IMDb-BEWERTUNG
5,1/10
5239
IHRE BEWERTUNG
Ein Mann, der bei einem Kletterunfall verkrüppelt wurde, kehrt als Teil seiner Rehabilitation in seine Hütte im Wald zurück, aber er war nicht auf den drohenden Ansturm vorbereitet.Ein Mann, der bei einem Kletterunfall verkrüppelt wurde, kehrt als Teil seiner Rehabilitation in seine Hütte im Wald zurück, aber er war nicht auf den drohenden Ansturm vorbereitet.Ein Mann, der bei einem Kletterunfall verkrüppelt wurde, kehrt als Teil seiner Rehabilitation in seine Hütte im Wald zurück, aber er war nicht auf den drohenden Ansturm vorbereitet.
- Auszeichnungen
- 2 wins total
Michael Deak
- Monster
- (as Mike Deak)
Dee Wallace
- Ethel Hoss
- (as Dee Wallace-Stone)
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Kudos to writer / director Ryan Schifrin for doing his part in keeping monster movies alive: this is actually a pretty good horror film in general, and one of the better efforts in the "Bigfoot / Sasquatch / Yeti" sub genre. It benefits from some good shocks *and* suspense, solid atmosphere, a real sense of isolation, and a formidable monster.
Schifrin is able to put a spin on his film by crossing it with "Rear Window", in which the protagonist is a paraplegic (ever-likeable Matt McCoy as Preston Rogers), who's able to tell early on that something scary is going on. He's returned home to his mountain cabin, in the company of a jerk caregiver named Otis (Christien Tinsley, also the films' creature and makeup effects designer), and notices that some attractive young women have taken up temporary residence in the cabin across from him. However, he realizes that a monster is in the area, and has to rely on his own wits since any attempt to contact authorities is met with disdain.
Veteran monster actor Mike Deak plays the creature, who's given an appropriately ugly visage by Tinsley. This particular Bigfoot is VERY nasty, and very stealthy. One of the best moments occurs when Preston looks out his window, and the creature is looking in at him. Another unqualified highlight is a characters' demise around the 77/78 minute mark. Gore hounds will laugh in appreciation.
The film isn't free from flaws, or the usual quota of truly dumb characters, but overall it's definitely enjoyable. One of its main assets is a spooky score by veteran composer Lalo Schifrin (the directors' father), and it DOES have a sense of humor to go with the chills. (Lance Henriksen, playing a hunter, tells a story of a Darwin Award winner, and then proceeds to make the classic dumb horror film mistake of wandering off on his own.)
McCoy gives a creditable, low-key performance in the lead role, and Schifrin populates his story with guest appearances by a variety of familiar faces: Jeffrey Combs, Paul Gleason, Rex Linn, Phil Morris, Tiffany Shepis, Dee Wallace. Schifrin himself can be glimpsed as a gas station attendant. For a guy who's usually not an actor, Tinsley is quite amusing in his portrayal.
Good fun from start to finish, with a priceless final shot.
Seven out of 10.
Schifrin is able to put a spin on his film by crossing it with "Rear Window", in which the protagonist is a paraplegic (ever-likeable Matt McCoy as Preston Rogers), who's able to tell early on that something scary is going on. He's returned home to his mountain cabin, in the company of a jerk caregiver named Otis (Christien Tinsley, also the films' creature and makeup effects designer), and notices that some attractive young women have taken up temporary residence in the cabin across from him. However, he realizes that a monster is in the area, and has to rely on his own wits since any attempt to contact authorities is met with disdain.
Veteran monster actor Mike Deak plays the creature, who's given an appropriately ugly visage by Tinsley. This particular Bigfoot is VERY nasty, and very stealthy. One of the best moments occurs when Preston looks out his window, and the creature is looking in at him. Another unqualified highlight is a characters' demise around the 77/78 minute mark. Gore hounds will laugh in appreciation.
The film isn't free from flaws, or the usual quota of truly dumb characters, but overall it's definitely enjoyable. One of its main assets is a spooky score by veteran composer Lalo Schifrin (the directors' father), and it DOES have a sense of humor to go with the chills. (Lance Henriksen, playing a hunter, tells a story of a Darwin Award winner, and then proceeds to make the classic dumb horror film mistake of wandering off on his own.)
McCoy gives a creditable, low-key performance in the lead role, and Schifrin populates his story with guest appearances by a variety of familiar faces: Jeffrey Combs, Paul Gleason, Rex Linn, Phil Morris, Tiffany Shepis, Dee Wallace. Schifrin himself can be glimpsed as a gas station attendant. For a guy who's usually not an actor, Tinsley is quite amusing in his portrayal.
Good fun from start to finish, with a priceless final shot.
Seven out of 10.
