Dopperugengâ

There are some elements of Hitchcock in the film. The set up is annoyingly slow for some people, but it's quite rewarding. The message of the film, is to listen to your own self, not the doppelganger. the doppelganger is within us, not necessarily seen. The point of him seeing is doppelganger, is that his double has the temerity to do the things he (Hayasaki) couldn't do. As he becomes bolder and more amoral he wonders is he becoming the doppelganger? Is Hayashi becoming the worst part of himself? Or perhaps his double is the real suppressed Hayashi? He discovers his ruthless, ambitious, lustful self through his double. It would make an interesting remake with issues of duality and existentialism. If we could have a conversation with ourselves, what would we say? - what would our other self say to us? This would be a fascinating concept that was done in several films - most notably "Jo Jo Dancer, Your life is Calling" - "the ghost of Christmas future showing Jimmy Stewart's future without him and his effect on others. Also "Family Man" with Nicolas Cage explored this theme. DePalma's "Raising Cain" (to a lesser degree) I thought this premise was pretty good - some may think it was a bit underdeveloped, but I liked it.

One of these days, I'll see one of these so-called "horror" films that Kiyoshi Kurosawa directs. This and "Bright Future" are the only two I've seen thus far and both were completely unexpected. Don't let the American box art deceive you: it's not a "frightening" film.

However, it's fantastic. And truly bizarre. Assigning this film a genre is a ridiculous exercise. It shifts seamlessly between moments of high emotional drama, absurdist comedy, and violence.

And underneath it all is an interesting exploration of the concept of self: The reconciliation of who one wants to be, who one is trying to avoid becoming, and who one is. As the credits rolled, I laughed, impressed.

Don't go into the film with expectations. Just try it.

Well, where can I start? The first 50 minutes were building well... and then its like they had no story to continue and a 6 year old was making up the plot. I moderately liked Kurosawa's "Cure", but this had absolutely no point to it... certainly not one that I could distinguish. The guys from Mystery Theater 3000 would have torn all those massive plot holes apart at the seams. I began to suspect that it was turning into a comedy.... honestly. I don't think I have ever seen a film fall so abruptly flat on its face. I defy anyone to explain or even remember all the plot instances (how many times did people get bashed over the noggin with a pipe or wrench?). I really don't think there was any organization in this production.... ohh, and those split screens were not particularly innovative or purposeful. The film may be the worst I have seen in many years. It was ridiculous and absurd

This is definitely Kurosawa's most overt black comedy that's conveniently disguised as a sci-fi piece. If Kubrick were still alive and happened to marry David Lynch in a surprise gay wedding and then they decided to adopt a Japanese baby, that baby would be Kiyoshi Kurosawa. Blammo! The dark humor and simmering subtext gel nicely here and definitely warrant repeated viewings. You won't find creeps and crawls like in Kurosawa's other films such as Pulse, Retribution, Cure or Seance. I guess Charisma is the closest thing to compare it to, but Doppelganger is Kurosawa's funniest film by far. It's not for everyone, but then again if you're reading this review, it's probably right up your alley.

Kiyoshi Kurosawa movies at first sight always seem like some typical genre pieces but then he does something totally unexpected with its story and approach, with as a result that his movies are often something really special and unique to watch. Also often quite weird though, as is also the case with "Dopperugengâ".

But unlike most of Kiyoshi Kurosawa's movies, this one doesn't take itself very seriously. It's also more of a comedy than anything else really. And this is what makes the movie such a perfectly watchable and entertaining one, even though at times you will most likely have no idea what is going on with its story.

The movie has a pretty odd but yet intriguing main premise of an inventor, who is slowly starting to loose it and a doppelganger of him starts to appear, who seems to help him out with all of his problems. This is pretty most what the movie its first half is all about. In its second half things start to take an even more weird turn. I definitely liked the movie its more slower but stylish first half better than its insane second one but still overall it all remained good and entertaining enough to keep me watching and interested till the end.

The entire movie sound weird but fact is that it's all done incredibly well. It's all nicely directed and told and also uses some good old fashioned trickery and true creativity, instead of some overly present CGI effects.

All of the actors are really likable in their roles. Kôji Yakusho is an actor that works quite often together with Kiyoshi Kurosawa and he is also one of my favorite, still working, Japanese actors, who every now and then also pops up in a big Hollywood production.

An unusual but unique and likable movie. Definitely not Kiyoshi Kurosawa's best or most interesting and provoking movie though.

7/10

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