Füge eine Handlung in deiner Sprache hinzuHayasaki is an inventor working on an Artificial Body. It is not going well and he is stressed out and on the verge of being fired from the research division of his company. His doppelganger... Alles lesenHayasaki is an inventor working on an Artificial Body. It is not going well and he is stressed out and on the verge of being fired from the research division of his company. His doppelganger appears to help him out of the rut he has created for himself.Hayasaki is an inventor working on an Artificial Body. It is not going well and he is stressed out and on the verge of being fired from the research division of his company. His doppelganger appears to help him out of the rut he has created for himself.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 wins total
Fotos
Empfohlene Bewertungen
Directed by Kiyoshi Kurosawa and written alongside Takeshi Furusawa, 'Doppelganger' is an interesting psychological-thriller-cum-black-comedy examining themes of identity, duality and free will. Kurosawa and Furusawa strike a fine balance between the humorous and the suspenseful, switching between the two in unexpected ways, which keeps the audience engaged and entertained throughout.
Using the doppelganger motif to examine what happens when one's identity is challenged by a sinister alter ego- as well as how one's choices affect one's fate- the film plunges some intriguing psychological depths. The narrative also has room to discuss the nature of selfhood, the role of technology in society and the ethical dilemmas of scientific innovation, without coming across as overly intellectual or pretentious.
This is not to say 'Doppelganger' is Kurosawa's finest film, for the narrative is somewhat uneven, and outsiders to his oeuvre may find its singular tone alienating. The last act feels rushed in comparison to the first two, despite arriving at a fantastic conclusion. Furthermore, some may find the black-comedy throughout hard to identify and enjoy, or conversely, may feel the film sacrifices some of its psychological depth for the sake of humour. However, while not as assured as his excellent 'Charisma' or as polished as the sinister 'Cure,' 'Doppelganger' is by no means unsuccessful or without narrative merit.
The cinematography, from Noriyuki Mizuguchi, is one of the true strengths of the film. It is of a minimalist style- reliant on long takes, static shots and natural lighting- which enhances the sense of realism and contrast of the surreal plot. The frequent breaking up of the image into thirds heightens the ambiguity of Michio's relationship with his doppelganger, while the use of mirrors and reflections creates a sense of confusion between the two. Additionally, the utilization of camera angles and movements- such as low-angle shots, tracking shots and zooms- emphasizes the presence and actions of Michio's double, often making him appear dominant and menacing.
The central performance from Koji Yakusho is similarly impressive. Like Jekyll and Hyde, he plays Michio and his double as two sides of the same coin; similar yet distinct. Yakusho portrays the differences between the two characters in subtle ways, including slight changes to his tone of voice, posture and facial expressions. He interacts with himself on screen convincingly, masterfully working with digital composites and body doubles to foster the illusion of two identical men. Yakusho conveys the emotions and motivations of both characters with skill and nuance, be it Michio's fear and confusion, or his double's anger and envy. The rest of the cast perform admirably, especially Hiromi Nagasaku as Yuka, Michio's love interest, and Yusuke Santamaria as Kimishima, Michio's colleague and friend, who provides both comic relief and moral support.
An intriguing and comedic exploration of the duality of man, Kiyoshi Kurosawa's 'Doppelganger' is a must see for fans of the director. Boasting an engaging narrative that examines mature themes with tact- though is never overly intellectualised- and featuring much entertaining black-comedy, it may not be Kurosawa's best film; but it is by no means a bad one. Bolstered by a terrific central performance from Koji Yakusho- and with fine cinematography throughout- 'Doppelganger' gives you a double dose of comedy and thrills that you'd be hard pressed to forget.
But unlike most of Kiyoshi Kurosawa's movies, this one doesn't take itself very seriously. It's also more of a comedy than anything else really. And this is what makes the movie such a perfectly watchable and entertaining one, even though at times you will most likely have no idea what is going on with its story.
The movie has a pretty odd but yet intriguing main premise of an inventor, who is slowly starting to loose it and a doppelganger of him starts to appear, who seems to help him out with all of his problems. This is pretty most what the movie its first half is all about. In its second half things start to take an even more weird turn. I definitely liked the movie its more slower but stylish first half better than its insane second one but still overall it all remained good and entertaining enough to keep me watching and interested till the end.
The entire movie sound weird but fact is that it's all done incredibly well. It's all nicely directed and told and also uses some good old fashioned trickery and true creativity, instead of some overly present CGI effects.
All of the actors are really likable in their roles. Kôji Yakusho is an actor that works quite often together with Kiyoshi Kurosawa and he is also one of my favorite, still working, Japanese actors, who every now and then also pops up in a big Hollywood production.
An unusual but unique and likable movie. Definitely not Kiyoshi Kurosawa's best or most interesting and provoking movie though.
7/10
http://bobafett1138.blogspot.com/
However, it's fantastic. And truly bizarre. Assigning this film a genre is a ridiculous exercise. It shifts seamlessly between moments of high emotional drama, absurdist comedy, and violence.
And underneath it all is an interesting exploration of the concept of self: The reconciliation of who one wants to be, who one is trying to avoid becoming, and who one is. As the credits rolled, I laughed, impressed.
Don't go into the film with expectations. Just try it.
Wusstest du schon
- PatzerAlle Einträge enthalten Spoiler
- VerbindungenSpoofs Jäger des verlorenen Schatzes (1981)
Top-Auswahl
Details
- Laufzeit1 Stunde 47 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1