Six months after a climbing accident in Suicide Rock in which his cable snapped and his wife died, the crippled Rogers (Matt McCoy) returns to Flatwoods on a wheel chair nursed by Otis Wilhelm (Christien Tinsley) as part of the treatment prescribed by Dr. Rainer. They lodge in Preston's cottage and sooner Preston sees a pair of huge red eyes in the woods. He tells Otis, but he believes Preston is paranoid. Later he sees his blonde next door neighbor Karen Herdberger (Ashley Hartman) vanishing in the woods and he tries to tell her friends, but the girls believe he is a pervert peeping them. Without phone lines, Preston uses his Internet through satellite to communicate with the police, but they do not give credit to his words. In despair, Preston tries to communicate with his neighbors. Meanwhile Ziegler Dane (Lance Henriksen), Billy Hoss (Rex Linn) and their friend (Jeffrey Comb) are hunting the animal that is killing the cattle in Hoss's farm. When Ziegler finds the wounded Karen in a cave, he realizes that his friends and he are in danger.
The B-movie "Abominable" is a funny entertainment that uses the idea of "Rear Window", i.e., a man confined to his home that witnesses that there is something out there but he is not able to move or to communicate with other people, associated to the legend of the Bigfoot a.k.a. Sasquatch. This is the type of a good "bad movie", with many flaws, silly situations, naked woman etc. that is enjoyable in the end. My vote is five.
Title (Brazil): "Abominável" ("Abominable")
The B-movie "Abominable" is a funny entertainment that uses the idea of "Rear Window", i.e., a man confined to his home that witnesses that there is something out there but he is not able to move or to communicate with other people, associated to the legend of the Bigfoot a.k.a. Sasquatch. This is the type of a good "bad movie", with many flaws, silly situations, naked woman etc. that is enjoyable in the end. My vote is five.
Title (Brazil): "Abominável" ("Abominable")
I saw the end of this on the Sci-Fi channel when it first came out and figured it was crap. And while it is pretty much crap, when I watched it yesterday, I realized it's crap with style and some sweet effects. I usually hate everything that the Sci-Fi channel sponsors but this one got my attention for some reason.
The acting isn't great but it isn't terrible either. I thought Jeffrey Combs was awesome and Matt McCoy was pretty good. Everyone else was average or worse. The story is pretty good and it was very interesting watching the special and seeing that influence came from Rear Window which is an all time favorite of mine. The gore was pretty sweet and I thought the creature looked pretty cool. I also enjoyed the ending. CHeck this one out for some B-movie fun!
The acting isn't great but it isn't terrible either. I thought Jeffrey Combs was awesome and Matt McCoy was pretty good. Everyone else was average or worse. The story is pretty good and it was very interesting watching the special and seeing that influence came from Rear Window which is an all time favorite of mine. The gore was pretty sweet and I thought the creature looked pretty cool. I also enjoyed the ending. CHeck this one out for some B-movie fun!
The movies that the Sci Fi Channel premieres on Saturday nights are a decidedly mixed bag -- "mixed" meaning "bad, but watchable enough because it's free on TV". That said, Abominable is probably the best one yet and one of the few that I wouldn't have minded paying for as a rental or even in a theater (well, matinée price). Basically, it's a monster movie spliced with Rear Window, with an "abominable" man-beast as the menacing killer -- a simple story wonderfully executed with quick pacing, a strong cast of character actors, and gloriously gruesome effects. You'll appreciate it all the more next week when Boa vs. Python vs. Komodo vs. Gerbil comes on.
I have a category of movie I call a "Good, bad movie". You'll either get that statement or you won't. If you are a real movie buff, you'll appreciate the value of a good, bad movie. This is a really cool twist on the Big Foot mythology. I saw this on the Sci-Fi channel and I expected some of their usual crapola. However, I was pleasantly surprised. Certainly this isn't a masterpiece or anything. But for the obviously small budget, it was very well done. The FX were cheesy, but adequate. The script was average. But the basic plot and the cinematography set a mood that really sucks you in. It's gripping, suspenseful, and doesn't drag or bore you. Matt McCoy (Preston Rogers) was quite good, exceeding his B list status. And Haley Joel (Amanda) didn't settle for being the dumb bimbo that this part was probably written to be. She actually had a touch of depth to the character.
If you want to huddle under a blanket with your significant other and have an entertaining, suspenseful evening, I recommend Abominable.
Also, make sure you don't miss the final scene. No spoiler here, but I have to say that the final shot of the movie was B movie brilliance.
Tachyon
If you want to huddle under a blanket with your significant other and have an entertaining, suspenseful evening, I recommend Abominable.
Also, make sure you don't miss the final scene. No spoiler here, but I have to say that the final shot of the movie was B movie brilliance.
Tachyon
Wusstest du schon
- WissenswertesRex Linn agreed to act in the movie under the condition that he got to play the monster in one scene.
- Patzer(at around 4 mins) At the beginning of the movie, after the couple find the dead horse, their dog runs into the woods and is also killed. The couple go back into the house to hide and the abominable snowman comes onto their porch. When it leaves, they go out and see his footprints in the snow that they just ran through. But their footprints aren't seen.
- Zitate
Otis Wilhelm: Hey, assmonkey! Eat this!
- Crazy CreditsNo animals or Yeti were harmed in the making of this film.
- VerbindungenFeatured in Back to Genre: Making Abominable (2006)
- SoundtracksPre-Title Music: Cave and Campfire
Performed by Ruy Folguera
Written by Ruy Folguera (as Ruy Folguerra), ASCAP
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.810 $
- Eröffnungswochenende in den USA und in Kanada
- 1.810 $
- 16. Apr. 2006
- Weltweiter Bruttoertrag
- 1.810 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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