Vier beste Freundinnen brüten einen Plan aus, um miteinander in Verbindung zu bleiben, wenn ihr Leben in verschiedene Richtungen beginnt: Sie gehen um eine gebrauchte Jeans herum, die perfek... Alles lesenVier beste Freundinnen brüten einen Plan aus, um miteinander in Verbindung zu bleiben, wenn ihr Leben in verschiedene Richtungen beginnt: Sie gehen um eine gebrauchte Jeans herum, die perfekt zu jedem ihrer Körper passt.Vier beste Freundinnen brüten einen Plan aus, um miteinander in Verbindung zu bleiben, wenn ihr Leben in verschiedene Richtungen beginnt: Sie gehen um eine gebrauchte Jeans herum, die perfekt zu jedem ihrer Körper passt.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 14 Nominierungen insgesamt
Maria Konstadarou
- Yia Yia
- (as Maria Konstandarou)
Jacqueline Ann Steuart
- Lena's Mother
- (as Jacqueline Stewart)
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We often have expectations that a movie will follow a book to the letter. Due to time limitations, creative ideas, etc. the film makers often need to adjust the story from the book to fit the film. As a lover of both books and film I ask that those who turn a book into a film follow the spirit and the feeling of the book. I believe the Sisterhood of the Traveling Pants director and screenwriters did just that.
Basically the book tells the story of 4 teenage girls who are experiencing their first summer apart ever, since they have known each other since birth. Unbelievably, they find a pair of jeans which fits each girl amazingly well, although they have very different body shapes. They take this to mean the pants hold some sort of magic, so promise to send the pants to each other throughout the summer and use it as a way of keeping in touch with each other (thus - the traveling pants). The pants are sent from Tibby (staying at home) to Bridget (in Baja California, Mexico at Soccer camp) to Carmen (with her father in North Carolina) to Lena (visiting her grandparents in Greece).
Three of the story lines are very true to the book, although with slight variations. Tibby's storyline is almost a perfect match to the book, Bridget's is close, and Carmen's is slightly varied showing her in a less mature light than in the book. Lena's story, on the other hand, is told completely in reverse of the book. However, I can understand the need to make this change, as the twists and turns of Lena's story in the book would have been difficult to project onto film. The end result: the girls experience the same issues in the movie as they did in the book, and they change in the way the book indicated. The "feel" of the movie is the same as that in the book.
This film is truly a coming of age story about young high school girls. It is beautifully filmed with lovely scenery from both Greece and Mexico. The actors portraying the young girls are very well cast and match the descriptions from the book. As a librarian, I can tell you that no movie can ever equal the movie you make in your head while you are reading a book. But, this movie is beautiful in its own right, and a lovely story of growing up female and experiencing love, passion, death, and disappointment. The girls learn that the love and friendship they share will help them to get through all the issues of growing up.
Basically the book tells the story of 4 teenage girls who are experiencing their first summer apart ever, since they have known each other since birth. Unbelievably, they find a pair of jeans which fits each girl amazingly well, although they have very different body shapes. They take this to mean the pants hold some sort of magic, so promise to send the pants to each other throughout the summer and use it as a way of keeping in touch with each other (thus - the traveling pants). The pants are sent from Tibby (staying at home) to Bridget (in Baja California, Mexico at Soccer camp) to Carmen (with her father in North Carolina) to Lena (visiting her grandparents in Greece).
Three of the story lines are very true to the book, although with slight variations. Tibby's storyline is almost a perfect match to the book, Bridget's is close, and Carmen's is slightly varied showing her in a less mature light than in the book. Lena's story, on the other hand, is told completely in reverse of the book. However, I can understand the need to make this change, as the twists and turns of Lena's story in the book would have been difficult to project onto film. The end result: the girls experience the same issues in the movie as they did in the book, and they change in the way the book indicated. The "feel" of the movie is the same as that in the book.
This film is truly a coming of age story about young high school girls. It is beautifully filmed with lovely scenery from both Greece and Mexico. The actors portraying the young girls are very well cast and match the descriptions from the book. As a librarian, I can tell you that no movie can ever equal the movie you make in your head while you are reading a book. But, this movie is beautiful in its own right, and a lovely story of growing up female and experiencing love, passion, death, and disappointment. The girls learn that the love and friendship they share will help them to get through all the issues of growing up.
