's past. In this town, they find refuge with the Boatwright sisters (Queen Latifah, Alicia Keys and Sophie Okonedo), who take them in on the strength of a story concocted by Lily. Through their cultured world, filled with beekeeping, a lucrative honey business, religious beliefs and love, Lily finds the security she has longed for and finds the answers to questions that haunted her for years.

The director (Prince-Brythewood) did a great job at making us care about the characters, even the miserable father played excellently by Paul Bettany. Alicia Keys shows that some R&B singers can actually perform well in a movie, playing the snooty June Boatwright. However, the best performances has to be between Fanning and Okonedo, who played the gentle, simple minded, manic depressive May Boatwright. If Okonedo reminded me less of Thandie Newton's character in "Beloved," I would've predicted an Oscar nomination depending on this year's competition. Maybe there's one in store for Bettany? Its all left to be seen.

The film has its flaws. It dragged for a good portion of the first thirty minutes as we watch Lily and Rosaleen mill about, doing mundane things in their pitiful lives. But then it really picks up when they meet the Boatwright sisters. The characters were balancing on a thin line between empathetic and sympathetic. You never want to be in the latter. And the filmmakers couldn't resist being a bit schmaltzy on occasion, making most of it play like a good after school special with nothing beyond two dimensionality. And my biggest problem with the film... anti-climatic.

Overall, its a solid film and definitely worth the time in seeing.