Füge eine Handlung in deiner Sprache hinzuDesperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the co... Alles lesenDesperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.Desperate to replace the relationship he had with his recently-relocated godson, a young artist (Peter Paige) is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.
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Technically, this film is well done, avoiding the usual genre clichés of most first-time gay directors. However, overall it is an uncomfortable mess. What is it trying to say? We are supposed to feel sympathy for a lead character who performs one act of stupidity after another? Anger for a mother who has every right to assume this borderline-mentally-ill man could harm her child?
What grown man in his right mind would hang out in playgrounds with children, and not expect the inevitable results? The lead is just plain creepy.
Supporting roles are uneven. The co-worker/admirer goes from bitchy to "honey" in ONE week? Najimy portrays a concerned mother as a stereotypical gay-hating shrew. The "boss" is a cartoon character. Then we have the very grounded best female friend. (Well, not so grounded...she gives this borderline retarded man a NUDE picture of her own toddler - dressed up in cowboy gear??!!)
Paige is a talented actor, but I question his writing skills, and the actual intention of this film.
What grown man in his right mind would hang out in playgrounds with children, and not expect the inevitable results? The lead is just plain creepy.
Supporting roles are uneven. The co-worker/admirer goes from bitchy to "honey" in ONE week? Najimy portrays a concerned mother as a stereotypical gay-hating shrew. The "boss" is a cartoon character. Then we have the very grounded best female friend. (Well, not so grounded...she gives this borderline retarded man a NUDE picture of her own toddler - dressed up in cowboy gear??!!)
Paige is a talented actor, but I question his writing skills, and the actual intention of this film.
First off, I have to say I adore Peter Paige. I loved him as Emmett in QAF. If I lived in Portland, I'd be trying to date him. That is, if he were single. I saw this film out of curiosity. I was wanting to see him stretch. Even cast off the QAF persona. And that was done. I did not see him as Emmett here. But the film was hard to sit through. I knew the content was going to be difficult, and that is not what I mean. Throughout the film, I kept thinking "No one is that naive! Not in this day and age." Nor can anyone afford to be, no matter how idealistic you are. So, ultimately, FOR ME, the film was a far-fetched unfolding about a dead-serious and scary issue. Worthy of exploration, undoubtedly, but this film missed the mark. Please please keep working, Peter! You are a man of much talent.
I am a gay man in the South, and while I have spent a good part of my life working with children as a camp counselor, daycare worker, and therapist, I STILL don't think I can empathize with the character Peter Paige portrays in this movie. For one, is he retarded? I don't think any grown, single, childless man who isn't just at least a little mentally challenged would think it was appropriate to spend that much time with strangers' children without good reason. Also, this character seems REALLY mentally unbalanced. He blacks out, lies about his background, cannot form a stable romantic attachment, becomes detached from reality, can only relate to children, and has what can only be described as a hyper-obsession with his godchild. I'm thinking Kathy Najimy's character in the film is right...he DOES fit the profile of a pedophile.
I don't know where Peter Paige was going with this movie, but I think he missed his mark. I rented this film, hoping for something that would break down the stereotype that gay men are freaks and pedophiles. Instead, this movie just made my skin crawl. I would NEVER, EVER let my child near a man like Paul Johnson.
Ick.
-s-
I don't know where Peter Paige was going with this movie, but I think he missed his mark. I rented this film, hoping for something that would break down the stereotype that gay men are freaks and pedophiles. Instead, this movie just made my skin crawl. I would NEVER, EVER let my child near a man like Paul Johnson.
Ick.
-s-
Re: Peter's movie debut This is a wonderful film about a horrific subject , ( eerily topical at the time of screening at the Los Angeles Outfest film festival. ) and one that very few would dare to tackle.. Peter Paige takes on that challenge and in doing so creates a moving and stunning film.
In his first feature, Peter as the writer, director and lead actor, takes us on a kaleidoscopic ride with a young gay man who by attempting to process grief crawls into denial and reverts to the safety and innocence of childhood. And in his naiveté unknowingly generates false accusations of pedophilia.
It would seem impossible to find comedic elements in such a film but Peter manages to do it masterfully and with great finesse while still voicing a profound statement of his own.
Kathy Najimi provides much of the vehicle for that humor in the unlikely role of a homophobic housewife and does it skillfully as if by second nature. The rest of the cast with each of their own unique talents create credibility to a film that beats with wildly with emotion, pathos and ultimate triumph.
In his first feature, Peter as the writer, director and lead actor, takes us on a kaleidoscopic ride with a young gay man who by attempting to process grief crawls into denial and reverts to the safety and innocence of childhood. And in his naiveté unknowingly generates false accusations of pedophilia.
It would seem impossible to find comedic elements in such a film but Peter manages to do it masterfully and with great finesse while still voicing a profound statement of his own.
Kathy Najimi provides much of the vehicle for that humor in the unlikely role of a homophobic housewife and does it skillfully as if by second nature. The rest of the cast with each of their own unique talents create credibility to a film that beats with wildly with emotion, pathos and ultimate triumph.
10ksherida
i don't know where this guy got the balls to do something like this. to tackle suburbia, fear, profiling, gays, children - in a comedy. i love how they never tell you what to think or how to feel. everybody's screwed up, just like in real life. there's not one bad performance in it. kathy najimy is awesome - totally different than the way you think of her. peter paige is great - sad and funny and weird. and gabrielle union and anthony clark are great, too. oh, and melanie lynskey is freakin' hilarious. it's worth taking a chance on - seriously. it won't be everybody's thing, but if you're tired of movies where everybody's perfect and you already know how it's going to end, check this out. i loved it.
Wusstest du schon
- WissenswertesKathy Najimy's daughter appears in the movie. When the adults have given up chasing Paul down the street and return to their kids at the park, she is the redheaded girl in a denim-blue shirt next to Susan.
- VerbindungenReferences Unwahrscheinliche Geschichten (1959)
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Details
Box Office
- Budget
- 650.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 5.361 $
- Eröffnungswochenende in den USA und in Kanada
- 2.485 $
- 25. Juni 2006
- Weltweiter Bruttoertrag
- 5.361 $
- Laufzeit
- 1 Std. 31 Min.(91 min)
- Farbe
- Sound-Mix
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