The only magic realism in The Sisterhood of the Traveling Pants is the one, one-size-fits-all pair of jeans worn the four female friends, whose summer adventures bring a dose of realism magical only for the insights into life, the pain and pleasure that come in from age seventeen to the end. As a coming-of-age film, this ranks with the best of them for non-condescending, adult-like perceptions, with nary a "like" in the girls' vocabulary.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
Two of these lifelong chums have summer romances that transcend the usual sun and sand trifles; the other two deal with even more substantial challenges, ones that involve connecting with family or friends after years of disconnection. Sisterhood of the Traveling Pants offers no easy solutions to questions about openness, sexuality, parental neglect, and death. Rather each girl has an epiphany that grows naturally out of the frustrations accompanying inexperience and immaturity.
Love on a Greek island while riding a scooter like Audrey Hepburn through the streets of Rome demands confronting the intrusions of family reminiscent of Romeo and Juliet; love on a beach in Mexico unleashes longing for a parent that goes beyond a beautiful boy; a new life for a parent means the death of an old one for a child; and teen alienation turns to acceptance and even love through the magic of a new friend.
None of these realistic setups for teen enlightenment can make an engaging film unless the actresses are believable, and in Sisterhood each young woman carries her role with deftness and sincerity sometimes not found in the most seasoned actresses. Special recognition should be given to Jenna Boyd as 12-year old Bailey, who believably transforms one teen from misogynist to humanist. This little actress has the chops to win the Oscar someday.
The ten rules of the sisterhood are dominated by the logistical one that states, "You must pass the pants along to your sisters according to the specifications set down by the Sisterhood." FedEx does the delivery; the girls supply the specific adventures that echo the anguish and resilience of being a teen in a society that sometimes doesn't care. You will care for each girl; I guarantee it as if it were a pair of Levis, sturdy and malleable, sexy and comfortable. Come to think of itthat's Sisterhood of the Traveling Pants.
I went to see this movie with my wife and, upon entering the theater, immediately became uncomfortable. There was only one other man at the screening and he was obviously feeling a little out of place as well (although he seemed relieved to see me walk in). I was expecting a teen soap opera, but what the movie delivered was quite different. This movie is more like a modern-times "Little Women" or a teen girl version of "Dead Poets Society". In other words, it's something that I haven't seen any sign of for decades....an intelligent drama aimed at teenage girls. My response to seeing this movie was similar to how i felt after seeing "Babe". I know this is an odd comparison, but both were thoughtful, intelligent movies aimed at a target audience that is usually fed cinematic rubbish. The elements of good film-making are on full display here. Strong acting, sure-handled directing, terrific writing....everything that makes a movie great. If you are a teenage girl or have one in your life, this is an absolutely must-see movie. If you don't, you'll still have a good time.
Originally I had to read this book as part of my job reviewing fiction that is aimed at teens through young adults. The most recent trend I've noticed is the current uprise in books that talk about the real B****es of the high school world. The sex scandals, the drug busts, the foul mouthed youth...I'm only twenty and books like these have me saying "What's with those kids today" This book wasn't about that. It was about something really admirable that I would hope to read more of, an honest friendship. Plus it was well written to the point I was *EAGER* to finish it. (A note to those who haven't read...the audio book is one of the best read I've heard in ages and is worse the listen, it has the same actress as the initial trailer announcer) So I became a fan of the book and have been following this movie ever since, and as a fan I have to say that their are elements I would have liked to see in the movie, but the cut (or at least the cut at the screening) was lengthy but appropriate and did the best I think they could have to capture the book.
The real heart of this movie though is between the chemistry of the main actresses. Most of them are playing parts a good five to six years under their actual age, and yes they don't all fit the images I had in the book...but it's what they present that shows off. I think it's the added and personal experience these girls have had to go through in real life, mostly from age and experience that helps them to really develop these characters. I admire these girls friendships and connections, and at the same time I envy them...and even further on, it's seems a little too hopeful for it's own good. The world would be a better place if people could hold on like these girls do, through thick and thin, death and marriage.
Still, this movie is an excellent movie for teen audiences, and it has a lot more depth than recent fluffbits based on novels and old stories (See Ice Princess, A Cinderella Story, Confessions of a Teenage Drama Queen, etc.) It also has enough older audience humor to relate to all ages, but not to the dark (albeit funny...in a twisted sort of way) point of popular hits such as Meangirls. Personally I think it would have done better to have been released around mothers day as it's a movie definitely targeted at the female group. Mom's...you'll like this, because it's not quite to the sappy point of the notebook and retains a lot of good-natured humor. (at the same time you may not because it does discuss some teen issues...and it might insight conversations with the offspring) As a guy though...I still think it was pretty damn funny, in a heartfelt sort of way.
The real heart of this movie though is between the chemistry of the main actresses. Most of them are playing parts a good five to six years under their actual age, and yes they don't all fit the images I had in the book...but it's what they present that shows off. I think it's the added and personal experience these girls have had to go through in real life, mostly from age and experience that helps them to really develop these characters. I admire these girls friendships and connections, and at the same time I envy them...and even further on, it's seems a little too hopeful for it's own good. The world would be a better place if people could hold on like these girls do, through thick and thin, death and marriage.
Still, this movie is an excellent movie for teen audiences, and it has a lot more depth than recent fluffbits based on novels and old stories (See Ice Princess, A Cinderella Story, Confessions of a Teenage Drama Queen, etc.) It also has enough older audience humor to relate to all ages, but not to the dark (albeit funny...in a twisted sort of way) point of popular hits such as Meangirls. Personally I think it would have done better to have been released around mothers day as it's a movie definitely targeted at the female group. Mom's...you'll like this, because it's not quite to the sappy point of the notebook and retains a lot of good-natured humor. (at the same time you may not because it does discuss some teen issues...and it might insight conversations with the offspring) As a guy though...I still think it was pretty damn funny, in a heartfelt sort of way.
Tibby (Amber Tamblyn), Lena (Alexis Bledel), Carmen (America Ferrera), and Bridget (Blake Lively) are lifelong friends from birth. They find a second-hand pair of jeans that magically fit them all. They are separating for the summer but vows to stay connected by sharing the magic pants. Lena has a Greek holiday with her Greek relatives. Bridget misses her dead mom and is away at soccer camp. Carmen is meeting up with her dad (Bradley Whitford) but he surprises her with a wedding to girlfriend (Nancy Travis). Tibby is stuck working the summer and finds Bailey (Jenna Boyd) passed out in the aisle.
The biggest fundamental problem for this movie is that the girls spend most of the movie apart. The point of these types of movies is for the group to develop chemistry together. This one assumes the chemistry and split the girls up. There is a reason why the best story is Tibby and Bailey. They are actually allowed to build up a relationship. Lena's story probably the weakest. It's way too light like a frivolous Greek holiday movie. The biggest asset in the movie are the four girls plus Jenna Boyd. They are all charming. They are all compelling actresses. Each one has something to contribute to the movie. The best scenes occur when the girls have a heart felt one on one. All in all, this is a sweet melodrama.
The biggest fundamental problem for this movie is that the girls spend most of the movie apart. The point of these types of movies is for the group to develop chemistry together. This one assumes the chemistry and split the girls up. There is a reason why the best story is Tibby and Bailey. They are actually allowed to build up a relationship. Lena's story probably the weakest. It's way too light like a frivolous Greek holiday movie. The biggest asset in the movie are the four girls plus Jenna Boyd. They are all charming. They are all compelling actresses. Each one has something to contribute to the movie. The best scenes occur when the girls have a heart felt one on one. All in all, this is a sweet melodrama.
Wusstest du schon
- WissenswertesBlake Lively's (Bridget) father Ernie Lively plays her father in the movie.
- PatzerThroughout the movie, the color of the pants change. When Bailey holds them up and asks Tibby about them, the pants are light blue. Then when Bridget gets them, they are dark blue. And when Carmen wears them to go try on a dress for her dad's wedding, they are a medium blue. However, this could be part of the "magic" that adjusts the pants to each girl.
- Crazy CreditsWhen "These Days" by Chantal Kreviazuk is playing during the end credits, the pants look like the girls put all these designs on the pants of what their summer was like.
- SoundtracksTime of Our Lives
Written by Paul Van Dyk
Performed by Paul Van Dyk featuring Vega 4
Courtesy of Mute Records
Under license from EMI Film & Television Music
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Un verano en pantalones
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 39.053.061 $
- Eröffnungswochenende in den USA und in Kanada
- 9.833.340 $
- 5. Juni 2005
- Weltweiter Bruttoertrag
- 42.013.878 $
- Laufzeit
- 1 Std. 59 Min.(119 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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